Sheet Music Network is a site for those who wants to access popular sheet music easily,
letting them download the sheet music for free for trial purposes.
It's completely free to download and try the listed sheet music, but you have to delete the files after 24 hours of trial.
Don't forget, if you like the piece of music you have just learned playing,
treat the artist with respect, and go buy the original sheet music.
Clarinet Sheet Music
"When I hear music, I fear no danger. I am invulnerable. I see no foe. I am related to the earliest times, and to the latest." Henry David Thoreau
John Philip Sousa
John Philip Sousa (November 6, 1854 – March 6, 1932) was an American composer and conductor of the late Romantic era known particularly for American military and patriotic marches. Because of his mastery of march composition and resultant prominence, he is known as "The March King". In public he was typically referenced by his full name.
Nicola Piovani
Nicola Piovani (born 26 May 1946) is an Italian light-classical musician, theater and film score composer, and winner of the 1999 Best Original Dramatic Score Oscar for the score of the Roberto Benigni film La Vita è bella, better known to English-speaking audiences as Life Is Beautiful.After high school, Piovani enrolled at the Sapienza University of Rome, receiving his degree in piano from the Verdi Conservatory in Milan in 1967, and later studied orchestration under the Greek composer Manos Hadjidakis.Among his more popular works is the score for the Federico Fellini film Intervista, his second of three collaborations with the famous director, the others being Ginger e Fred (Ginger and Fred in English) and La voce della luna (The Voice of the Moon). Years later, he composed a ballet titled Balletto Fellini.
Bach
Johann Sebastian Bach (31 March 1685 – 28 July 1750) was a German composer and organist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity. Although he introduced no new forms, he enriched the prevailing German style with a robust contrapuntal technique, an unrivalled control of harmonic and motivic organisation in composition for diverse musical forces, and the adaptation of rhythms and textures from abroad, particularly Italy and France.
Revered for their intellectual depth and technical and artistic beauty, Bach's works include the Brandenburg concertos; the Goldberg Variations; the English Suites, French Suites, Partitas, and Well-Tempered Clavier; the Mass in B Minor; the St. Matthew Passion; the St. John Passion; The Musical Offering; The Art of Fugue; the Sonatas and Partitas for violin solo; the Cello Suites; more than 200 surviving cantatas; and a similar number of organ works, including the celebrated Toccata and Fugue in D Minor.
While Bach's fame as an organist was great during his lifetime, he was not particularly well-known as a composer. His adherence to Baroque forms and contrapuntal style was considered "old-fashioned" by his contemporaries, especially late in his career when the musical fashion tended towards Rococo and later Classical styles. A revival of interest and performances of his music began early in the 19th century, and he is now widely considered to be one of the greatest composers in the Western tradition.
Revered for their intellectual depth and technical and artistic beauty, Bach's works include the Brandenburg concertos; the Goldberg Variations; the English Suites, French Suites, Partitas, and Well-Tempered Clavier; the Mass in B Minor; the St. Matthew Passion; the St. John Passion; The Musical Offering; The Art of Fugue; the Sonatas and Partitas for violin solo; the Cello Suites; more than 200 surviving cantatas; and a similar number of organ works, including the celebrated Toccata and Fugue in D Minor.
While Bach's fame as an organist was great during his lifetime, he was not particularly well-known as a composer. His adherence to Baroque forms and contrapuntal style was considered "old-fashioned" by his contemporaries, especially late in his career when the musical fashion tended towards Rococo and later Classical styles. A revival of interest and performances of his music began early in the 19th century, and he is now widely considered to be one of the greatest composers in the Western tradition.
Shinji Orito
Shinji Orito (折戸 伸治, Orito Shinji, born July 30, 1973) is a Japanese musical composer originally from Hyōgo, Japan working for the visual novel brand Key under VisualArt's. Before forming Key, Orito worked for another software company named Leaf where he contributed to four games. After leaving Leaf, Orito transferred to another company named Tactics where he had a hand in the creation of three games for that company: Dōsei, Moon, and One: Kagayaku Kisetsu e. After forming Key, Orito has put much work into such famous titles as Kanon, Air and Clannad. Orito has been influenced by the famous Japanese composers Joe Hisaishi and Yuzo Koshiro.
Eitan Katz
Eitan Katz Musical artist Songs Ki Karov Ashrecha · 2019 L'maancha L'maancha · 2005 Elul Nigun Shuvu · 2013
Alan Menken
Alan Menken (born July 22, 1949 in New Rochelle, New York) is an American Broadway and an eight-time Academy Award winning composer and pianist. Menken has collaborated with several renowned lyricists including Howard Ashman (1950-1991), Tim Rice and Stephen Schwartz.
Mozart
Wolfgang Amadeus Mozart, full name Johann Chrysostom Wolfgang Amadeus Mozart (27 January 1756 â 5 December 1791) was a prolific and influential composer of the Classical era. His over 600 compositions include works widely acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music. Mozart is among the most enduringly popular of classical composers, and many of his works are part of the standard concert repertoire.
Mozart's music, like Haydn's, stands as an archetypal example of the Classical style. His works spanned the period during which that style transformed from one exemplified by the style galant to one that began to incorporate some of the contrapuntal complexities of the late Baroque, complexities against which the galant style had been a reaction. Mozart's own stylistic development closely paralleled the development of the classical style as a whole. In addition, he was a versatile composer and wrote in almost every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. While none of these genres were new, the piano concerto was almost single-handedly developed and popularized by Mozart. He also wrote a great deal of religious music, including masses; and he composed many dances, divertimenti, serenades, and other forms of light entertainment.
The central traits of the classical style can be identified in Mozart's music. Clarity, balance, and transparency are hallmarks of his work.
Mozart's music, like Haydn's, stands as an archetypal example of the Classical style. His works spanned the period during which that style transformed from one exemplified by the style galant to one that began to incorporate some of the contrapuntal complexities of the late Baroque, complexities against which the galant style had been a reaction. Mozart's own stylistic development closely paralleled the development of the classical style as a whole. In addition, he was a versatile composer and wrote in almost every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. While none of these genres were new, the piano concerto was almost single-handedly developed and popularized by Mozart. He also wrote a great deal of religious music, including masses; and he composed many dances, divertimenti, serenades, and other forms of light entertainment.
The central traits of the classical style can be identified in Mozart's music. Clarity, balance, and transparency are hallmarks of his work.
Ottorino Respighi
Ottorino Respighi (July 9, 1879, Bologna - April 18, 1936) was an Italian composer, musicologist and conductor. He is best known for his orchestral Roman trilogy: Fontane di Roma - "Fountains of Rome"; Pini di Roma - "Pines of Rome"; and Feste Romane - "Roman Festivals". His musicological interest in 16th-, 17th- and 18th-century music led him to also compose pieces based on the music of this period.
Born in Bologna, he studied composition with Giuseppe Martucci and Nikolai Rimsky-Korsakov. Many sources indicate that he also studied briefly with Max Bruch, but in her biography of the composer, Respighi's wife asserts that this is not the case. Principally a violinist until 1908, he then turned primarily to composition. He lived in Rome from 1913.
Born in Bologna, he studied composition with Giuseppe Martucci and Nikolai Rimsky-Korsakov. Many sources indicate that he also studied briefly with Max Bruch, but in her biography of the composer, Respighi's wife asserts that this is not the case. Principally a violinist until 1908, he then turned primarily to composition. He lived in Rome from 1913.
Kento Watanabe
Kento Watanabe musician on SoundCloud and discover followers on SoundCloud | Stream tracks, albums, playlists on desktop and mobile.
Francis Scott Key
Francis Scott Key (August 1, 1779 – January 11, 1843) was an American lawyer, author, and amateur poet from Frederick, Maryland who is best known for writing a poem which later became the lyrics for the United States' national anthem, "The Star-Spangled Banner".
During the War of 1812, Key observed the British bombardment of Fort McHenry in Maryland in 1814. Key was inspired upon viewing the American flag still flying over the fort at dawn, and wrote the poem or lyric "Defence of Fort M'Henry", which was published within a week with the suggested tune the popular song "To Anacreon in Heaven." The song with Key's lyrics became known as "The Star-Spangled Banner," and slowly gained in popularity as an unofficial anthem over the years, finally achieving official status more than a century later under President Herbert Hoover as the United States national anthem.
During the War of 1812, Key observed the British bombardment of Fort McHenry in Maryland in 1814. Key was inspired upon viewing the American flag still flying over the fort at dawn, and wrote the poem or lyric "Defence of Fort M'Henry", which was published within a week with the suggested tune the popular song "To Anacreon in Heaven." The song with Key's lyrics became known as "The Star-Spangled Banner," and slowly gained in popularity as an unofficial anthem over the years, finally achieving official status more than a century later under President Herbert Hoover as the United States national anthem.
Ludwig van Beethoven
Ludwig van Beethoven (/ˈlʊdvɪɡ væn ˈbeɪt(h)oʊvən/ (About this soundlisten); German: (About this soundlisten); baptised 17 December 1770 – 26 March 1827) was a German composer and pianist. A crucial figure in the transition between the classical and romantic eras in classical music, he remains one of the most recognized and influential musicians of this period, and is considered to be one of the greatest composers of all time.
Beethoven was born in Bonn, the capital of the Electorate of Cologne, and part of the Holy Roman Empire. He displayed his musical talents at an early age and was vigorously taught by his father Johann van Beethoven, and was later taught by composer and conductor Christian Gottlob Neefe. At age 21, he moved to Vienna and studied composition with Joseph Haydn. Beethoven then gained a reputation as a virtuoso pianist, and was soon courted by Prince Lichnowsky for compositions, which resulted in Opus 1 in 1795.
Beethoven was born in Bonn, the capital of the Electorate of Cologne, and part of the Holy Roman Empire. He displayed his musical talents at an early age and was vigorously taught by his father Johann van Beethoven, and was later taught by composer and conductor Christian Gottlob Neefe. At age 21, he moved to Vienna and studied composition with Joseph Haydn. Beethoven then gained a reputation as a virtuoso pianist, and was soon courted by Prince Lichnowsky for compositions, which resulted in Opus 1 in 1795.
Wada Kouji
Kōji Wada was a Japanese pop singer. He was best known for performing theme songs for several installments of the Digimon anime television series, including his recording debut in 1999 with his first and most famous single, "Butter-Fly", the theme song of the anime Digimon Adventure.
Francesco Chiari
Live & studio recording, composing, arranging. Specialties: bassist, guitarist, programming, mix engineer. I have worked for artists such as Kalimba, Alejandra Guzmán, Erik Rubin, Yuridia, Reik, Aneeka, Anahí, Miro. I made the Reik's Remix Peligro. Score of the Mexican film Como Filmar a XXX distribution of Videocine
Patrick Doyle
Patrick Doyle is a Scottish film composer. A longtime collaborator of actor-director Kenneth Branagh, Doyle is known for his work composing for films such as Henry V, Sense and Sensibility, Hamlet, and Gosford Park, as well as Harry Potter and the Goblet of Fire, Eragon, Rise of the Planet of the Apes, and Thor.
Astor Piazzolla
Ástor Pantaleón Piazzolla (March 11, 1921 – July 4, 1992) was an Argentine tango composer and bandoneón player. His oeuvre revolutionized the traditional tango into a new style termed nuevo tango, incorporating elements from jazz and classical music. An excellent bandoneonist, he regularly performed his own compositions with different ensembles.
Piazzolla's nuevo tango was distinct from the traditional tango in its incorporation of elements of jazz, its use of extended harmonies and dissonance, its use of counterpoint, and its ventures into extended compositional forms. As Argentine psychoanalyst Carlos Kuri has pointed out, Piazzolla's fusion of tango with this wide range of other recognizable Western musical elements was so successful that it produced a new individual style transcending these influences. It is precisely this success, and individuality, that makes it hard to pin down where particular influences reside in his compositions, but some aspects are clear. The use of the passacaglia technique of a circulating bass line and harmonic sequence, invented and much used in 17th and 18th century baroque music but also central to the idea of jazz "changes", predominates in most of Piazzolla's mature compositions. Another clear reference to the baroque is the often complex and virtuosic counterpoint that sometimes follows strict fugal behavior but more often simply allows each performer in the group to assert his voice. A further technique that emphasises this sense of democracy and freedom among the musicians is improvisation that is borrowed from jazz in concept, but in practice involves a different vocabulary of scales and rhythms that stay within the parameters of the established tango sound-world. Pablo Ziegler has been particularly responsible for developing this aspect of the style both within Piazzolla's groups and since the composer's death.
Piazzolla's nuevo tango was distinct from the traditional tango in its incorporation of elements of jazz, its use of extended harmonies and dissonance, its use of counterpoint, and its ventures into extended compositional forms. As Argentine psychoanalyst Carlos Kuri has pointed out, Piazzolla's fusion of tango with this wide range of other recognizable Western musical elements was so successful that it produced a new individual style transcending these influences. It is precisely this success, and individuality, that makes it hard to pin down where particular influences reside in his compositions, but some aspects are clear. The use of the passacaglia technique of a circulating bass line and harmonic sequence, invented and much used in 17th and 18th century baroque music but also central to the idea of jazz "changes", predominates in most of Piazzolla's mature compositions. Another clear reference to the baroque is the often complex and virtuosic counterpoint that sometimes follows strict fugal behavior but more often simply allows each performer in the group to assert his voice. A further technique that emphasises this sense of democracy and freedom among the musicians is improvisation that is borrowed from jazz in concept, but in practice involves a different vocabulary of scales and rhythms that stay within the parameters of the established tango sound-world. Pablo Ziegler has been particularly responsible for developing this aspect of the style both within Piazzolla's groups and since the composer's death.
Caro Emerald
Caroline Esmeralda van der Leeuw (born 26 April 1981), known by her stage name Caro Emerald, is a Dutch pop and jazz singer who mainly performs in English. Active since 2007, she rose to prominence in 2009 with her debut single, "Back It Up". Her follow-up single "A Night Like This" topped charts in the Netherlands. Emerald is often praised for her outstanding live performances.
Ilio Volante
Was born in Italy in 1964, he was still a teen ager when he started his music studies (saxophone) showing from the very beginning a particular predisposition towards the music composition and Jazz music. At the age of 19 he won the audition for the Italian National Army Band stationed in Rome. He served it for 10 years under the direction of Col. Marino BARTOLONI. After this, he played in the Grenadiers of Sardinia’s Band (Rome) and the Shape International Band (the official Nato Band) stationed in Mons (BELGIUM). In this last post, he covered for three years the 1st Tenor Saxophone slot helping the Director, MSg Allen WITTIG, in doing the original arrangements for the Big Band. http://www.iliovolante.com http://www.musicaperbanda.com
Traditional
Mychael Danna
Mychael Danna (born September 20, 1958) is a Canadian composer of film and television scores. He won both the Golden Globe and Oscar for Best Original Score for Life of Pi. He has also won an Emmy Award for Outstanding Music Composition for a Miniseries, Movie or a Special (Original Dramatic Score) in his work on the miniseries World Without End.
Shigeru Kan-no
Shigeru Kan-no (菅野 茂, Kan'no Shigeru) (born May 3, 1959) is a Japanese composer and conductor living in Germany.[2Shigeru Kan-no was born in Fukushima, Japan. He now lives as a free-lance composer and conductor in Westerwald, Germany. His repertoire includes over 100 operas and 700 concert pieces. He is also a talented performer, able to play piano, organ, violin, cello, percussion and lyre. As a pianist in the contemporary repertoire, he has played the music of Pierre Boulez, Karlheinz Stockhausen, Helmut Lachenmann, Giacinto Scelsi, Arvo Pärt, Luciano Berio, Sati, Karkoschka, Blume, etc.
Rudy Clark
Rudolph Clark was an American songwriter credited with hit songs such as "If You Gotta Make a Fool of Somebody", "Got My Mind Set on You", "The Shoop Shoop Song", and "Good Lovin'". He was most active from the early 1960s through the early 1970s. He has more than 250 copyrights listed by BMI.
Fred Dantas
Frederico Meireles Dantas (Salvador, Bahia, November 12, 1959) is professionally known as Maestro Fred Dantas. Founding member of the Academy of Letters and Arts of Salvador, he occupies the chair whose patron is Anísio Teixeira. He is the son of Dorivaldo Dantas, a doctor, and Edith Meirelles Dantas, a teacher. He, a doctor from the Dantas family, ranchers with roots in Curaçá, on the banks of the São Francisco River. She, originated from the Meirelles family, with roots in the south of Bahia, clove and cocoa farmers between Cayru and Taperoá.
Music theory
Music theory is the study of the practices and possibilities of music. The Oxford Companion to Music describes three interrelated uses of the term "music theory"
Claude-Michel Schonberg
Claude-Michel Schönberg is a French record producer, actor, singer, songwriter, and musical theatre composer, best known for his collaborations with lyricist Alain Boublil. Major works include La Révolution Française, Les Misérables, Miss Saigon, Martin Guerre, The Pirate Queen, and Marguerite.
Rimsky-Korsakoff
Nikolai Andreyevich Rimsky-Korsakov, also Nikolay, Nicolai, and Rimsky-Korsakoff, (18 March 1908) was a Russian composer, one of Russian composers known as "The Five", and was later a teacher of harmony and orchestration. He is particularly noted for a predilection for folk and fairy-tale subjects, and for his extraordinary skill in orchestration, which may have been influenced by his synesthesia. The first part of his surname, Rimsky, is due to the fact that some of his forefathers undertook a pilgrimage to Rome.
Like his compatriot Cui, he expended his greatest efforts on his 15 operas. Subjects range from historical melodramas (The Tsar's Bride) to folk operas (May Night) to fairytales and legends (Snowmaiden, Kashchey the Immortal and The Tale of Tsar Saltan). In juxtaposed depictions of real and fantastic, the operas invoke folk melodies, realistic declamation, lyrical melodies, and artificially-constructed harmonies with effective orchestral expression. Most of Rimsky-Korsakov's operas remain in the standard repertoire in Russia to this day. While the operas themselves are not well-known in the West, many selections are familiar to Western audiences. These excerpts include "The Dance of the Tumblers" from Snowmaiden, "Procession of the Nobles" from Mlada, "Song of the Indian Guest" (or, less accurately, "Song of India,") from Sadko, and "Flight of the Bumblebee" from Tsar Saltan, as well as suites from The Golden Cockerel and The Legend of the Invisible City of Kitezh and the Maiden Fevroniya.
Rimsky-Korsakov's status in the West has long been based on his orchestral compositions. Best known among these are Capriccio espagnol, Russian Easter Festival Overture, and the symphonic suite Scheherazade. Scheherazade is often cited as a textbook example of Russian orientalism. Likewise, while Capriccio espagnol could be considered a continuation of Glinka's Spanish Fantasies pittoresques, the vibrancy of Rimsky-Korsakov's orchestration far outshines Glinka's effort. It also served as a model for Maurice Ravel's Rapsodie espagnole.
Smaller-scaled works include dozens of art songs, arrangements of folk songs, some chamber and piano music, and a considerable number of choral works, both secular and for Russian Orthodox Church service, including settings of portions of the Liturgy of St. John Chrysostom (the latter despite his staunch atheism).
Like his compatriot Cui, he expended his greatest efforts on his 15 operas. Subjects range from historical melodramas (The Tsar's Bride) to folk operas (May Night) to fairytales and legends (Snowmaiden, Kashchey the Immortal and The Tale of Tsar Saltan). In juxtaposed depictions of real and fantastic, the operas invoke folk melodies, realistic declamation, lyrical melodies, and artificially-constructed harmonies with effective orchestral expression. Most of Rimsky-Korsakov's operas remain in the standard repertoire in Russia to this day. While the operas themselves are not well-known in the West, many selections are familiar to Western audiences. These excerpts include "The Dance of the Tumblers" from Snowmaiden, "Procession of the Nobles" from Mlada, "Song of the Indian Guest" (or, less accurately, "Song of India,") from Sadko, and "Flight of the Bumblebee" from Tsar Saltan, as well as suites from The Golden Cockerel and The Legend of the Invisible City of Kitezh and the Maiden Fevroniya.
Rimsky-Korsakov's status in the West has long been based on his orchestral compositions. Best known among these are Capriccio espagnol, Russian Easter Festival Overture, and the symphonic suite Scheherazade. Scheherazade is often cited as a textbook example of Russian orientalism. Likewise, while Capriccio espagnol could be considered a continuation of Glinka's Spanish Fantasies pittoresques, the vibrancy of Rimsky-Korsakov's orchestration far outshines Glinka's effort. It also served as a model for Maurice Ravel's Rapsodie espagnole.
Smaller-scaled works include dozens of art songs, arrangements of folk songs, some chamber and piano music, and a considerable number of choral works, both secular and for Russian Orthodox Church service, including settings of portions of the Liturgy of St. John Chrysostom (the latter despite his staunch atheism).
Giorgio Moroder
Giovanni Giorgio Moroder (Italian pronunciation: , German: ; born 26 April 1940) is an Italian composer, songwriter, and record producer. Dubbed the "Father of Disco", Moroder is credited with pioneering euro disco and electronic dance music, and his work with synthesizers had a huge influence on several music genres such as Hi-NRG, Italo disco, new wave, house and techno music.
Michael Patti
Michael Patti is a composer, orchestrator and synthestrator of music for film and games in Los Angeles, ..Works with: Azeroth Music Movies: Speechless, Look Away, Love Thy Neighbor Albums: StarCraft II: Legacy of the Void
W.A. Mozart
Wolfgang Amadeus Mozart (German: , full baptismal name Johannes Chrysostomus Wolfgangus Theophilus Mozart (27 January 1756 – 5 December 1791), was a prolific and influential composer of the Classical era. He composed over 600 works, many acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music. He is among the most enduringly popular of classical composers.
Mozart showed prodigious ability from his earliest childhood in Salzburg. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty; at 17 he was engaged as a court musician in Salzburg, but grew restless and traveled in search of a better position, always composing abundantly. While visiting Vienna in 1781, he was dismissed from his Salzburg position. He chose to stay in the capital, where he achieved fame but little financial security. During his final years in Vienna, he composed many of his best-known symphonies, concertos, and operas, and the Requiem. The circumstances of his early death have been much mythologized. He was survived by his wife Constanze and two sons.
Mozart learned voraciously from others, and developed a brilliance and maturity of style that encompassed the light and graceful along with the dark and passionate—the whole informed by a vision of humanity "redeemed through art, forgiven, and reconciled with nature and the absolute." His influence on subsequent Western art music is profound. Beethoven wrote his own early compositions in the shadow of Mozart, of whom Joseph Haydn wrote that "posterity will not see such a talent again in 100 years."
Mozart showed prodigious ability from his earliest childhood in Salzburg. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty; at 17 he was engaged as a court musician in Salzburg, but grew restless and traveled in search of a better position, always composing abundantly. While visiting Vienna in 1781, he was dismissed from his Salzburg position. He chose to stay in the capital, where he achieved fame but little financial security. During his final years in Vienna, he composed many of his best-known symphonies, concertos, and operas, and the Requiem. The circumstances of his early death have been much mythologized. He was survived by his wife Constanze and two sons.
Mozart learned voraciously from others, and developed a brilliance and maturity of style that encompassed the light and graceful along with the dark and passionate—the whole informed by a vision of humanity "redeemed through art, forgiven, and reconciled with nature and the absolute." His influence on subsequent Western art music is profound. Beethoven wrote his own early compositions in the shadow of Mozart, of whom Joseph Haydn wrote that "posterity will not see such a talent again in 100 years."
Ettore Pozzoli
Ettore Pozzoli (July 23, 1873 – November 9, 1957) was an Italian classical pianist and composer.Born in the Italian city of Seregno, Ettore Pozzoli began his career soon after he received his music diploma from the Milan Conservatory in 1895. While writing music for piano and orchestra, he started teaching at the Milan Conservatory. His works on theory and solfeggio, even nowadays considered the basis of the studies of any pianist, are known for the progressive difficulty, for harmony and counterpoint. His composition “Danza fantastica” was chosen in 1956 as the compulsory piece for competitors at the sixth World Accordion Contest in Gdańsk. Pozzoli died on 9 November 1957 in Seregno (Italy), where, since 1959, an international piano contest in his honour takes place organized by the City.
John Mackey
John Mackey (born October 1, 1973) is an American composer of contemporary classical music, with an emphasis on music for wind band, as well as orchestra. For several years, he focused on music for modern dance and ballet.John Mackey was born in New Philadelphia, Ohio and grew up in Westerville, Ohio, where he attended Westerville South High School. Though musicians themselves, Mackey's parents did not provide him with music lessons, and he never formally studied an instrument. His grandfather, however, taught him to read music and introduced him to digital music notation.
Carl Neilson
Carl August Nielsen was a Danish composer, conductor and violinist, widely recognized as his country's most prominent composer. Brought up by poor yet musically talented parents on the island of Funen, he demonstrated his musical abilities at an early age.
Rick van Veldhuizen
Rick van Veldhuizen - composer. 201 likes · 1 talking about this. Rick van Veldhuizen (*1994); contemporary composer. Student at the Conservatory of...
Osório Duque-Estrada
Joaquim Osório Duque-Estrada was a Brazilian poet, essayist, journalist, literary critic and professor. He is famous for writing in 1909 a poem that would become the lyrics of the Brazilian National Anthem in 1922. He occupied the 17th chair of the Brazilian Academy of Letters from 1915 until his death in 1927.
Tim Risher
Tim Risher is an American composer. Risher received his B.A. in Music at the University of Central Florida and his M.M. in music composition from Florida State University. While living in Tallahassee, Florida, Risher was a member of the new music ensembles Paragaté and Tallahassee Camerata.
Walter Schneider-Argenbühl
Walter Schneider-Argenbühl Composer Born: September 26, 1924 Died: July 4, 2000.
Igor Stravinsky
Igor Fyodorovich Stravinsky (17 June 1882 – 6 April 1971) was a Russian-born, naturalised French, later naturalised American composer, pianist, and conductor.
He is widely acknowledged as one of the most important and influential composers of 20th century music. He was a quintessentially cosmopolitan Russian who was named by Time magazine as one of the 100 most influential people of the century. He became a naturalised French citizen in 1934 and a naturalized US citizen in 1945. In addition to the recognition he received for his compositions, he also achieved fame as a pianist and a conductor, often at the premieres of his works.
Stravinsky's compositional career was notable for its stylistic diversity. He first achieved international fame with three ballets commissioned by the impresario Sergei Diaghilev and performed by Diaghilev's Ballets Russes (Russian Ballets): The Firebird (1910), Petrushka (1911/1947), and The Rite of Spring (1913). The Rite, whose premiere provoked a riot, transformed the way in which subsequent composers thought about rhythmic structure, and was largely responsible for Stravinsky's enduring reputation as a musical revolutionary, pushing the boundaries of musical design.
After this first Russian phase Stravinsky turned to neoclassicism in the 1920s. The works from this period tended to make use of traditional musical forms (concerto grosso, fugue, symphony), frequently concealed a vein of intense emotion beneath a surface appearance of detachment or austerity, and often paid tribute to the music of earlier masters, for example J.S. Bach and Tchaikovsky.
In the 1950s he adopted serial procedures, using the new techniques over his last twenty years. Stravinsky's compositions of this period share traits with examples of his earlier output: rhythmic energy, the construction of extended melodic ideas out of a few two- or three-note cells, and clarity of form, of instrumentation, and of utterance.
He also published a number of books throughout his career, almost always with the aid of a collaborator, sometimes uncredited. In his 1936 autobiography, Chronicles of My Life, written with the help of Walter Nouvel, Stravinsky included his well-known statement that "music is, by its very nature, essentially powerless to express anything at all." With Alexis Roland-Manuel and Pierre Souvtchinsky he wrote his 1939–40 Harvard University Charles Eliot Norton Lectures, which were delivered in French and later collected under the title Poétique musicale in 1942 (translated in 1947 as Poetics of Music). Several interviews in which the composer spoke to Robert Craft were published as Conversations with Igor Stravinsky. They collaborated on five further volumes over the following decade.
He is widely acknowledged as one of the most important and influential composers of 20th century music. He was a quintessentially cosmopolitan Russian who was named by Time magazine as one of the 100 most influential people of the century. He became a naturalised French citizen in 1934 and a naturalized US citizen in 1945. In addition to the recognition he received for his compositions, he also achieved fame as a pianist and a conductor, often at the premieres of his works.
Stravinsky's compositional career was notable for its stylistic diversity. He first achieved international fame with three ballets commissioned by the impresario Sergei Diaghilev and performed by Diaghilev's Ballets Russes (Russian Ballets): The Firebird (1910), Petrushka (1911/1947), and The Rite of Spring (1913). The Rite, whose premiere provoked a riot, transformed the way in which subsequent composers thought about rhythmic structure, and was largely responsible for Stravinsky's enduring reputation as a musical revolutionary, pushing the boundaries of musical design.
After this first Russian phase Stravinsky turned to neoclassicism in the 1920s. The works from this period tended to make use of traditional musical forms (concerto grosso, fugue, symphony), frequently concealed a vein of intense emotion beneath a surface appearance of detachment or austerity, and often paid tribute to the music of earlier masters, for example J.S. Bach and Tchaikovsky.
In the 1950s he adopted serial procedures, using the new techniques over his last twenty years. Stravinsky's compositions of this period share traits with examples of his earlier output: rhythmic energy, the construction of extended melodic ideas out of a few two- or three-note cells, and clarity of form, of instrumentation, and of utterance.
He also published a number of books throughout his career, almost always with the aid of a collaborator, sometimes uncredited. In his 1936 autobiography, Chronicles of My Life, written with the help of Walter Nouvel, Stravinsky included his well-known statement that "music is, by its very nature, essentially powerless to express anything at all." With Alexis Roland-Manuel and Pierre Souvtchinsky he wrote his 1939–40 Harvard University Charles Eliot Norton Lectures, which were delivered in French and later collected under the title Poétique musicale in 1942 (translated in 1947 as Poetics of Music). Several interviews in which the composer spoke to Robert Craft were published as Conversations with Igor Stravinsky. They collaborated on five further volumes over the following decade.
George Gershwin
George Gershwin (September 26, 1898 – July 11, 1937) was an American composer. He wrote most of his vocal and theatrical works in collaboration with his elder brother, lyricist Ira Gershwin. George Gershwin composed songs both for Broadway and for the classical concert hall. He also wrote popular songs with success.
Many of his compositions have been used on television and in numerous films, and many became jazz standards. The jazz singer Ella Fitzgerald recorded many of the Gershwins' songs on her 1959 Gershwin Songbook (arranged by Nelson Riddle). Countless singers and musicians have recorded Gershwin songs, including Fred Astaire, Louis Armstrong, Al Jolson, Bobby Darin, Art Tatum, Bing Crosby, Janis Joplin, John Coltrane, Frank Sinatra, Billie Holiday, Sam Cooke, Miles Davis, Herbie Hancock, Madonna, Judy Garland, Julie Andrews, Barbra Streisand, Marni Nixon, Natalie Cole, Patti Austin, Nina Simone, Maureen McGovern, John Fahey, The Residents, Than & Sam, Sublime, and Sting. A residential building is named after him on the Stony Brook University campus.
Many of his compositions have been used on television and in numerous films, and many became jazz standards. The jazz singer Ella Fitzgerald recorded many of the Gershwins' songs on her 1959 Gershwin Songbook (arranged by Nelson Riddle). Countless singers and musicians have recorded Gershwin songs, including Fred Astaire, Louis Armstrong, Al Jolson, Bobby Darin, Art Tatum, Bing Crosby, Janis Joplin, John Coltrane, Frank Sinatra, Billie Holiday, Sam Cooke, Miles Davis, Herbie Hancock, Madonna, Judy Garland, Julie Andrews, Barbra Streisand, Marni Nixon, Natalie Cole, Patti Austin, Nina Simone, Maureen McGovern, John Fahey, The Residents, Than & Sam, Sublime, and Sting. A residential building is named after him on the Stony Brook University campus.
Frank Ticheli
Frank Ticheli is an American composer of orchestral, choral, chamber, and concert band works. He lives in Los Angeles, California, where he is a Professor of Composition at the University of Southern California.
Bernard Dewagtere
Doctor of musicology, conductor and composer, I manage ACCELERANDO, vocational musical school
Scott Joplin
Scott Joplin (between June 1867 and January 1868 – April 1, 1917) was an American musician and composer of ragtime music. He remains the best-known ragtime figure and is regarded as one of the three most important composers of classic ragtime, along with James Scott and Joseph Lamb, and also a precursor to Stride Piano. Decades after his death, his music enjoyed a considerable surge of popularity and critical respect in the 1970s, especially for his most famous composition, "The Entertainer."
Even at the time of publication, Joplin's publisher John Stark was claiming that the rags had obtained classical status, and "lifted ragtime from its low estate and lined it up with Beethoven and Bach".
Even at the time of publication, Joplin's publisher John Stark was claiming that the rags had obtained classical status, and "lifted ragtime from its low estate and lined it up with Beethoven and Bach".
Debussy
Achille-Claude Debussy (August 22, 1862 – March 25, 1918) was a French composer. Along with Maurice Ravel, he is considered one of the most prominent figures working within the field of Impressionist music, though he himself intensely disliked the term when applied to his compositions. Debussy was not only among the most important of all French composers but also was a central figure in all European music at the turn of the twentieth century.
Debussy's music virtually defines the transition from late-Romantic music to twentieth century modernist music. In French literary circles, the style of this period was known as Symbolism, a movement that directly inspired Debussy both as a composer and as an active cultural participant.
Debussy's music virtually defines the transition from late-Romantic music to twentieth century modernist music. In French literary circles, the style of this period was known as Symbolism, a movement that directly inspired Debussy both as a composer and as an active cultural participant.
Joquim A. Naegele
Joaquim Antônio Langsdorf Naegele (June 2, 1899 – March 3, 1986) was a Brazilian conductor, composer and journalist.
Conductor Joaquim Naegele is one of the musical references in Brazil when it comes to composition for musical bands.
He began studying music as a boy, one of his teachers being the illustrious conductor Francisco Braga, with whom he completed his theoretical training.In 1942, he created the Sociedade Musical Flor do Ritmo, located in the suburb of Piedade, moving in 1952 to Méier, both in Rio de Janeiro. Some prominent characters in Brazilian culture, such as Wilson das Neves, Elza Soares, Zeca Pagodinho, Bezerra da Silva and many others, began their musical training at their school.
Conductor Joaquim Naegele is one of the musical references in Brazil when it comes to composition for musical bands.
He began studying music as a boy, one of his teachers being the illustrious conductor Francisco Braga, with whom he completed his theoretical training.In 1942, he created the Sociedade Musical Flor do Ritmo, located in the suburb of Piedade, moving in 1952 to Méier, both in Rio de Janeiro. Some prominent characters in Brazilian culture, such as Wilson das Neves, Elza Soares, Zeca Pagodinho, Bezerra da Silva and many others, began their musical training at their school.
Robert Browne Hall
Robert Browne Hall, usually known as R. B. Hall, was a leading composer of marches and other music for American Wind bands. A principal American composer of marching music, he was born in Bowdoinham, Maine and seldom left his native state during his lifetime, dying in Portland.
Jeremiah Clarke
Jeremiah Clarke (c. 1674 – 1 December 1707) was an English baroque composer and organist, best known for his Trumpet Voluntary, a popular piece often played at wedding ceremonies.The exact date of Clarke's birth has been debated. The Dictionary of National Biography states that Clarke "is said to have been born in 1669 (though probably the date should be earlier)." Most sources say that he is thought to have been born in London around 1674.Clarke was one of the pupils of John Blow at St Paul's Cathedral and a chorister in 1685 at the Chapel Royal. Between 1692 and 1695 he was an organist at Winchester College, then between 1699 and 1704 he was an organist at St Paul's Cathedral. He later became an organist and 'Gentleman extraordinary' at the Chapel Royal, he shared that post with fellow composer William Croft, his friend. They were succeeded by John Blow.
Yehezkel Braun
Yehezkel Braun (Hebrew: יחזקאל בראון; January 18, 1922 – August 27, 2014) was an Israeli composer. Yehezkel Braun was born in Breslau, Germany. The family moved to Mandate Palestine when he was two. He grew up surrounded by Jewish and East-Mediterranean traditional music that influenced his later compositions.Braun was a graduate of the Israel Academy of Music and held a master's degree in Classical Studies from Tel Aviv University.In 1975, Braun studied Gregorian chant with Dom Jean Claire at the Benedictine monastery of Solesmes in France. His main academic interests were traditional Jewish melodies and Gregorian chants. He lectured on these and other subjects at universities and congresses in England, France, the United States and Germany. Yehezkel Braun was Professor Emeritus at Tel Aviv University.
Shlomo Katz
(Hebrew: שלמה כץ) is a contemporary religious Jewish singer in Israel.