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Clarinet Sheet Music
"When I hear music, I fear no danger. I am invulnerable. I see no foe. I am related to the earliest times, and to the latest." Henry David Thoreau
Felipe Rose
Felipe Rose is an American musician who was an original member of the disco group the Village People. While in the group, he performed as an "Indian" character - usually wearing a warbonnet and loincloth - from 1977 until 2017, when the name of the group was turned over to original lead singer Victor Willis.
H.Klose
Hyacinthe Eléonore Klosé (11 October 1808 – 29 August 1880) was a French clarinet player, professor at the Conservatoire de Paris, and composer.Klosé was born in Corfu (Greece). He was second clarinet at the Théâtre Italien to Frédéric Berr beginning in 1836, then to Iwan Müller following Berr's death in 1838, finally becoming solo clarinettist when Müller left in 1841.In the Paris Conservatory, Klosé had many notable pupils including:
Paganini
Niccolò Paganini (27 October 1782 – 27 May 1840) was an Italian violinist, violist, guitarist, and composer. He was one of the most celebrated violin virtuosi of his time, and left his mark as one of the pillars of modern violin technique. His caprice in A minor, Op. 1 No. 24 is among his best known of compositions, and serves as inspiration for many prominent artists.
Paganini composed his own works to play exclusively in his concerts, all of which had profound influences on the evolution of violin techniques. His 24 Caprices were probably composed in the period between 1805 to 1809, while he was in the service of the Baciocchi court. Also during this period, he composed the majority of the solo pieces, duo-sonatas,trios and quartets for the guitar. These chamber works may have been inspired by the publication, in Lucca, of the guitar quintets of Boccherini. Many of his variations (and he has become the de facto master of this musical genre), including Le Streghe, The Carnival of Venice, and Nel cor più non mi sento, were composed, or at least first performed, before his European concert tour.
Playbill of Paganini's concert at the Covent Garden in 1832. Note that all solo pieces were of his composition, which was typical of all his concerts.
Generally speaking, Paganini's compositions were technically imaginative, and the timbre of the instrument was greatly expanded as a result of these works. Sounds of different musical instruments and animals were often imitated. One such composition was titled Il Fandango Spanolo (The Spanish Dance), which featured a series of humorous imitations of farm animals. Even more outrageous was a solo piece Duetto Amoroso, in which the sighs and groans of lovers were intimately depicted on the violin. Fortunately there survives a manuscript of the Duetto which has been recorded, while the existence of the Fandango is known only through concert posters.
However, his works were criticized for lacking characteristics of true polyphonism, as pointed out by Eugène Ysaÿe. Yehudi Menuhin, on the other hand, suggested that this might have been the result of his reliance on the guitar (in lieu of the piano) as an aid in composition. The orchestral parts for his concertos were often polite, unadventurous, and clearly supportive of the soloist. In this, his style is consistent with that of other Italian composers such as Paisiello, Rossini and Donizetti, who were influenced by the guitar-song milieu of Naples during this period.
Paganini was also the inspiration of many prominent composers. Both "La Campanella" and the A minor caprice (Nr. 24) have been an object of interest for a number of composers. Franz Liszt, Johannes Brahms, Sergei Rachmaninoff, Boris Blacher, Andrew Lloyd Webber, George Rochberg and Witold Lutosławski, among others, wrote well-known variations on these themes.
Paganini composed his own works to play exclusively in his concerts, all of which had profound influences on the evolution of violin techniques. His 24 Caprices were probably composed in the period between 1805 to 1809, while he was in the service of the Baciocchi court. Also during this period, he composed the majority of the solo pieces, duo-sonatas,trios and quartets for the guitar. These chamber works may have been inspired by the publication, in Lucca, of the guitar quintets of Boccherini. Many of his variations (and he has become the de facto master of this musical genre), including Le Streghe, The Carnival of Venice, and Nel cor più non mi sento, were composed, or at least first performed, before his European concert tour.
Playbill of Paganini's concert at the Covent Garden in 1832. Note that all solo pieces were of his composition, which was typical of all his concerts.
Generally speaking, Paganini's compositions were technically imaginative, and the timbre of the instrument was greatly expanded as a result of these works. Sounds of different musical instruments and animals were often imitated. One such composition was titled Il Fandango Spanolo (The Spanish Dance), which featured a series of humorous imitations of farm animals. Even more outrageous was a solo piece Duetto Amoroso, in which the sighs and groans of lovers were intimately depicted on the violin. Fortunately there survives a manuscript of the Duetto which has been recorded, while the existence of the Fandango is known only through concert posters.
However, his works were criticized for lacking characteristics of true polyphonism, as pointed out by Eugène Ysaÿe. Yehudi Menuhin, on the other hand, suggested that this might have been the result of his reliance on the guitar (in lieu of the piano) as an aid in composition. The orchestral parts for his concertos were often polite, unadventurous, and clearly supportive of the soloist. In this, his style is consistent with that of other Italian composers such as Paisiello, Rossini and Donizetti, who were influenced by the guitar-song milieu of Naples during this period.
Paganini was also the inspiration of many prominent composers. Both "La Campanella" and the A minor caprice (Nr. 24) have been an object of interest for a number of composers. Franz Liszt, Johannes Brahms, Sergei Rachmaninoff, Boris Blacher, Andrew Lloyd Webber, George Rochberg and Witold Lutosławski, among others, wrote well-known variations on these themes.
James Pierpont
"Jingle Bells", also known as "One Horse Open Sleigh", is one of the best known and commonly sung secular Christmas songs in the world. The song has been translated into many languages. It was written by James Lord Pierpont (1822–1893) and copyrighted under the title 'One Horse Open Sleigh' on September 16, 1857. He was born in Massachusetts, and died in Winter Haven, Florida. He is buried at Laurel Grove Cemetery in Savannah, Georgia. He was inducted into the Songwriters Hall of Fame in 1970.
Isaac Albeniz
Isaac Albéniz i Pascual (Spanish pronunciation: ) (May 29, 1860 – May 18, 1909) was a Spanish pianist and composer best known for his piano works based on folk music.
Albéniz’ Suite Española Op.47 is comprised mainly of pieces written in 1886, and grouped together in 1887 in honor of the Queen of Spain. Like many of Albéniz' piano pieces, these works are miniature tone pictures of different geographical regions and musical idioms of Spain. The eight original titles are Granada, Cataluna, Sevilla, Cadiz, Asturias, Aragon, Castilla and Cuba but only the first three titles and Cuba appeared in the original collection. The other pieces were published in later collections, often with different titles. The publisher Hofmeister published all eight titles of Suite Espanola in 1911 after Albéniz’ death, appropriating other pieces for the other four titles so those pieces do not always accurately reflect the geographic designation of the titles, most obviously in the case of Asturias (Leyenda) whose Andalusian flamenco rhythms bear little resemblance to the music of the northern province Asturias. The opus number 47 assigned by Hofmeister has no relation to any chronological order in Albéniz’ oeuvre, in which opus numbers were randomly given by publishers or by Albéniz himself, with some pieces appearing in more than one collection.
Albéniz’ Suite Española Op.47 is comprised mainly of pieces written in 1886, and grouped together in 1887 in honor of the Queen of Spain. Like many of Albéniz' piano pieces, these works are miniature tone pictures of different geographical regions and musical idioms of Spain. The eight original titles are Granada, Cataluna, Sevilla, Cadiz, Asturias, Aragon, Castilla and Cuba but only the first three titles and Cuba appeared in the original collection. The other pieces were published in later collections, often with different titles. The publisher Hofmeister published all eight titles of Suite Espanola in 1911 after Albéniz’ death, appropriating other pieces for the other four titles so those pieces do not always accurately reflect the geographic designation of the titles, most obviously in the case of Asturias (Leyenda) whose Andalusian flamenco rhythms bear little resemblance to the music of the northern province Asturias. The opus number 47 assigned by Hofmeister has no relation to any chronological order in Albéniz’ oeuvre, in which opus numbers were randomly given by publishers or by Albéniz himself, with some pieces appearing in more than one collection.
André-Bloch
André Bloch was a French mathematician who is best remembered for his fundamental contribution to complex analysis. Bloch killed three of his family members, for which he was institutionalized in a mental asylum for 31 years, during which all of his mathematical output was produced.
Ennio Morricone
Ennio Morricone, OMRI (born November 10, 1928), is an Italian composer and conductor. He has composed and arranged scores for more than 500 film and television productions. Morricone is considered as one of the most influential film composers since the late 1950s. He is well-known for his long-term collaborations with international acclaimed directors such as Sergio Leone, Brian De Palma, Barry Levinson, and Giuseppe Tornatore.
He wrote the characteristic film scores of Leone's Spaghetti Westerns A Fistful of Dollars (1964), For a Few Dollars More (1965), The Good, the Bad and the Ugly (1966), Once Upon a Time in the West (1968), The Great Silence (1968), and My Name Is Nobody (1973). In the 80s, Morricone composed the scores for John Carpenter's horror movie The Thing (1982), Leone's Once Upon a Time in America (1984), Roland Joffé's The Mission (1986), Brian De Palma's The Untouchables (1987) and Giuseppe Tornatore's Cinema Paradiso (1988).
His more recent compositions include the scores for Oliver Stone's U Turn (1997), Tornatore's The Legend of 1900 (1998) and Malèna (2000), Mission to Mars (2000) by Brian De Palma, Fateless (2005), and Baaria - La porta del vento (2009). Ennio Morricone has won two Grammy Awards, two Golden Globes and five Anthony Asquith Awards for Film Music by BAFTA in 1979–1992. He has been nominated for five Academy Awards for Best Music, Original Score in 1979–2001. Morricone received the Honorary Academy Award in 2007 "for his magnificent and multifaceted contributions to the art of film music". He was the second composer to receive this award after its introduction in 1928.
He wrote the characteristic film scores of Leone's Spaghetti Westerns A Fistful of Dollars (1964), For a Few Dollars More (1965), The Good, the Bad and the Ugly (1966), Once Upon a Time in the West (1968), The Great Silence (1968), and My Name Is Nobody (1973). In the 80s, Morricone composed the scores for John Carpenter's horror movie The Thing (1982), Leone's Once Upon a Time in America (1984), Roland Joffé's The Mission (1986), Brian De Palma's The Untouchables (1987) and Giuseppe Tornatore's Cinema Paradiso (1988).
His more recent compositions include the scores for Oliver Stone's U Turn (1997), Tornatore's The Legend of 1900 (1998) and Malèna (2000), Mission to Mars (2000) by Brian De Palma, Fateless (2005), and Baaria - La porta del vento (2009). Ennio Morricone has won two Grammy Awards, two Golden Globes and five Anthony Asquith Awards for Film Music by BAFTA in 1979–1992. He has been nominated for five Academy Awards for Best Music, Original Score in 1979–2001. Morricone received the Honorary Academy Award in 2007 "for his magnificent and multifaceted contributions to the art of film music". He was the second composer to receive this award after its introduction in 1928.
Chiquinha Gonzaga
Francisca Edwiges Neves Gonzaga, better known as Chiquinha Gonzaga (Portuguese pronunciation: ; October 17, 1847 – February 28, 1935) was a Brazilian composer, pianist and the first woman conductor in Brazil.[Chiquinha Gonzaga was the first pianist of "choro" and author of the first carnival march, "Ó Abre Alas" (1899). Her plays and operettas, such as Forrobodó and Jurití, were a great success with the public because they used elements of Brazilian popular culture of the time.
Mariano Obiols
Marià Obiols, also known as Mariano Obiols, was a Catalan composer, conductor, and professor of music. He served as the music director of the Gran Teatre del Liceu in Barcelona from its founding in 1847 until his death.
Matt Amy
Matt Amy is an arranger, composer, orchestrator, trombonist and musical director based in Melbourne, Australia. Matt has worked in nearly every medium and his arrangements have been performed by Ronan Keating, Melanie C, David Hobson, Vanessa Amerosi, Scared Weird Little Guys, Marina Prior, Anthony Callea, Guy Sebastian, Landau Eugene Murphy Jr., Auckland Philharmonia, Istanbul Symphony, Melbourne Symphony, Sydney Symphony and the Australian Philharmonic Orchestra.
Music theory
Music theory is the study of the practices and possibilities of music. The Oxford Companion to Music describes three interrelated uses of the term "music theory"
Igor Stravinsky
Igor Fyodorovich Stravinsky (17 June 1882 – 6 April 1971) was a Russian-born, naturalised French, later naturalised American composer, pianist, and conductor.
He is widely acknowledged as one of the most important and influential composers of 20th century music. He was a quintessentially cosmopolitan Russian who was named by Time magazine as one of the 100 most influential people of the century. He became a naturalised French citizen in 1934 and a naturalized US citizen in 1945. In addition to the recognition he received for his compositions, he also achieved fame as a pianist and a conductor, often at the premieres of his works.
Stravinsky's compositional career was notable for its stylistic diversity. He first achieved international fame with three ballets commissioned by the impresario Sergei Diaghilev and performed by Diaghilev's Ballets Russes (Russian Ballets): The Firebird (1910), Petrushka (1911/1947), and The Rite of Spring (1913). The Rite, whose premiere provoked a riot, transformed the way in which subsequent composers thought about rhythmic structure, and was largely responsible for Stravinsky's enduring reputation as a musical revolutionary, pushing the boundaries of musical design.
After this first Russian phase Stravinsky turned to neoclassicism in the 1920s. The works from this period tended to make use of traditional musical forms (concerto grosso, fugue, symphony), frequently concealed a vein of intense emotion beneath a surface appearance of detachment or austerity, and often paid tribute to the music of earlier masters, for example J.S. Bach and Tchaikovsky.
In the 1950s he adopted serial procedures, using the new techniques over his last twenty years. Stravinsky's compositions of this period share traits with examples of his earlier output: rhythmic energy, the construction of extended melodic ideas out of a few two- or three-note cells, and clarity of form, of instrumentation, and of utterance.
He also published a number of books throughout his career, almost always with the aid of a collaborator, sometimes uncredited. In his 1936 autobiography, Chronicles of My Life, written with the help of Walter Nouvel, Stravinsky included his well-known statement that "music is, by its very nature, essentially powerless to express anything at all." With Alexis Roland-Manuel and Pierre Souvtchinsky he wrote his 1939–40 Harvard University Charles Eliot Norton Lectures, which were delivered in French and later collected under the title Poétique musicale in 1942 (translated in 1947 as Poetics of Music). Several interviews in which the composer spoke to Robert Craft were published as Conversations with Igor Stravinsky. They collaborated on five further volumes over the following decade.
He is widely acknowledged as one of the most important and influential composers of 20th century music. He was a quintessentially cosmopolitan Russian who was named by Time magazine as one of the 100 most influential people of the century. He became a naturalised French citizen in 1934 and a naturalized US citizen in 1945. In addition to the recognition he received for his compositions, he also achieved fame as a pianist and a conductor, often at the premieres of his works.
Stravinsky's compositional career was notable for its stylistic diversity. He first achieved international fame with three ballets commissioned by the impresario Sergei Diaghilev and performed by Diaghilev's Ballets Russes (Russian Ballets): The Firebird (1910), Petrushka (1911/1947), and The Rite of Spring (1913). The Rite, whose premiere provoked a riot, transformed the way in which subsequent composers thought about rhythmic structure, and was largely responsible for Stravinsky's enduring reputation as a musical revolutionary, pushing the boundaries of musical design.
After this first Russian phase Stravinsky turned to neoclassicism in the 1920s. The works from this period tended to make use of traditional musical forms (concerto grosso, fugue, symphony), frequently concealed a vein of intense emotion beneath a surface appearance of detachment or austerity, and often paid tribute to the music of earlier masters, for example J.S. Bach and Tchaikovsky.
In the 1950s he adopted serial procedures, using the new techniques over his last twenty years. Stravinsky's compositions of this period share traits with examples of his earlier output: rhythmic energy, the construction of extended melodic ideas out of a few two- or three-note cells, and clarity of form, of instrumentation, and of utterance.
He also published a number of books throughout his career, almost always with the aid of a collaborator, sometimes uncredited. In his 1936 autobiography, Chronicles of My Life, written with the help of Walter Nouvel, Stravinsky included his well-known statement that "music is, by its very nature, essentially powerless to express anything at all." With Alexis Roland-Manuel and Pierre Souvtchinsky he wrote his 1939–40 Harvard University Charles Eliot Norton Lectures, which were delivered in French and later collected under the title Poétique musicale in 1942 (translated in 1947 as Poetics of Music). Several interviews in which the composer spoke to Robert Craft were published as Conversations with Igor Stravinsky. They collaborated on five further volumes over the following decade.
Traditional
Howard Shore
Howard Leslie Shore (born October 18, 1946) is a Canadian composer, notable for his film scores. He has composed the scores for over 40 films, most notably the scores for The Lord of the Rings film trilogy, for which he won three Academy Awards. He is also a consistent collaborator with director David Cronenberg, having scored all but one of his films since 1979. Shore has also worked with Martin Scorsese, Jonathan Demme, David Fincher and many other filmakers.
He has also composed a few concert works including one opera, The Fly, based on the plot (though not his score) of Cronenberg's 1986 film premiered at the Théâtre du Châtelet in Paris on 2 July 2008., a short piece Fanfare for the Wanamaker Organ and the Philadelphia Orchestra, and a short overture for the Swiss 21st Century Symphony Orchestra.
Shore is a three-time winner of the Academy Award, and has also won two Golden Globe Awards and four Grammy Awards. He is the uncle of film composer Ryan Shore.
He has also composed a few concert works including one opera, The Fly, based on the plot (though not his score) of Cronenberg's 1986 film premiered at the Théâtre du Châtelet in Paris on 2 July 2008., a short piece Fanfare for the Wanamaker Organ and the Philadelphia Orchestra, and a short overture for the Swiss 21st Century Symphony Orchestra.
Shore is a three-time winner of the Academy Award, and has also won two Golden Globe Awards and four Grammy Awards. He is the uncle of film composer Ryan Shore.
Zelda medley
In music, a medley is a piece composed from parts of existing pieces, usually three, played one after another, sometimes overlapping. They are common in popular music, and most medleys are songs rather than instrumental. A medley which is a remixed series is called a megamix, often done with tracks for a single artist, or for popular songs from a given year or genre.
A medley is the most common form of overture for musical theater productions.
In Latin music, medleys are known as potpourrís or mosaicos; the latter were popularized by artists such as Roberto Faz and Billo Frómeta, and most commonly consist of boleros, guarachas, merengues or congas.
A medley is the most common form of overture for musical theater productions.
In Latin music, medleys are known as potpourrís or mosaicos; the latter were popularized by artists such as Roberto Faz and Billo Frómeta, and most commonly consist of boleros, guarachas, merengues or congas.
Jordan Nobles
Jordan Nobles (born December 11, 1969) is a Canadian composer who specializes in creating spatial music and open instrumentation compositions. His music is performed worldwide and has won several international and national awards including the 2017 Juno Award for Classical Composition of the Year.
Rimsky-Korsakov
Nikolai Andreyevich Rimsky-Korsakov (Russian: Никола́й Андре́евич Ри́мский-Ко́рсаков, Nikolaj Andreevič Rimskij-Korsakov, Russian pronunciation: ) (18 March 1844, – 21 June 1908) was a Russian composer, and a member of the group of composers known as The Five. He was a master of orchestration. His best-known orchestral compositions—Capriccio Espagnol, the Russian Easter Festival Overture, and the symphonic suite Scheherazade—are considered staples of the classical music repertoire, along with suites and excerpts from some of his 15 operas. Scheherazade is an example of his frequent use of fairy tale and folk subjects.
Rimsky-Korsakov believed, as did fellow composer Mily Balakirev and critic Vladimir Stasov, in developing a nationalistic style of classical music. This style employed Russian folk song and lore along with exotic harmonic, melodic and rhythmic elements in a practice known as musical orientalism, and eschewed traditional Western compositional methods. However, Rimsky-Korsakov appreciated Western musical techniques after he became a professor of musical composition, harmony and orchestration at the Saint Petersburg Conservatory in 1871. He undertook a rigorous three-year program of self-education and became a master of Western methods, incorporating them alongside the influences of Mikhail Glinka and fellow members of The Five. His techniques of composition and orchestration were further enriched by his exposure to the works of Richard Wagner.
Rimsky-Korsakov believed, as did fellow composer Mily Balakirev and critic Vladimir Stasov, in developing a nationalistic style of classical music. This style employed Russian folk song and lore along with exotic harmonic, melodic and rhythmic elements in a practice known as musical orientalism, and eschewed traditional Western compositional methods. However, Rimsky-Korsakov appreciated Western musical techniques after he became a professor of musical composition, harmony and orchestration at the Saint Petersburg Conservatory in 1871. He undertook a rigorous three-year program of self-education and became a master of Western methods, incorporating them alongside the influences of Mikhail Glinka and fellow members of The Five. His techniques of composition and orchestration were further enriched by his exposure to the works of Richard Wagner.
Louis Spohr
Louis Spohr (5 April 1784 – 22 October 1859) was a German composer, violinist and conductor. Born Ludwig Spohr, he is usually known by the French form of his name outside Germany. Sometimes described as "The Forgotten Master", Spohr was once as famous as Beethoven. As a violinist, his virtuoso playing was admired by Queen Victoria. As a composer he ranks as an historic figure in the development of German music drama and whose greatest triumph was in the oratorio. His orchestral writings and chamber works were once considered on a par with Mozart’s.
A prolific composer, Spohr produced more than 150 works with opus numbers, in addition to a number of works without such numbers. He wrote music in all genres. His nine symphonies (a tenth was left unfinished, but was brought to completion by Eugene Minor and premiered by the Bergen Youth Orchestra) show a progress from the classical style of his predecessors to the programme music of the ninth symphony, Die Jahreszeiten (The Seasons). Between 1803 and 1844 Spohr wrote more violin concertos than any other composer of the time, fifteen in all. Some of them are formally unconventional, such as the one-movement Concerto No. 8, which is in the style of an operatic aria, and which is still periodically revived (Jascha Heifetz championed it), most recently in a 2006 recording by Hilary Hahn. There are two double-violin concertos as well. Better known today, however, are the four clarinet concertos, all written for the virtuoso Johann Simon Hermstedt, which have established a secure place in clarinettists' repertoire.
Among Spohr's chamber music is a series of no fewer than 36 string quartets, as well as four interesting double quartets for two string quartets. He also wrote an assortment of other quartets, duos, trios, quintets and sextets, an octet and a nonet, works for solo violin and for solo harp, and works for violin and harp to be played by him and his wife together.
A prolific composer, Spohr produced more than 150 works with opus numbers, in addition to a number of works without such numbers. He wrote music in all genres. His nine symphonies (a tenth was left unfinished, but was brought to completion by Eugene Minor and premiered by the Bergen Youth Orchestra) show a progress from the classical style of his predecessors to the programme music of the ninth symphony, Die Jahreszeiten (The Seasons). Between 1803 and 1844 Spohr wrote more violin concertos than any other composer of the time, fifteen in all. Some of them are formally unconventional, such as the one-movement Concerto No. 8, which is in the style of an operatic aria, and which is still periodically revived (Jascha Heifetz championed it), most recently in a 2006 recording by Hilary Hahn. There are two double-violin concertos as well. Better known today, however, are the four clarinet concertos, all written for the virtuoso Johann Simon Hermstedt, which have established a secure place in clarinettists' repertoire.
Among Spohr's chamber music is a series of no fewer than 36 string quartets, as well as four interesting double quartets for two string quartets. He also wrote an assortment of other quartets, duos, trios, quintets and sextets, an octet and a nonet, works for solo violin and for solo harp, and works for violin and harp to be played by him and his wife together.
Shostakovich
Dmitri Dmitriyevich Shostakovich (25 September 1906 – 9 August 1975) was a Soviet Russian composer and one of the most celebrated composers of the 20th century.
Shostakovich achieved fame in the Soviet Union under the patronage of Leon Trotsky's chief of staff Mikhail Tukhachevsky, but later had a complex and difficult relationship with the Stalinist bureaucracy. In 1936, the government, most probably under orders from Stalin, harshly criticized his opera Lady Macbeth of the Mtsensk District, causing him to withdraw the Fourth Symphony during its rehearsal stages. Shostakovich's music was officially denounced twice, in 1936 and 1948, and was periodically banned. Nevertheless, he also received accolades and state awards and served in the Supreme Soviet of the RSFSR. Despite the official controversy, his works were popular and well received.
Shostakovich achieved fame in the Soviet Union under the patronage of Leon Trotsky's chief of staff Mikhail Tukhachevsky, but later had a complex and difficult relationship with the Stalinist bureaucracy. In 1936, the government, most probably under orders from Stalin, harshly criticized his opera Lady Macbeth of the Mtsensk District, causing him to withdraw the Fourth Symphony during its rehearsal stages. Shostakovich's music was officially denounced twice, in 1936 and 1948, and was periodically banned. Nevertheless, he also received accolades and state awards and served in the Supreme Soviet of the RSFSR. Despite the official controversy, his works were popular and well received.
Beethoven
Ludwig van Beethoven (16 December 1770 - 26 March 1827) was a German composer and pianist. He was a crucial figure in the transitional period between the Classical and Romantic eras in Western classical music, and remains one of the most respected and influential composers of all time.
Born in Bonn, then in the Electorate of Cologne (now in modern-day Germany), he moved to Vienna in his early twenties and settled there, studying with Joseph Haydn and quickly gaining a reputation as a virtuoso pianist. Beethoven's hearing gradually deteriorated beginning in his twenties, yet he continued to compose masterpieces, and to conduct and perform, even after he was completely deaf.
Born in Bonn, then in the Electorate of Cologne (now in modern-day Germany), he moved to Vienna in his early twenties and settled there, studying with Joseph Haydn and quickly gaining a reputation as a virtuoso pianist. Beethoven's hearing gradually deteriorated beginning in his twenties, yet he continued to compose masterpieces, and to conduct and perform, even after he was completely deaf.
Jacques-Jules Bouffil
Jacques Jules Boufil (or Bouffil, Bouffils, Bonfil) (Muret, May 14, 1783 – Toulouse, November 1,1868) was a French composer and clarinetist.He was a pupil of Xavier Lefèvre at the Paris Conservatoire, gaining a First Prize in 1806, which until 1817 carried with it the award of a pair of French-made clarinets in B flat and C.His compositions for clarinet duet and trio are some of the most worthwhile written for the medium. They are full-scale works of considerable substance and were doubtless intended for performance by professionals.
Gabriel Allier
Gabriel Allier Composer Born: September 6, 1863 Died: January 31, 1924.
Wicked
Wicked is a musical with songs and lyrics by Stephen Schwartz and a book by Winnie Holzman. The story is based on the best-selling novel Wicked: The Life and Times of the Wicked Witch of the West by Gregory Maguire, a parallel novel of L. Frank Baum's classic story The Wonderful Wizard of Oz from the perspective of the witches of the Land of Oz.
Wicked tells the story of Elphaba, the future Wicked Witch of the West and her relationship with Glinda, the Good Witch of the North. Their friendship struggles through their opposing personalities and viewpoints, rivalry over the same love-interest, their reactions to the Wizard's corrupt government, and, ultimately, Elphaba's public fall from grace. The plot is set mostly before Dorothy's arrival from Kansas, and includes several references to well-known scenes and dialogue in the 1939 film The Wizard of Oz.
The musical debuted on Broadway on October 30, 2003. It is produced by Universal Pictures and directed by Joe Mantello, with musical staging by Wayne Cilento. Its original stars were Idina Menzel as Elphaba, Kristin Chenoweth as Glinda, and Joel Grey as the Wizard. Although the production received mixed reviews and was panned by The New York Times, it has proved to be a favorite among patrons. The Broadway production's success spawned productions in Chicago, Los Angeles, London's West End, Tokyo, Melbourne, and Stuttgart, along with two North American tours that have visited over 30 cities in Canada and the United States.
The score of Wicked is heavily thematic, bearing in some senses more resemblance to a film score than a musical's score. While many musicals' scores develop new motifs and melodies for each song with little overlap, Schwartz integrated a handful of leitmotifs throughout the production. A cast recording of the original Broadway production was released on December 16, 2003, by Universal Music. All of the songs featured on stage are present on the recording with the exception of "The Wizard And I (Reprise)" and "The Wicked Witch of the East". The short reprise of "No One Mourns The Wicked" that opens Act II is attached to the beginning of "Thank Goodness". The music was arranged by Stephen Oremus, who was also the conductor and director, and James Lynn Abbott, with orchestrations by William David Brohn. The recording received the Grammy Award for Best Musical Show Album in 2005 and was certified platinum by the RIAA on November 30, 2006.
Wicked tells the story of Elphaba, the future Wicked Witch of the West and her relationship with Glinda, the Good Witch of the North. Their friendship struggles through their opposing personalities and viewpoints, rivalry over the same love-interest, their reactions to the Wizard's corrupt government, and, ultimately, Elphaba's public fall from grace. The plot is set mostly before Dorothy's arrival from Kansas, and includes several references to well-known scenes and dialogue in the 1939 film The Wizard of Oz.
The musical debuted on Broadway on October 30, 2003. It is produced by Universal Pictures and directed by Joe Mantello, with musical staging by Wayne Cilento. Its original stars were Idina Menzel as Elphaba, Kristin Chenoweth as Glinda, and Joel Grey as the Wizard. Although the production received mixed reviews and was panned by The New York Times, it has proved to be a favorite among patrons. The Broadway production's success spawned productions in Chicago, Los Angeles, London's West End, Tokyo, Melbourne, and Stuttgart, along with two North American tours that have visited over 30 cities in Canada and the United States.
The score of Wicked is heavily thematic, bearing in some senses more resemblance to a film score than a musical's score. While many musicals' scores develop new motifs and melodies for each song with little overlap, Schwartz integrated a handful of leitmotifs throughout the production. A cast recording of the original Broadway production was released on December 16, 2003, by Universal Music. All of the songs featured on stage are present on the recording with the exception of "The Wizard And I (Reprise)" and "The Wicked Witch of the East". The short reprise of "No One Mourns The Wicked" that opens Act II is attached to the beginning of "Thank Goodness". The music was arranged by Stephen Oremus, who was also the conductor and director, and James Lynn Abbott, with orchestrations by William David Brohn. The recording received the Grammy Award for Best Musical Show Album in 2005 and was certified platinum by the RIAA on November 30, 2006.
Bruno Brun
Bruno Brun (1910–1978) was a Yugoslav clarinetist and professor at the Belgrade Music Academy.As a soloist, Brun had performed throughout Yugoslavia as well as abroad. He also performed as a principal clarinetist with the Belgrade Philharmonic Orchestra and Belgrade Opera.He was one of the founders of the Association of Musical Artists of Serbia and its vice-president, and the secretary of the Belgrade Philharmonic Orchestra.He was awarded "7 July" Prize (1969), the highest state prize for the arts, as well as Decoration of Work.
Brahms
Johannes Brahms (May 7, 1833 â April 3, 1897) was a German composer of the Romantic period. He was born in Hamburg and in his later years he settled in Vienna, Austria.
Brahms maintained a Classical sense of form and order in his works â in contrast to the opulence of the music of many of his contemporaries. Thus many admirers (though not necessarily Brahms himself) saw him as the champion of traditional forms and "pure music," as opposed to the New German embrace of program music.
Brahms venerated Beethoven: in the composer's home, a marble bust of Beethoven looked down on the spot where he composed, and some passages in his works are reminiscent of Beethoven's style. The main theme of the finale of Brahms's First Symphony is reminiscent of the main theme of the finale of Beethoven's Ninth, and when this resemblance was pointed out to Brahms he replied that any ass â jeder Esel â could see that.
Ein deutsches Requiem was partially inspired by his mother's death in 1865, but also incorporates material from a Symphony he started in 1854, but abandoned following Schumann's suicide attempt. He once wrote that the Requiem "belonged to Schumann". The first movement of this abandoned Symphony was re-worked as the first movement of the First Piano Concerto.
Brahms also loved the Classical composers Mozart and Haydn. He collected first editions and autographs of their works, and edited performing editions. He also studied the music of pre-classical composers, including Giovanni Gabrieli, Johann Adolph Hasse, Heinrich Schütz and especially Johann Sebastian Bach. His friends included leading musicologists, and with Friedrich Chrysander he edited an edition of the works of François Couperin. He looked to older music for inspiration in the arts of strict counterpoint; the themes of some of his works are modelled on Baroque sources, such as Bach's The Art of Fugue in the fugal finale of Cello Sonata No. 1, or the same composer's Cantata No. 150 in the passacaglia theme of the Fourth Symphony's finale.
Brahms maintained a Classical sense of form and order in his works â in contrast to the opulence of the music of many of his contemporaries. Thus many admirers (though not necessarily Brahms himself) saw him as the champion of traditional forms and "pure music," as opposed to the New German embrace of program music.
Brahms venerated Beethoven: in the composer's home, a marble bust of Beethoven looked down on the spot where he composed, and some passages in his works are reminiscent of Beethoven's style. The main theme of the finale of Brahms's First Symphony is reminiscent of the main theme of the finale of Beethoven's Ninth, and when this resemblance was pointed out to Brahms he replied that any ass â jeder Esel â could see that.
Ein deutsches Requiem was partially inspired by his mother's death in 1865, but also incorporates material from a Symphony he started in 1854, but abandoned following Schumann's suicide attempt. He once wrote that the Requiem "belonged to Schumann". The first movement of this abandoned Symphony was re-worked as the first movement of the First Piano Concerto.
Brahms also loved the Classical composers Mozart and Haydn. He collected first editions and autographs of their works, and edited performing editions. He also studied the music of pre-classical composers, including Giovanni Gabrieli, Johann Adolph Hasse, Heinrich Schütz and especially Johann Sebastian Bach. His friends included leading musicologists, and with Friedrich Chrysander he edited an edition of the works of François Couperin. He looked to older music for inspiration in the arts of strict counterpoint; the themes of some of his works are modelled on Baroque sources, such as Bach's The Art of Fugue in the fugal finale of Cello Sonata No. 1, or the same composer's Cantata No. 150 in the passacaglia theme of the Fourth Symphony's finale.
Gordon Goodwin
Gordon L. Goodwin (born 1954) is an American studio pianist, saxophonist, composer, arranger and conductor. He now lives in Southern California with his wife Lisa, daughter Madison and two sons, Trevor and Garrison.
Sebastián Iradier
Sebastián Iradier Salaverri (Salaberri) (20 January 1809 – 6 December 1865), or Sebastián Yradier, was a Spanish Basque composer.Iradier was born in Lanciego, in the province of Álava. His publisher in Paris urged him to "universalize" his name, from Iradier to Yradier.He is known primarily for his habaneras, especially the one titled "La Paloma", written around 1860 after a visit to Cuba. "La Paloma" was extremely popular in both Spain and the Americas (especially Mexico), where it was responsible for the great popularity achieved by the habanera. Radio Universidad Nacional Autónoma de México (UNAM) has estimated that there are more than one thousand versions of "La Paloma", and said that, together with "Yesterday" by The Beatles, it is one of the most recorded songs in the history of music
Philip Glass
Philip Glass (born January 31, 1937) is a three-time Academy Award-nominated American classical music composer. He is considered one of the most influential composers of the late-20th century and is widely acknowledged as a composer who has brought art music to the American public (along with precursors such as Richard Strauss, Kurt Weill and Leonard Bernstein).
His music is described as minimalist, from which he distanced himself in being a composer of "music with repetitive structures". Although his early, mature music is minimalist, he has evolved stylistically. Currently, he describes himself as a "Classicist", trained in harmony and counterpoint and studied Johann Sebastian Bach, Ludwig van Beethoven, and Franz Schubert.
Glass is a prolific composer: he has written ensemble works, operas, eight symphonies, eight concertos, film scores, and solo works. Glass counts many visual artists, writers, musicians, and directors among his friends, including Richard Serra, Chuck Close, Doris Lessing, Allen Ginsberg, Errol Morris, Robert Wilson, JoAnne Akalaitis, John Moran, actors Bill Treacher and Peter Dean, Godfrey Reggio, Ravi Shankar, Linda Ronstadt, Paul Simon, David Bowie, Patti Smith, the conductor Dennis Russell Davies, and electronic musician Aphex Twin, who have all collaborated with him. Among recent collaborators are Glass's fellow New Yorkers Leonard Cohen, and Woody Allen. He composed an opera for the opening of Expo '98.
His music is described as minimalist, from which he distanced himself in being a composer of "music with repetitive structures". Although his early, mature music is minimalist, he has evolved stylistically. Currently, he describes himself as a "Classicist", trained in harmony and counterpoint and studied Johann Sebastian Bach, Ludwig van Beethoven, and Franz Schubert.
Glass is a prolific composer: he has written ensemble works, operas, eight symphonies, eight concertos, film scores, and solo works. Glass counts many visual artists, writers, musicians, and directors among his friends, including Richard Serra, Chuck Close, Doris Lessing, Allen Ginsberg, Errol Morris, Robert Wilson, JoAnne Akalaitis, John Moran, actors Bill Treacher and Peter Dean, Godfrey Reggio, Ravi Shankar, Linda Ronstadt, Paul Simon, David Bowie, Patti Smith, the conductor Dennis Russell Davies, and electronic musician Aphex Twin, who have all collaborated with him. Among recent collaborators are Glass's fellow New Yorkers Leonard Cohen, and Woody Allen. He composed an opera for the opening of Expo '98.
Ray Henderson
Ray Henderson (December 1, 1896 – December 31, 1970), was an American songwriter.
Born Raymond Brost in Buffalo, New York, Henderson moved to New York City and became a popular composer in Tin Pan Alley. He was one third of a successful songwriting and music publishing team with Lew Brown and Buddy De Sylva from 1925 through 1930, responsible for several editions of the revue called George White's Scandals and such book musicals as Good News, Hold Everything!, and Follow Thru. After De Sylva's departure, Henderson continued to write with Brown through 1933, then worked with other partners. In 1934 he composed the musical Say When with lyricist Ted Koehler.
Henderson's biggest hit songs included "That Old Gang of Mine", "Annabelle" (both 1923), "Bye Bye Blackbird", "Five Foot Two, Eyes of Blue", "I'm Sitting on Top of the World" (all 1925), "The Varsity Drag" (1927), "You're The Cream In My Coffee" (1928), "Button Up Your Overcoat", "You Are My Lucky Star" "I'm A Dreamer, Aren't We All", "Keep Your Sunny Side Up" (1929), "The Thrill Is Gone", and "Life Is Just a Bowl of Cherries" (1931).
Born Raymond Brost in Buffalo, New York, Henderson moved to New York City and became a popular composer in Tin Pan Alley. He was one third of a successful songwriting and music publishing team with Lew Brown and Buddy De Sylva from 1925 through 1930, responsible for several editions of the revue called George White's Scandals and such book musicals as Good News, Hold Everything!, and Follow Thru. After De Sylva's departure, Henderson continued to write with Brown through 1933, then worked with other partners. In 1934 he composed the musical Say When with lyricist Ted Koehler.
Henderson's biggest hit songs included "That Old Gang of Mine", "Annabelle" (both 1923), "Bye Bye Blackbird", "Five Foot Two, Eyes of Blue", "I'm Sitting on Top of the World" (all 1925), "The Varsity Drag" (1927), "You're The Cream In My Coffee" (1928), "Button Up Your Overcoat", "You Are My Lucky Star" "I'm A Dreamer, Aren't We All", "Keep Your Sunny Side Up" (1929), "The Thrill Is Gone", and "Life Is Just a Bowl of Cherries" (1931).
Ilio Volante
Was born in Italy in 1964, he was still a teen ager when he started his music studies (saxophone) showing from the very beginning a particular predisposition towards the music composition and Jazz music. At the age of 19 he won the audition for the Italian National Army Band stationed in Rome. He served it for 10 years under the direction of Col. Marino BARTOLONI. After this, he played in the Grenadiers of Sardinia’s Band (Rome) and the Shape International Band (the official Nato Band) stationed in Mons (BELGIUM). In this last post, he covered for three years the 1st Tenor Saxophone slot helping the Director, MSg Allen WITTIG, in doing the original arrangements for the Big Band. http://www.iliovolante.com http://www.musicaperbanda.com
Scott Joplin
Scott Joplin (between June 1867 and January 1868 – April 1, 1917) was an American musician and composer of ragtime music. He remains the best-known ragtime figure and is regarded as one of the three most important composers of classic ragtime, along with James Scott and Joseph Lamb, and also a precursor to Stride Piano. Decades after his death, his music enjoyed a considerable surge of popularity and critical respect in the 1970s, especially for his most famous composition, "The Entertainer."
Even at the time of publication, Joplin's publisher John Stark was claiming that the rags had obtained classical status, and "lifted ragtime from its low estate and lined it up with Beethoven and Bach".
Even at the time of publication, Joplin's publisher John Stark was claiming that the rags had obtained classical status, and "lifted ragtime from its low estate and lined it up with Beethoven and Bach".
Fiddler on the Roof
Fiddler on the Roof is a musical with music by Jerry Bock, lyrics by Sheldon Harnick, and book by Joseph Stein, set in csarist Russia in 1905.
Fiddler on the Roof was originally entitled Tevye. It is based on Tevye and his Daughters (or Tevye the Milkman) and other tales by Sholem Aleichem which he wrote in Yiddish and published in 1894. The story centers on Tevye, the father of five daughters, and his attempts to maintain his family and religious traditions while outside influences encroach upon their lives. He must cope with both the strong-willed actions of his three older daughters—each daughter's choice of husband moves progressively further away from established customs—and with the edict of the Tsar that evicts the Jews from their village.
The musical's title stems from a painting by Marc Chagall, one of many surreal paintings he created of Eastern European Jewish life, often including a fiddler. The Fiddler is a metaphor for survival, through tradition and joyfulness, in a life of uncertainty and imbalance.
The original Broadway production of the show, which opened in 1964, was the first musical to surpass the 3,000 performance mark, and it held the record for longest-running Broadway musical for almost 10 years until Grease surpassed its run. The production earned $1,574 for every dollar invested in it.
The show was highly acclaimed and nominated for ten Tony Awards, winning nine, including Best Musical, score, book, direction and choreography. It spawned four Broadway revivals, a successful 1971 film adaptation, and has enjoyed enduring international popularity. It is also a very popular choice for school and community productions.
Fiddler on the Roof was originally entitled Tevye. It is based on Tevye and his Daughters (or Tevye the Milkman) and other tales by Sholem Aleichem which he wrote in Yiddish and published in 1894. The story centers on Tevye, the father of five daughters, and his attempts to maintain his family and religious traditions while outside influences encroach upon their lives. He must cope with both the strong-willed actions of his three older daughters—each daughter's choice of husband moves progressively further away from established customs—and with the edict of the Tsar that evicts the Jews from their village.
The musical's title stems from a painting by Marc Chagall, one of many surreal paintings he created of Eastern European Jewish life, often including a fiddler. The Fiddler is a metaphor for survival, through tradition and joyfulness, in a life of uncertainty and imbalance.
The original Broadway production of the show, which opened in 1964, was the first musical to surpass the 3,000 performance mark, and it held the record for longest-running Broadway musical for almost 10 years until Grease surpassed its run. The production earned $1,574 for every dollar invested in it.
The show was highly acclaimed and nominated for ten Tony Awards, winning nine, including Best Musical, score, book, direction and choreography. It spawned four Broadway revivals, a successful 1971 film adaptation, and has enjoyed enduring international popularity. It is also a very popular choice for school and community productions.
cyrille rose
Chrysogone Cyrille Rose was an important French clarinetist, and served as principal clarinet at the Paris Opera. He was a teacher and composer of pedagogical material for the clarinet, much of which is still widely in use today. Cyrille's teacher was Hyacinthe Klosé.
Mozart
Wolfgang Amadeus Mozart, full name Johann Chrysostom Wolfgang Amadeus Mozart (27 January 1756 â 5 December 1791) was a prolific and influential composer of the Classical era. His over 600 compositions include works widely acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music. Mozart is among the most enduringly popular of classical composers, and many of his works are part of the standard concert repertoire.
Mozart's music, like Haydn's, stands as an archetypal example of the Classical style. His works spanned the period during which that style transformed from one exemplified by the style galant to one that began to incorporate some of the contrapuntal complexities of the late Baroque, complexities against which the galant style had been a reaction. Mozart's own stylistic development closely paralleled the development of the classical style as a whole. In addition, he was a versatile composer and wrote in almost every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. While none of these genres were new, the piano concerto was almost single-handedly developed and popularized by Mozart. He also wrote a great deal of religious music, including masses; and he composed many dances, divertimenti, serenades, and other forms of light entertainment.
The central traits of the classical style can be identified in Mozart's music. Clarity, balance, and transparency are hallmarks of his work.
Mozart's music, like Haydn's, stands as an archetypal example of the Classical style. His works spanned the period during which that style transformed from one exemplified by the style galant to one that began to incorporate some of the contrapuntal complexities of the late Baroque, complexities against which the galant style had been a reaction. Mozart's own stylistic development closely paralleled the development of the classical style as a whole. In addition, he was a versatile composer and wrote in almost every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. While none of these genres were new, the piano concerto was almost single-handedly developed and popularized by Mozart. He also wrote a great deal of religious music, including masses; and he composed many dances, divertimenti, serenades, and other forms of light entertainment.
The central traits of the classical style can be identified in Mozart's music. Clarity, balance, and transparency are hallmarks of his work.
Frank William Erickson
Frank William Erickson (September 1, 1923 – October 21, 1996) was an American composer, conductor, arranger, writer, and trumpet player.The son of Frank O.. Myrtle Erickson, Frank Erickson was born and raised in Spokane, Washington. He began his instrumental career at the age of eight, playing piano, and at age ten, playing trumpet. In high school, he wrote his first composition for the band, The Fall of Evening.
Helmut Eisel
Helmut Eisel (born June 2, 1955 in Saarbrücken ) is a German clarinetist and composer .Helmut Eisel, who studied mathematics and worked as a software developer, learned the basics of playing the clarinet from his grandfather. During his studies (diploma 1985) he played in various jazz bands and gained his first experience as an arranger . The decisive factor was the meeting with Giora Feidman in 1989, with whom he has worked again and again in workshops and concerts ever since. Various CDs document the collaboration between the two clarinetists, including the Feidman CD The Spirit of Klezmer (2008), on which Helmut Eisel can be heard with two of his own titles.
Andy Fling
Andy Fling, site owner/teacher, is a graduate of Arizona State University with a Bachelors Degree in Music Theory and Composition
Katy Perry
Katy Perry (born Katheryn Elizabeth Hudson; October 25, 1984) is an American singer-songwriter. She has risen to prominence with her 2008 single "I Kissed a Girl" which has become a worldwide hit topping the charts in more than 20 countries, including United Kingdom, Canada, Australia, Ireland, and the United States, where it was the 1000th Billboard Hot 100 number 1. Perry has stated in the press that it's thanks to successful British singer-songwriters Amy Winehouse and Lily Allen that more female artists had been appearing on the charts. She went on to say that Winehouse and Allen "have introduced America to great music". She is known for her unconventional style of dress, often humoristic, bright in color and reminiscent of different decades, as well as her frequent use of fruit-shaped accessories, mainly watermelon as part of her outfits. Perry has a contralto vocal range.
Bruno Coulais
Bruno Coulais (born 13 January 1954) is a French composer, most widely known for his music on film soundtracks. Coulais was born in Paris; his father is from Vendée and his mother is an Iraqi Jew. Coulais recently performed the score for the stop-motion animated film, Coraline, released February 6, 2009.
Béla Kovács
Béla Kovács (born May 1, 1937 in Tatabánya, Hungary) is a Hungarian clarinetist.He graduated from the Franz Liszt Academy of Music in Budapest, Hungary.He was principal clarinetist with the Hungarian State Opera Orchestra and the Budapest Philharmonic Orchestra since 1956, until he retired in 1981.Kovács has been a Professor of Clarinet at the Franz Liszt Academy of Music in Budapest and at the University of Music and Dramatic Arts in Graz, Austria. He has also composed a set of concert etudes for clarinet called "Hommages" that are written in the style of a number of different composers and are studied and/or performed widely today.
Richard Strauss
Richard Georg Strauss (German pronunciation: ; 11 June 1864 – 8 September 1949) was a German composer, conductor, pianist, and violinist. Considered a leading composer of the late Romantic and early modern eras, he has been described as a successor of Richard Wagner and Franz Liszt. Along with Gustav Mahler, he represents the late flowering of German Romanticism after Wagner, in which pioneering subtleties of orchestration are combined with an advanced harmonic style.
Louis Armstrong
Louis Armstrong (4 August 1901 – July 6, 1971), nicknamed Satchmo or Sachimo and Pops, was an American jazz trumpeter and singer.
Coming to prominence in the 20s as an innovative cornet and trumpet virtuoso, Armstrong was a foundational influence on jazz, shifting the music's focus from collective improvisation to solo performers. With his distinctive gravelly voice, Armstrong was an influential singer, demonstrating great dexterity as an improviser, bending the lyrics and melody of a song for expressive purposes. He was also greatly skilled at scat singing, or wordless vocalizing.
Renowned for his charismatic stage presence, Armstrong's influence extended well beyond jazz, and by the end of his career in the '60s, he was widely regarded as a profound influence on popular music in general: critic Steve Leggett describes Armstrong as "perhaps the most important American musician of the 20th century."
Coming to prominence in the 20s as an innovative cornet and trumpet virtuoso, Armstrong was a foundational influence on jazz, shifting the music's focus from collective improvisation to solo performers. With his distinctive gravelly voice, Armstrong was an influential singer, demonstrating great dexterity as an improviser, bending the lyrics and melody of a song for expressive purposes. He was also greatly skilled at scat singing, or wordless vocalizing.
Renowned for his charismatic stage presence, Armstrong's influence extended well beyond jazz, and by the end of his career in the '60s, he was widely regarded as a profound influence on popular music in general: critic Steve Leggett describes Armstrong as "perhaps the most important American musician of the 20th century."
Santiago Lope
Santiago Lope Gonzalo Composer Born: May 23, 1871 Died: September 25, 1906
Tim Maia
Tim Maia (Brazilian Portuguese: , born Sebastião Rodrigues Maia; September 28, 1942 – March 15, 1998) was a Brazilian musician, songwriter, and businessman known for his iconoclastic, ironic, outspoken, and humorous musical style. Maia contributed to Brazilian music within a wide variety of musical genres, including soul, funk, bossa nova, disco, romantic ballads, pop, rock, jazz, baião and música popular brasileira (MPB). He introduced the soul style on the Brazilian musical scene. Along with Jorge Ben, Maia pioneered MPB's samba rock genre, combining samba, soul, and funk. He is recognized as one of the biggest icons in Brazilian music.Tim Maia recorded numerous albums and toured extensively in a long career. After his death in 1998, his recorded oeuvre has shown enduring popularity. A theatrical retrospective of his career, the popular musical Vale Tudo, was first staged in Rio de Janeiro in 2012.
Carl Nielsen
Carl August Nielsen (9 June 1865 – 3 October 1931), widely recognised as Denmark's greatest composer, was also a conductor and a violinist. Brought up by poor but musically talented parents on the island of Funen, he demonstrated his musical abilities at an early age. While it was some time before his works were fully appreciated, even in his home country, Nielsen has now firmly entered the international repertoire. Especially in Europe and the United States, Nielsen's music is ever more frequently performed, with interest growing in other countries too. Carl Nielsen is especially admired for his six symphonies, his Wind Quintet and his concertos for violin, flute and clarinet. In Denmark, his opera Maskarade and a considerable number of his songs have become an integral part of the national heritage. While his early music was inspired by composers such as Brahms and Grieg, he soon started to develop his own style, first experimenting with progressive tonality and later diverging even more radically from the standards of composition still common at the time. For many years, he appeared on the Danish hundred-kroner banknote.
Nielsen is best known for his six symphonies. Other well-known pieces are the incidental music for Adam Oehlenschläger's drama Aladdin, the operas Saul og David and Maskarade, the three concertos for violin, flute and clarinet, the Wind Quintet, and the Helios Overture, which depicts the passage of the sun in the sky from dawn to nightfall. Most Danes can sing many of the numerous songs by various poets, set to music by Carl Nielsen.
The music initially had a neo-classical sound but became increasingly modern as Nielsen developed his own approach to what Robert Simpson called progressive tonality, moving from one key to another. Typically, he would end on a different key, sometimes as the outcome of a struggle as in his symphonies. His frequently blended melodic passages inspired by folk music with more complicated stylings including counterpoint and modern variations.
Like his contemporary, the Finn Jean Sibelius, he studied Renaissance polyphony closely, which accounts for much of the melodic and harmonic "feel" of his music.
Nielsen is best known for his six symphonies. Other well-known pieces are the incidental music for Adam Oehlenschläger's drama Aladdin, the operas Saul og David and Maskarade, the three concertos for violin, flute and clarinet, the Wind Quintet, and the Helios Overture, which depicts the passage of the sun in the sky from dawn to nightfall. Most Danes can sing many of the numerous songs by various poets, set to music by Carl Nielsen.
The music initially had a neo-classical sound but became increasingly modern as Nielsen developed his own approach to what Robert Simpson called progressive tonality, moving from one key to another. Typically, he would end on a different key, sometimes as the outcome of a struggle as in his symphonies. His frequently blended melodic passages inspired by folk music with more complicated stylings including counterpoint and modern variations.
Like his contemporary, the Finn Jean Sibelius, he studied Renaissance polyphony closely, which accounts for much of the melodic and harmonic "feel" of his music.
Pet Shop Boys
Pet Shop Boys are an English electronic music duo, consisting of Neil Tennant, who provides main vocals, keyboards and occasionally guitar, and Chris Lowe on keyboards and occasionally on vocals.
Pet Shop Boys have sold more than 50 million records worldwide. Since 1986, they have had 39 Top 30 singles and 22 Top 10 hits in the UK, including four Number Ones: "West End Girls," "It's a Sin," "Always on My Mind," and "Heart."
As stated on the Pet Shop Boys official Website, they are working on a new album with Xenomania (who recently worked with Kylie Minogue), which will be released in early 2009.
Pet Shop Boys have sold more than 50 million records worldwide. Since 1986, they have had 39 Top 30 singles and 22 Top 10 hits in the UK, including four Number Ones: "West End Girls," "It's a Sin," "Always on My Mind," and "Heart."
As stated on the Pet Shop Boys official Website, they are working on a new album with Xenomania (who recently worked with Kylie Minogue), which will be released in early 2009.
ABBA
ABBA was a Swedish Eurovision Song Contest-winning pop music group active between 1972 and 1982. Benny Andersson, Björn Ulvaeus, Anni-Frid Lyngstad (Frida), Agnetha Fältskog are in ABBA. They topped the charts worldwide from the mid-1970s to the early 1980s. The name "ABBA" is an acronym formed from the first letters of each of the group member's given name (Agnetha, Björn, Benny, Anni-Frid).
ABBA gained immense international popularity employing catchy song hooks, simple lyrics, and a Wall of Sound achieved by overdubbing the female singers' voices in multiple harmonies. As their popularity grew, they were sought-after to tour Europe, Australia, and North America, drawing crowds of near-hysterical fans ("ABBAholics"), notably in Australia. Touring became a contentious issue, being particularly unpopular with Agnetha, but they continued to release studio albums to great commercial success. At the height of their popularity, however, both marriages of the band members (Benny with Frida, and Björn with Agnetha) failed, and the relationship changes were reflected in their music, as they produced more thoughtful lyrics with different compositions.
They remain a fixture of radio playlists and are one of the world's best selling bands, having sold around 400 million records world wide; The music of ABBA has been re-arranged into the successful musical Mamma Mia! that has toured worldwide and a movie version was released in July 2008. All four of the former members of ABBA were present at the Stockholm premieres of both the musical (2005) and the film (2008). The film première took place at the Benny Andersson-owned Rival theatre at Mariatorget, Stockholm on 4 July 2008.
ABBA gained immense international popularity employing catchy song hooks, simple lyrics, and a Wall of Sound achieved by overdubbing the female singers' voices in multiple harmonies. As their popularity grew, they were sought-after to tour Europe, Australia, and North America, drawing crowds of near-hysterical fans ("ABBAholics"), notably in Australia. Touring became a contentious issue, being particularly unpopular with Agnetha, but they continued to release studio albums to great commercial success. At the height of their popularity, however, both marriages of the band members (Benny with Frida, and Björn with Agnetha) failed, and the relationship changes were reflected in their music, as they produced more thoughtful lyrics with different compositions.
They remain a fixture of radio playlists and are one of the world's best selling bands, having sold around 400 million records world wide; The music of ABBA has been re-arranged into the successful musical Mamma Mia! that has toured worldwide and a movie version was released in July 2008. All four of the former members of ABBA were present at the Stockholm premieres of both the musical (2005) and the film (2008). The film première took place at the Benny Andersson-owned Rival theatre at Mariatorget, Stockholm on 4 July 2008.
Carl Philipp Emanuel Bach
Carl Philipp Emanuel Bach (8 March 1714 – 14 December 1788) was a German musician and composer, the second of three sons of Johann Sebastian Bach and Maria Barbara Bach. He was a crucial composer in the transition between the Baroque and Classical periods, and one of the founders of the Classical style, composing in the Rococo and Classical periods. His second name was given in honor of Georg Philipp Telemann, a friend of Emanuel's father and his godfather.
Through the latter half of the 18th century, the reputation of Emanuel Bach stood very high. Wolfgang Amadeus Mozart said of him, "He is the father, we are the children." The best part of Joseph Haydn's training was derived from a study of his work. Ludwig van Beethoven expressed for his genius the most cordial admiration and regard. This position he owes mainly to his keyboard sonatas, which mark an important epoch in the history of musical form. Lucid in style, delicate and tender in expression, they are even more notable for the freedom and variety of their structural design; they break away altogether from both the Italian and the Viennese schools, moving instead toward the cyclical and improvisatory forms that would become common several generations later.
The content of his work is full of invention and, most importantly, extreme unpredictability, and wide emotional range even within a single work, a style that may be categorised as Empfindsamer Stil. It is no less sincere in thought than polished and felicitous in phrase. He was probably the first composer of eminence who made free use of harmonic colour for its own sake since the time of Lassus, Monteverdi, and Gesualdo. In this way, he compares well with the most important representatives of the First Viennese School. In fact he exerted enormous influence on the North German School of composers, in particular Georg Anton Benda, Bernhard Joachim Hagen, Ernst Wilhelm Wolf, Johann Gottfried Müthel, Friedrich Wilhelm Rust and many others. His influence was not limited to his contemporaries, and extended to Felix Mendelssohn and Carl Maria von Weber.
Through the latter half of the 18th century, the reputation of Emanuel Bach stood very high. Wolfgang Amadeus Mozart said of him, "He is the father, we are the children." The best part of Joseph Haydn's training was derived from a study of his work. Ludwig van Beethoven expressed for his genius the most cordial admiration and regard. This position he owes mainly to his keyboard sonatas, which mark an important epoch in the history of musical form. Lucid in style, delicate and tender in expression, they are even more notable for the freedom and variety of their structural design; they break away altogether from both the Italian and the Viennese schools, moving instead toward the cyclical and improvisatory forms that would become common several generations later.
The content of his work is full of invention and, most importantly, extreme unpredictability, and wide emotional range even within a single work, a style that may be categorised as Empfindsamer Stil. It is no less sincere in thought than polished and felicitous in phrase. He was probably the first composer of eminence who made free use of harmonic colour for its own sake since the time of Lassus, Monteverdi, and Gesualdo. In this way, he compares well with the most important representatives of the First Viennese School. In fact he exerted enormous influence on the North German School of composers, in particular Georg Anton Benda, Bernhard Joachim Hagen, Ernst Wilhelm Wolf, Johann Gottfried Müthel, Friedrich Wilhelm Rust and many others. His influence was not limited to his contemporaries, and extended to Felix Mendelssohn and Carl Maria von Weber.
Vocaloid
Vocaloid (ボーカロイド, Bōkaroido) is a singing voice synthesizer software product. Its signal processing part was developed through a joint research project led by Kenmochi Hideki at the Pompeu Fabra University in Barcelona, Spain, in 2000 and was not originally intended to be a full commercial project. Backed by the Yamaha Corporation, it developed the software into the commercial product "Vocaloid" that was released in 2004.