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Violin Sheet Music
"What passion cannot music raise and quell! " John Dryden
Alfred Grunfeld
Alfred Grünfeld (4 July 1852 in Prague – 4 January 1924 in Vienna) was an Austrian pianist and composer.Alfred Grünfeld was born as the second of eight children to Jewish leather merchant Moritz Grünfeld (born 1817 Kolín nad Labem) and his wife Regina, nee Pick (born 1826 Osek), in Prague – New Town. Moritz Grünfeld was a leather merchant, and Grünfeld grew up in a middle-class, musical Jewish family. His siblings included: the cellist Heinrich Grünfeld; Ludwig Grünfeld, who worked for Deutsche Grammophon, and Siegmund Grünfeld, répétiteur at the Vienna Hofoper. The family lived at Zeltnergasse 38.
Astor Piazzolla
Ástor Pantaleón Piazzolla (March 11, 1921 – July 4, 1992) was an Argentine tango composer and bandoneón player. His oeuvre revolutionized the traditional tango into a new style termed nuevo tango, incorporating elements from jazz and classical music. An excellent bandoneonist, he regularly performed his own compositions with different ensembles.
Piazzolla's nuevo tango was distinct from the traditional tango in its incorporation of elements of jazz, its use of extended harmonies and dissonance, its use of counterpoint, and its ventures into extended compositional forms. As Argentine psychoanalyst Carlos Kuri has pointed out, Piazzolla's fusion of tango with this wide range of other recognizable Western musical elements was so successful that it produced a new individual style transcending these influences. It is precisely this success, and individuality, that makes it hard to pin down where particular influences reside in his compositions, but some aspects are clear. The use of the passacaglia technique of a circulating bass line and harmonic sequence, invented and much used in 17th and 18th century baroque music but also central to the idea of jazz "changes", predominates in most of Piazzolla's mature compositions. Another clear reference to the baroque is the often complex and virtuosic counterpoint that sometimes follows strict fugal behavior but more often simply allows each performer in the group to assert his voice. A further technique that emphasises this sense of democracy and freedom among the musicians is improvisation that is borrowed from jazz in concept, but in practice involves a different vocabulary of scales and rhythms that stay within the parameters of the established tango sound-world. Pablo Ziegler has been particularly responsible for developing this aspect of the style both within Piazzolla's groups and since the composer's death.
Piazzolla's nuevo tango was distinct from the traditional tango in its incorporation of elements of jazz, its use of extended harmonies and dissonance, its use of counterpoint, and its ventures into extended compositional forms. As Argentine psychoanalyst Carlos Kuri has pointed out, Piazzolla's fusion of tango with this wide range of other recognizable Western musical elements was so successful that it produced a new individual style transcending these influences. It is precisely this success, and individuality, that makes it hard to pin down where particular influences reside in his compositions, but some aspects are clear. The use of the passacaglia technique of a circulating bass line and harmonic sequence, invented and much used in 17th and 18th century baroque music but also central to the idea of jazz "changes", predominates in most of Piazzolla's mature compositions. Another clear reference to the baroque is the often complex and virtuosic counterpoint that sometimes follows strict fugal behavior but more often simply allows each performer in the group to assert his voice. A further technique that emphasises this sense of democracy and freedom among the musicians is improvisation that is borrowed from jazz in concept, but in practice involves a different vocabulary of scales and rhythms that stay within the parameters of the established tango sound-world. Pablo Ziegler has been particularly responsible for developing this aspect of the style both within Piazzolla's groups and since the composer's death.
Traditional
Carl Nielsen
Carl August Nielsen (9 June 1865 – 3 October 1931), widely recognised as Denmark's greatest composer, was also a conductor and a violinist. Brought up by poor but musically talented parents on the island of Funen, he demonstrated his musical abilities at an early age. While it was some time before his works were fully appreciated, even in his home country, Nielsen has now firmly entered the international repertoire. Especially in Europe and the United States, Nielsen's music is ever more frequently performed, with interest growing in other countries too. Carl Nielsen is especially admired for his six symphonies, his Wind Quintet and his concertos for violin, flute and clarinet. In Denmark, his opera Maskarade and a considerable number of his songs have become an integral part of the national heritage. While his early music was inspired by composers such as Brahms and Grieg, he soon started to develop his own style, first experimenting with progressive tonality and later diverging even more radically from the standards of composition still common at the time. For many years, he appeared on the Danish hundred-kroner banknote.
Nielsen is best known for his six symphonies. Other well-known pieces are the incidental music for Adam Oehlenschläger's drama Aladdin, the operas Saul og David and Maskarade, the three concertos for violin, flute and clarinet, the Wind Quintet, and the Helios Overture, which depicts the passage of the sun in the sky from dawn to nightfall. Most Danes can sing many of the numerous songs by various poets, set to music by Carl Nielsen.
The music initially had a neo-classical sound but became increasingly modern as Nielsen developed his own approach to what Robert Simpson called progressive tonality, moving from one key to another. Typically, he would end on a different key, sometimes as the outcome of a struggle as in his symphonies. His frequently blended melodic passages inspired by folk music with more complicated stylings including counterpoint and modern variations.
Like his contemporary, the Finn Jean Sibelius, he studied Renaissance polyphony closely, which accounts for much of the melodic and harmonic "feel" of his music.
Nielsen is best known for his six symphonies. Other well-known pieces are the incidental music for Adam Oehlenschläger's drama Aladdin, the operas Saul og David and Maskarade, the three concertos for violin, flute and clarinet, the Wind Quintet, and the Helios Overture, which depicts the passage of the sun in the sky from dawn to nightfall. Most Danes can sing many of the numerous songs by various poets, set to music by Carl Nielsen.
The music initially had a neo-classical sound but became increasingly modern as Nielsen developed his own approach to what Robert Simpson called progressive tonality, moving from one key to another. Typically, he would end on a different key, sometimes as the outcome of a struggle as in his symphonies. His frequently blended melodic passages inspired by folk music with more complicated stylings including counterpoint and modern variations.
Like his contemporary, the Finn Jean Sibelius, he studied Renaissance polyphony closely, which accounts for much of the melodic and harmonic "feel" of his music.
Fabian Andrades
Fabian Andrades Contemporary composer born in Iquique, Chile.
Handel
George Frideric Handel (Friday, 23 February 1685 - Saturday, 14 April 1759) was a German-born Baroque composer who is famous for his operas, oratorios and concerti grossi. Born as Georg Friedrich Handel in Halle, he spent most of his adult life in England, becoming a subject of the British crown on 22 January 1727. His most famous works are Messiah, an oratorio set to texts from the King James Bible; Water Music; and Music for the Royal Fireworks. Strongly influenced by the techniques of the great composers of the Italian Baroque and the English composer Henry Purcell, his music was known to many significant composers who came after him, including Haydn, Mozart, and Beethoven.
Handel's compositions include 42 operas; 29 oratorios; more than 120 cantatas, trios and duets; numerous arias; chamber music; a large number of ecumenical pieces; odes and serenatas; and sixteen organ concerti. His most famous work, the Messiah oratorio with its "Hallelujah" chorus, is among the most popular works in choral music and has become a centerpiece of the Christmas season. Also popular are the Opus 3 and 6 Concerti Grossi, as well as "The Cuckoo and the Nightingale", in which birds are heard calling during passages played in different keys representing the vocal ranges of two birds. Also notable are his sixteen keyboard suites, especially The Harmonious Blacksmith.
Handel introduced various previously uncommon musical instruments in his works: the viola d'amore and violetta marina (Orlando), the lute (Ode for St. Cecilia's Day), three trombones (Saul), clarinets or small high cornets (Tamerlano), theorbo, French horn (Water Music), lyrichord, double bassoon, viola da gamba, bell chimes, positive organ, and harp (Giulio Cesare, Alexander's Feast).
Handel's compositions include 42 operas; 29 oratorios; more than 120 cantatas, trios and duets; numerous arias; chamber music; a large number of ecumenical pieces; odes and serenatas; and sixteen organ concerti. His most famous work, the Messiah oratorio with its "Hallelujah" chorus, is among the most popular works in choral music and has become a centerpiece of the Christmas season. Also popular are the Opus 3 and 6 Concerti Grossi, as well as "The Cuckoo and the Nightingale", in which birds are heard calling during passages played in different keys representing the vocal ranges of two birds. Also notable are his sixteen keyboard suites, especially The Harmonious Blacksmith.
Handel introduced various previously uncommon musical instruments in his works: the viola d'amore and violetta marina (Orlando), the lute (Ode for St. Cecilia's Day), three trombones (Saul), clarinets or small high cornets (Tamerlano), theorbo, French horn (Water Music), lyrichord, double bassoon, viola da gamba, bell chimes, positive organ, and harp (Giulio Cesare, Alexander's Feast).
bijan mortazavi
Bijan Mortazavi (Persian: بیژن مرتضوی, born November 16, 1957) is an Iranian virtuoso violinist, musician, composer, songwriter, arranger and singer.Born in the city of Sari, Iran. Mortazavi studied music in Tehran. He was trained in improvisation, orchestration, arrangement, quarter tone technique, and dastgah by various well-known violinists in Iran.
Music theory
Music theory is the study of the practices and possibilities of music. The Oxford Companion to Music describes three interrelated uses of the term "music theory"
Joe Hisaishi
Mamoru Fujisawa (藤澤 守 Fujisawa Mamoru?), known professionally as Joe Hisaishi (久石 譲 Hisaishi Jō?, born December 6, 1950), is a composer and director known for over 100 film scores and solo albums dating back to 1981.
While possessing a stylistically distinct sound, Hisaishi's music has been known to explore and incorporate different genres, including minimalist, experimental electronic, European classical, and Japanese classical. Lesser known are the other musical roles he plays; he is also a typesetter, author, arranger, and head of an orchestra.
He is best known for his work with animator Hayao Miyazaki, having composed scores for many of his films including Nausicaä of the Valley of the Wind (1984), My Neighbor Totoro (1988), Princess Mononoke (1997), Spirited Away (2001), Howl's Moving Castle (2004) and Ponyo (2008). He is also recognized for the soundtracks he has provided for filmmaker 'Beat' Takeshi Kitano, including Dolls (2002), Kikujiro (1999), Hana-bi (1997), Kids Return (1996), Sonatine (1993).
While possessing a stylistically distinct sound, Hisaishi's music has been known to explore and incorporate different genres, including minimalist, experimental electronic, European classical, and Japanese classical. Lesser known are the other musical roles he plays; he is also a typesetter, author, arranger, and head of an orchestra.
He is best known for his work with animator Hayao Miyazaki, having composed scores for many of his films including Nausicaä of the Valley of the Wind (1984), My Neighbor Totoro (1988), Princess Mononoke (1997), Spirited Away (2001), Howl's Moving Castle (2004) and Ponyo (2008). He is also recognized for the soundtracks he has provided for filmmaker 'Beat' Takeshi Kitano, including Dolls (2002), Kikujiro (1999), Hana-bi (1997), Kids Return (1996), Sonatine (1993).
The Secret Garden
The Secret Garden is a musical based on the 1909 novel of the same name by Frances Hodgson Burnett. The musical's book and lyrics are by Marsha Norman, with music by Lucy Simon. It premiered on Broadway at the St. James Theatre on 25 April 1991 and closed on 3 January 1993 after 709 performances.
The musical, set in 1906, tells of a young English girl, Mary, who is forced to move to England from colonial India when her parents die in a cholera outbreak. There she lives with her emotionally stunted Uncle Archibald and her invalid cousin. Discovering a hidden and neglected garden, and bravely overcoming dark forces, she and a young gardener bring it back to life at the same time as she brings new life to her cousin and uncle.
The Secret Garden garnered the 1991 Tony Awards for Best Book of a Musical, Best Featured Actress in a Musical (Daisy Eagan), and Best Scenic Design (Heidi Landesman). The set resembled an enormous Victorian toy theatre with pop-out figures, large paper dolls, and Joseph Cornell-like collage elements.
The musical, set in 1906, tells of a young English girl, Mary, who is forced to move to England from colonial India when her parents die in a cholera outbreak. There she lives with her emotionally stunted Uncle Archibald and her invalid cousin. Discovering a hidden and neglected garden, and bravely overcoming dark forces, she and a young gardener bring it back to life at the same time as she brings new life to her cousin and uncle.
The Secret Garden garnered the 1991 Tony Awards for Best Book of a Musical, Best Featured Actress in a Musical (Daisy Eagan), and Best Scenic Design (Heidi Landesman). The set resembled an enormous Victorian toy theatre with pop-out figures, large paper dolls, and Joseph Cornell-like collage elements.
Astor Piazzola
Astor Pantaleón Piazzolla (Spanish pronunciation: , Italian pronunciation: ; March 11, 1921 – July 4, 1992) was an Argentine tango composer, bandoneon player, and arranger. His oeuvre revolutionized the traditional tango into a new style termed nuevo tango, incorporating elements from jazz and classical music. A virtuoso bandoneonist, he regularly performed his own compositions with a variety of ensembles.
In 1992, American music critic Stephen Holden described Piazzolla as "the world's foremost composer of tango music"
In 1992, American music critic Stephen Holden described Piazzolla as "the world's foremost composer of tango music"
Pet Shop Boys
Pet Shop Boys are an English electronic music duo, consisting of Neil Tennant, who provides main vocals, keyboards and occasionally guitar, and Chris Lowe on keyboards and occasionally on vocals.
Pet Shop Boys have sold more than 50 million records worldwide. Since 1986, they have had 39 Top 30 singles and 22 Top 10 hits in the UK, including four Number Ones: "West End Girls," "It's a Sin," "Always on My Mind," and "Heart."
As stated on the Pet Shop Boys official Website, they are working on a new album with Xenomania (who recently worked with Kylie Minogue), which will be released in early 2009.
Pet Shop Boys have sold more than 50 million records worldwide. Since 1986, they have had 39 Top 30 singles and 22 Top 10 hits in the UK, including four Number Ones: "West End Girls," "It's a Sin," "Always on My Mind," and "Heart."
As stated on the Pet Shop Boys official Website, they are working on a new album with Xenomania (who recently worked with Kylie Minogue), which will be released in early 2009.
Nikolay Afanasyev
Nikolay Yakovlevich Afanasyev was an Imperial Russian violin virtuoso and composer. His memoirs 'Vospominaniya' appeared in 1890, and recorded his experiences as a touring musician, as part of a panorama of Russian musical life during the mid 19th century.
Bond Quartet
Together Tania Davis (Violin), Eos Counsell (violin), Elspeth Hanson (viola) and Gay-Yee Westerhoff (cello) complete the line-up of BOND.
At its launch, BOND was hailed in the press as ‘the Spice Girls of Classical music’, and went onto turn the world of classical crossover music on its head, spawning many electric string groups inspired by its unique sound.
The members of BOND draw their inspiration from classical, latin, folk, jazz, rock, pop, electro, Indian and middle eastern styles. They have built a very active and loyal international fan base over the years and, since their debut, BOND have sold over 4 million albums worldwide, making BOND the best-selling string quartet of all time.
At its launch, BOND was hailed in the press as ‘the Spice Girls of Classical music’, and went onto turn the world of classical crossover music on its head, spawning many electric string groups inspired by its unique sound.
The members of BOND draw their inspiration from classical, latin, folk, jazz, rock, pop, electro, Indian and middle eastern styles. They have built a very active and loyal international fan base over the years and, since their debut, BOND have sold over 4 million albums worldwide, making BOND the best-selling string quartet of all time.
Friedrich Kreisler
Friedrich "Fritz" Kreisler was an Austrian-born violinist and composer. One of the most noted violin masters of his day, and regarded as one of the greatest violinists of all time, he was known for his sweet tone and expressive phrasing
Isaac Albeniz
Isaac Albéniz i Pascual (Spanish pronunciation: ) (May 29, 1860 – May 18, 1909) was a Spanish pianist and composer best known for his piano works based on folk music.
Albéniz’ Suite Española Op.47 is comprised mainly of pieces written in 1886, and grouped together in 1887 in honor of the Queen of Spain. Like many of Albéniz' piano pieces, these works are miniature tone pictures of different geographical regions and musical idioms of Spain. The eight original titles are Granada, Cataluna, Sevilla, Cadiz, Asturias, Aragon, Castilla and Cuba but only the first three titles and Cuba appeared in the original collection. The other pieces were published in later collections, often with different titles. The publisher Hofmeister published all eight titles of Suite Espanola in 1911 after Albéniz’ death, appropriating other pieces for the other four titles so those pieces do not always accurately reflect the geographic designation of the titles, most obviously in the case of Asturias (Leyenda) whose Andalusian flamenco rhythms bear little resemblance to the music of the northern province Asturias. The opus number 47 assigned by Hofmeister has no relation to any chronological order in Albéniz’ oeuvre, in which opus numbers were randomly given by publishers or by Albéniz himself, with some pieces appearing in more than one collection.
Albéniz’ Suite Española Op.47 is comprised mainly of pieces written in 1886, and grouped together in 1887 in honor of the Queen of Spain. Like many of Albéniz' piano pieces, these works are miniature tone pictures of different geographical regions and musical idioms of Spain. The eight original titles are Granada, Cataluna, Sevilla, Cadiz, Asturias, Aragon, Castilla and Cuba but only the first three titles and Cuba appeared in the original collection. The other pieces were published in later collections, often with different titles. The publisher Hofmeister published all eight titles of Suite Espanola in 1911 after Albéniz’ death, appropriating other pieces for the other four titles so those pieces do not always accurately reflect the geographic designation of the titles, most obviously in the case of Asturias (Leyenda) whose Andalusian flamenco rhythms bear little resemblance to the music of the northern province Asturias. The opus number 47 assigned by Hofmeister has no relation to any chronological order in Albéniz’ oeuvre, in which opus numbers were randomly given by publishers or by Albéniz himself, with some pieces appearing in more than one collection.
Giulio Caccini
Giulio Romolo Caccini (also Giulio Romano) (Rome, 8 October 1551 – Florence, buried 10 December 1618) was an Italian composer, teacher, singer, instrumentalist and writer of the late Renaissance and early Baroque eras. He was one of the founders of the genre of opera, and one of the most influential creators of the new Baroque style. He was also the father of the composer Francesca Caccini and the singer Settimia Caccini.
Joseph Parry
Joseph Parry (21 May 1841 – 17 February 1903) was a Welsh composer and musician. Born in Merthyr Tydfil, Wales, he is best known as the composer of "Myfanwy" and the hymn tune "Aberystwyth", on which the African song "Nkosi Sikelel' iAfrika" is said to be based. Parry was also the first Welshman to compose an opera; his composition, Blodwen, was the first opera in the Welsh language.Born into a large family, Parry left school to work in the local coal mines when he was nine years of age. He then went to work at the Cyfarthfa Ironworks, where his father was also employed. In 1854 the family emigrated to the United States, settling at Danville, Pennsylvania, where Parry again found employment at an iron works.
Alfred Schnittke
Alfred Garrievich Schnittke was a Soviet and German composer. Schnittke's early music shows the strong influence of Dmitri Shostakovich. He developed a polystylistic technique in works such as the epic Symphony No. 1 and his first concerto grosso. Wikipedia Born: November 24, 1934, Engels, Russia Died: August 3, 1998, Hamburg, Germany
Place of burial: Novodevichy Cemetery, Moscow, Russia Spouse: Irina Schnittke (m. 1961–1998), Galina Koltsina (m. 1956–1958)
Place of burial: Novodevichy Cemetery, Moscow, Russia Spouse: Irina Schnittke (m. 1961–1998), Galina Koltsina (m. 1956–1958)
CArl Friedrich Abel
Carl Friedrich Abel (22 December 1723 – 20 June 1787) was a German composer of the Classical era. He was a renowned player of the viola da gamba, and produced significant compositions for that instrument.Abel was born in Köthen, a small German city, where his father, Christian Ferdinand Abel, had worked for years as the principal viola da gamba and cello player in the court orchestra. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach, moved to Leipzig. The young Abel later boarded at St. Thomas School, Leipzig, where he was taught by Bach.
Bach
Johann Sebastian Bach (31 March 1685 – 28 July 1750) was a German composer and organist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity. Although he introduced no new forms, he enriched the prevailing German style with a robust contrapuntal technique, an unrivalled control of harmonic and motivic organisation in composition for diverse musical forces, and the adaptation of rhythms and textures from abroad, particularly Italy and France.
Revered for their intellectual depth and technical and artistic beauty, Bach's works include the Brandenburg concertos; the Goldberg Variations; the English Suites, French Suites, Partitas, and Well-Tempered Clavier; the Mass in B Minor; the St. Matthew Passion; the St. John Passion; The Musical Offering; The Art of Fugue; the Sonatas and Partitas for violin solo; the Cello Suites; more than 200 surviving cantatas; and a similar number of organ works, including the celebrated Toccata and Fugue in D Minor.
While Bach's fame as an organist was great during his lifetime, he was not particularly well-known as a composer. His adherence to Baroque forms and contrapuntal style was considered "old-fashioned" by his contemporaries, especially late in his career when the musical fashion tended towards Rococo and later Classical styles. A revival of interest and performances of his music began early in the 19th century, and he is now widely considered to be one of the greatest composers in the Western tradition.
Revered for their intellectual depth and technical and artistic beauty, Bach's works include the Brandenburg concertos; the Goldberg Variations; the English Suites, French Suites, Partitas, and Well-Tempered Clavier; the Mass in B Minor; the St. Matthew Passion; the St. John Passion; The Musical Offering; The Art of Fugue; the Sonatas and Partitas for violin solo; the Cello Suites; more than 200 surviving cantatas; and a similar number of organ works, including the celebrated Toccata and Fugue in D Minor.
While Bach's fame as an organist was great during his lifetime, he was not particularly well-known as a composer. His adherence to Baroque forms and contrapuntal style was considered "old-fashioned" by his contemporaries, especially late in his career when the musical fashion tended towards Rococo and later Classical styles. A revival of interest and performances of his music began early in the 19th century, and he is now widely considered to be one of the greatest composers in the Western tradition.
Moulin Rouge
Moulin Rouge! (/ˌmuːlæ̃ ˈruːʒ/, French: ) is a 2001 jukebox musical romantic drama film directed, co-produced, and co-written by Baz Luhrmann. The film tells the story of a young English poet/writer, Christian (Ewan McGregor), who falls in love with the star of the Moulin Rouge, cabaret actress and courtesan Satine (Nicole Kidman). It uses the musical setting of the Montmartre Quarter of Paris, France. The film is the third part of Luhrmann's "Red Curtain Trilogy," following Strictly Ballroom and Romeo + Juliet.
The Refreshements
The Refreshments were an alternative rock band from Tempe, Arizona. The band is best known for the single "Banditos" from their 1996 breakthrough album Fizzy Fuzzy Big & Buzzy, and also for "Yahoos and Triangles", the theme song to the long-running animated series King of the Hill. The latter was a piece the band traditionally performed at soundchecks. The Refreshments disbanded in 1998, although Roger Clyne and P.H. Naffah continue to tour and play Refreshments songs along with new music as Roger Clyne and the Peacemakers.
Carol Banawa
Carol Claire Aguilar Banawa (born March 4, 1981), better known in the Philippines as Carol Banawa, is a US-based Filipina singer, actress, and nurse. She is a Star Magic Batch 4 alumni.
Frank von Suppe
Franz von Suppé was an Austrian composer of light operas and other theatre music. He came from the Kingdom of Dalmatia, Austro-Hungarian Empire. A composer and conductor of the Romantic period, he is notable for his four dozen operettas.
Dave Richardson
Dave Richardson is an observer. With his warm, expressive voice and his acoustic guitar, he invites listeners to experience snippets of life through his songs: a fragment of overheard conversation, the recollection of a feeling, a snapshot of an event. Dave grew up listening to ‘60s pop and classic rock, and his love of a catchy melody can be easily heard in his music. His musical influences include the thoughtful reflection of modern singer/songwriters like Neko Case and Caitlin Canty along with song collectors and re-interpreters like Jean Ritchie and Martin Carthy. Dave’s songs reflect a unique point of view steeped in folk traditions and infused with an undeniably modern lyrical and musical sensibility.
Speed Graphor
Shinkichi Mitsumune (光宗 信吉 Mitsumune Shinkichi) (born October 8, 1963) is a Japanese composer who writes music primarily for anime.Mitsumune is a native of Fukuoka City in Fukuoka Prefecture and a graduate of Rikkyo University with a degree in business. He started studying music at the age of 4. After graduating from college, he toured music festivals across Japan as a keyboardist for a Marine band, and later for musicians such as Yukie Nishimura. Starting in 1995, he lent his skills to composing anime and movie scores with a full orchestra.
Tori Amos
Tori Amos (born Myra Ellen Amos on August 22, 1963) is a pianist and singer-songwriter of dual British and American citizenship. She is married to English sound engineer Mark Hawley, with whom she has one child, Natashya "Tash" Lórien Hawley, born on September 5, 2000.
Amos was at the forefront of a number of female singer-songwriters in the early 1990s and was noteworthy early in her career as one of the few alternative rock performers to use a piano as her primary instrument. She is known for emotionally intense songs that cover a wide range of subjects including sexuality, religion and personal tragedy. Some of her charting singles include "Crucify", "Silent All These Years", "Cornflake Girl", "Caught a Lite Sneeze", "Professional Widow", "Spark", and "A Sorta Fairytale".
Amos had sold 12 million records worldwide as of 2005 and has also enjoyed a large cult following. Having a history of making eccentric and at times ribald comments during concerts and interviews, she has earned a reputation for being highly idiosyncratic. As a social commentator and sometimes activist, some of the topics she has been most vocal about include feminism, religion, and sexuality.
Amos was at the forefront of a number of female singer-songwriters in the early 1990s and was noteworthy early in her career as one of the few alternative rock performers to use a piano as her primary instrument. She is known for emotionally intense songs that cover a wide range of subjects including sexuality, religion and personal tragedy. Some of her charting singles include "Crucify", "Silent All These Years", "Cornflake Girl", "Caught a Lite Sneeze", "Professional Widow", "Spark", and "A Sorta Fairytale".
Amos had sold 12 million records worldwide as of 2005 and has also enjoyed a large cult following. Having a history of making eccentric and at times ribald comments during concerts and interviews, she has earned a reputation for being highly idiosyncratic. As a social commentator and sometimes activist, some of the topics she has been most vocal about include feminism, religion, and sexuality.
Jeno Hubay
Jenő Hubay, Jenő Hubay von Szalatna, Hungarian: szalatnai Hubay Jenő (Hungarian pronunciation: ; 15 September 1858 – 12 March 1937), also known by his German name Eugen Huber (pronounced ), was a Hungarian violinist, composer and music teacher.
Dmitri Shostakovich
Dmitri Dmitriyevich Shostakovich, Russian composer. The USSR Supreme Soviet MP was awarded the Order of Lenin. The composer, who wrote the most important symphonies of the 20th century, produced many works, including soundtrack, song and jazz.
Mozart
Wolfgang Amadeus Mozart, full name Johann Chrysostom Wolfgang Amadeus Mozart (27 January 1756 â 5 December 1791) was a prolific and influential composer of the Classical era. His over 600 compositions include works widely acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music. Mozart is among the most enduringly popular of classical composers, and many of his works are part of the standard concert repertoire.
Mozart's music, like Haydn's, stands as an archetypal example of the Classical style. His works spanned the period during which that style transformed from one exemplified by the style galant to one that began to incorporate some of the contrapuntal complexities of the late Baroque, complexities against which the galant style had been a reaction. Mozart's own stylistic development closely paralleled the development of the classical style as a whole. In addition, he was a versatile composer and wrote in almost every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. While none of these genres were new, the piano concerto was almost single-handedly developed and popularized by Mozart. He also wrote a great deal of religious music, including masses; and he composed many dances, divertimenti, serenades, and other forms of light entertainment.
The central traits of the classical style can be identified in Mozart's music. Clarity, balance, and transparency are hallmarks of his work.
Mozart's music, like Haydn's, stands as an archetypal example of the Classical style. His works spanned the period during which that style transformed from one exemplified by the style galant to one that began to incorporate some of the contrapuntal complexities of the late Baroque, complexities against which the galant style had been a reaction. Mozart's own stylistic development closely paralleled the development of the classical style as a whole. In addition, he was a versatile composer and wrote in almost every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. While none of these genres were new, the piano concerto was almost single-handedly developed and popularized by Mozart. He also wrote a great deal of religious music, including masses; and he composed many dances, divertimenti, serenades, and other forms of light entertainment.
The central traits of the classical style can be identified in Mozart's music. Clarity, balance, and transparency are hallmarks of his work.
Sidney Corbett
Sidney Corbett (born April 26, 1960 in Chicago, Illinois) is an American composer based in Germany.
Sidney Corbett was born in Chicago in 1960, studied music and philosophy at the University of California, San Diego, and continued his study of composition at Yale University, where he earned his doctorate in 1989, and at the Hamburg Academy of the Arts with György Ligeti. Corbett has been active primarily in Europe since 1985. His output includes works for the stage, orchestral compositions, instrumental chamber music and a large amount of vocal music. His works have earned him numerous national and international awards and prizes and have been performed and broadcast worldwide.
Sidney Corbett was born in Chicago in 1960, studied music and philosophy at the University of California, San Diego, and continued his study of composition at Yale University, where he earned his doctorate in 1989, and at the Hamburg Academy of the Arts with György Ligeti. Corbett has been active primarily in Europe since 1985. His output includes works for the stage, orchestral compositions, instrumental chamber music and a large amount of vocal music. His works have earned him numerous national and international awards and prizes and have been performed and broadcast worldwide.
Charlie Daniels
Charles Edward Daniels was an American singer, songwriter and multi-instrumentalist known for his contributions to Southern rock, country, and bluegrass music. He was best known for his number-one country hit "The Devil Went Down to Georgia".
Ernest Bloch
Ernest Bloch (July 24, 1880 – July 15, 1959) was a Swiss-born American composer. Bloch was a preeminent artist in his day, and left a lasting legacy. He is recognized as one of the greatest Swiss composers in history. As well as producing musical scores, Bloch had an academic career that culminated in his recognition as Professor Emeritus at the University of California, Berkeley in 1952.
Oskar Rieding
Oskar Rieding was a German violinist, teacher of music, and composer. Born: 1840, Northern Germany
Died: 1918, Celje, Slovenia Books: Air Varie Op. 23 No. 3: Violin & Piano,
Died: 1918, Celje, Slovenia Books: Air Varie Op. 23 No. 3: Violin & Piano,
Benjamin Britten
Edward Benjamin Britten, Baron Britten of Aldeburgh, OM CH (22 November 1913 – 4 December 1976) was an English composer, conductor, and pianist. Showing prodigious talent from an early age – he composed his Quatre Chansons françaises for soprano and orchestra at the age of fourteen – he first came to public attention with the a cappella choral work A Boy Was Born. With the premiere of his opera Peter Grimes in 1945 he leapt to international fame, and for the next fifteen years he devoted much of his compositional attention to writing operas, several of which now appear regularly on international stages. Britten's interests as a composer were wide-ranging; he produced important music in such varied genres as orchestral, choral, solo vocal (much of it written for the tenor Peter Pears), chamber and instrumental, as well as film music. He also took a great interest in writing music for children and amateur performers, and was considered a fine pianist and conductor.
Lil Wayne
Dwayne Michael Carter Jr. (born September 27, 1982), known professionally as Lil Wayne, is an American rapper, singer, songwriter, record executive, entrepreneur, and actor. He is regarded by many contemporaries as one of the most influential hip hop artists of his generation, and often cited as one of the greatest rappers of all time. His career began in 1995, at the age of 12, when he was signed by rapper Birdman, joining Cash Money Records as the youngest member of the label. For many years, Lil Wayne was the flagship artist of Cash Money Records, before ending his association with the company in June 2018.
Gabriel Faure
Gabriel Urbain Fauré (12 May 1845 – 4 November 1924) was a French composer, organist, pianist, and teacher. He was the foremost French composer of his generation, and his musical style influenced many 20th century composers. His harmonic and melodic language affected how harmony was later taught.
George Frideric Handel
George Frideric (or Frederick) Handel (/ˈhændəl/; born Georg Friederich Händel (About this soundlisten); 23 February 1685 (O.S.) – 14 April 1759) was a German, later British, Baroque composer who spent the bulk of his career in London, becoming well known for his operas, oratorios, anthems, and organ concertos. Handel received important training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712; he became a naturalised British subject in 1727. He was strongly influenced both by the great composers of the Italian Baroque and by the middle-German polyphonic choral tradition.
Franz Anton Hoffmeister
Franz Anton Hoffmeister (12 May 1754 – 9 February 1812) was a German composer and music publisher.Franz Anton Hoffmeister was born in Rottenburg am Neckar on 12 May 1754. At the age of fourteen he went to Vienna to study law. Following his studies, however, he decided on a career in music and by the 1780s he had become one of the city’s most popular composers, with an extensive and varied catalogue of works to his credit.
Bedrich Smetana
Bedřich Smetena. He is considered as the founder of Czech music, pianist, conductor, composer. He was one of the first nationalist composers in the history of music.
Monteverdi
Claudio Giovanni Antonio Monteverdi (May 15, 1567 (baptized) â November 29, 1643), was an Italian composer, gambist, and singer.
Monteverdi's work, often regarded as revolutionary, marked the transition from the music of the Renaissance to that of the Baroque. Enjoying fame in his lifetime, he wrote one of the earliest operas, L'Orfeo, which is still regularly performed.
Monteverdi composed at least eighteen operas, but only L'Orfeo, L'incoronazione di Poppea, Il ritorno d'Ulisse in patria and the famous aria, Lamento, from his second opera L'Arianna have survived. From monody (with melodic lines, intelligible text and placid accompanying music), it was a logical step for Monteverdi to begin composing opera, especially for a dramatically inclined composer who loved grand effect. In 1607, the premiere of his first opera, L'Orfeo, took place in Mantua. It was normal at that time for composers to create works on demand for special occasions, and this piece was part of the ducal celebrations of carnival. (Monteverdi was later to write for the first opera houses supported by ticket sales which opened in Venice). L'Orfeo has dramatic power and lively orchestration and is arguably the first example of a composer assigning specific instruments to parts in operas. It is also one of the first large compositions in which the exact instrumentation of the premiere has come down to us.
Monteverdi's work, often regarded as revolutionary, marked the transition from the music of the Renaissance to that of the Baroque. Enjoying fame in his lifetime, he wrote one of the earliest operas, L'Orfeo, which is still regularly performed.
Monteverdi composed at least eighteen operas, but only L'Orfeo, L'incoronazione di Poppea, Il ritorno d'Ulisse in patria and the famous aria, Lamento, from his second opera L'Arianna have survived. From monody (with melodic lines, intelligible text and placid accompanying music), it was a logical step for Monteverdi to begin composing opera, especially for a dramatically inclined composer who loved grand effect. In 1607, the premiere of his first opera, L'Orfeo, took place in Mantua. It was normal at that time for composers to create works on demand for special occasions, and this piece was part of the ducal celebrations of carnival. (Monteverdi was later to write for the first opera houses supported by ticket sales which opened in Venice). L'Orfeo has dramatic power and lively orchestration and is arguably the first example of a composer assigning specific instruments to parts in operas. It is also one of the first large compositions in which the exact instrumentation of the premiere has come down to us.
Alexandra stan
She was born in Constanta on June 10, 1989. He is a second year student at the Faculty of Economics and Administrative Sciences at Andrei Saguna University in Constanta.
Who is Alexandra Stan?
She was acclaimed for the songs she sang at Mamaia Festival. In 2009, the song "Lollipop" began to be known for the song and in 2010 "Mr. Saxobeat" song for 14 weeks in the list of Romanian radios topped the list. In 2011, he released his single Get Back.
Who is Alexandra Stan?
She was acclaimed for the songs she sang at Mamaia Festival. In 2009, the song "Lollipop" began to be known for the song and in 2010 "Mr. Saxobeat" song for 14 weeks in the list of Romanian radios topped the list. In 2011, he released his single Get Back.
Paganini
Niccolò Paganini (27 October 1782 – 27 May 1840) was an Italian violinist, violist, guitarist, and composer. He was one of the most celebrated violin virtuosi of his time, and left his mark as one of the pillars of modern violin technique. His caprice in A minor, Op. 1 No. 24 is among his best known of compositions, and serves as inspiration for many prominent artists.
Paganini composed his own works to play exclusively in his concerts, all of which had profound influences on the evolution of violin techniques. His 24 Caprices were probably composed in the period between 1805 to 1809, while he was in the service of the Baciocchi court. Also during this period, he composed the majority of the solo pieces, duo-sonatas,trios and quartets for the guitar. These chamber works may have been inspired by the publication, in Lucca, of the guitar quintets of Boccherini. Many of his variations (and he has become the de facto master of this musical genre), including Le Streghe, The Carnival of Venice, and Nel cor più non mi sento, were composed, or at least first performed, before his European concert tour.
Playbill of Paganini's concert at the Covent Garden in 1832. Note that all solo pieces were of his composition, which was typical of all his concerts.
Generally speaking, Paganini's compositions were technically imaginative, and the timbre of the instrument was greatly expanded as a result of these works. Sounds of different musical instruments and animals were often imitated. One such composition was titled Il Fandango Spanolo (The Spanish Dance), which featured a series of humorous imitations of farm animals. Even more outrageous was a solo piece Duetto Amoroso, in which the sighs and groans of lovers were intimately depicted on the violin. Fortunately there survives a manuscript of the Duetto which has been recorded, while the existence of the Fandango is known only through concert posters.
However, his works were criticized for lacking characteristics of true polyphonism, as pointed out by Eugène Ysaÿe. Yehudi Menuhin, on the other hand, suggested that this might have been the result of his reliance on the guitar (in lieu of the piano) as an aid in composition. The orchestral parts for his concertos were often polite, unadventurous, and clearly supportive of the soloist. In this, his style is consistent with that of other Italian composers such as Paisiello, Rossini and Donizetti, who were influenced by the guitar-song milieu of Naples during this period.
Paganini was also the inspiration of many prominent composers. Both "La Campanella" and the A minor caprice (Nr. 24) have been an object of interest for a number of composers. Franz Liszt, Johannes Brahms, Sergei Rachmaninoff, Boris Blacher, Andrew Lloyd Webber, George Rochberg and Witold Lutosławski, among others, wrote well-known variations on these themes.
Paganini composed his own works to play exclusively in his concerts, all of which had profound influences on the evolution of violin techniques. His 24 Caprices were probably composed in the period between 1805 to 1809, while he was in the service of the Baciocchi court. Also during this period, he composed the majority of the solo pieces, duo-sonatas,trios and quartets for the guitar. These chamber works may have been inspired by the publication, in Lucca, of the guitar quintets of Boccherini. Many of his variations (and he has become the de facto master of this musical genre), including Le Streghe, The Carnival of Venice, and Nel cor più non mi sento, were composed, or at least first performed, before his European concert tour.
Playbill of Paganini's concert at the Covent Garden in 1832. Note that all solo pieces were of his composition, which was typical of all his concerts.
Generally speaking, Paganini's compositions were technically imaginative, and the timbre of the instrument was greatly expanded as a result of these works. Sounds of different musical instruments and animals were often imitated. One such composition was titled Il Fandango Spanolo (The Spanish Dance), which featured a series of humorous imitations of farm animals. Even more outrageous was a solo piece Duetto Amoroso, in which the sighs and groans of lovers were intimately depicted on the violin. Fortunately there survives a manuscript of the Duetto which has been recorded, while the existence of the Fandango is known only through concert posters.
However, his works were criticized for lacking characteristics of true polyphonism, as pointed out by Eugène Ysaÿe. Yehudi Menuhin, on the other hand, suggested that this might have been the result of his reliance on the guitar (in lieu of the piano) as an aid in composition. The orchestral parts for his concertos were often polite, unadventurous, and clearly supportive of the soloist. In this, his style is consistent with that of other Italian composers such as Paisiello, Rossini and Donizetti, who were influenced by the guitar-song milieu of Naples during this period.
Paganini was also the inspiration of many prominent composers. Both "La Campanella" and the A minor caprice (Nr. 24) have been an object of interest for a number of composers. Franz Liszt, Johannes Brahms, Sergei Rachmaninoff, Boris Blacher, Andrew Lloyd Webber, George Rochberg and Witold Lutosławski, among others, wrote well-known variations on these themes.
Alfred Newman
Alfred Newman was an American composer, arranger, and conductor of film music. From his start as a music prodigy, he came to be regarded as a respected figure in the history of film music.
Thomas Quasthoff
Thomas Quasthoff is a German bass-baritone. Quasthoff has a range of musical interest from Bach cantatas, to lieder, and solo jazz improvisations. Born with severe birth defects caused by thalidomide, Quasthoff is 1.34 m, and has phocomelia.
Vivaldi
Antonio Lucio Vivaldi (March 4, 1678 â July 28, 1741), nicknamed il Prete Rosso ("The Red Priest"), was a Venetian priest and Baroque music composer, as well as a famous virtuoso violinist; he was born and raised in the Republic of Venice. The Four Seasons, a series of four violin concerti, is his best-known work and a highly popular Baroque piece.
Many of Vivaldi's compositions reflect a flamboyant, almost playful, exuberance. Most of Vivaldi's repertoire was rediscovered only in the first half of the 20th century in Turin and Genoa and was published in the second half. Vivaldi's music is innovative, breaking a consolidated tradition in schemes; he gave brightness to the formal and the rhythmic structure of the concerto, repeatedly looking for harmonic contrasts and innovative melodies and themes. Moreover, Vivaldi was able to compose nonacademic music, particularly meant to be appreciated by the wide public and not only by an intellectual minority. The joyful appearance of his music reveals in this regard a transmissible joy of composing; these are among the causes of the vast popularity of his music. This popularity soon made him famous in other countries such as France which was, at the time, very independent concerning its musical taste.
Vivaldi is considered one of the composers who brought Baroque music (with its typical contrast among heavy sonorities) to evolve into a classical style. Johann Sebastian Bach was deeply influenced by Vivaldi's concertos and arias (recalled in his Johannes Passion, Matthäuspassion, and cantatas). Bach transcribed a number of Vivaldi's concerti for solo keyboard, along with a number for orchestra, including the famous Concerto for Four Violins and Violoncello, Strings and Continuo (RV 580).
Many of Vivaldi's compositions reflect a flamboyant, almost playful, exuberance. Most of Vivaldi's repertoire was rediscovered only in the first half of the 20th century in Turin and Genoa and was published in the second half. Vivaldi's music is innovative, breaking a consolidated tradition in schemes; he gave brightness to the formal and the rhythmic structure of the concerto, repeatedly looking for harmonic contrasts and innovative melodies and themes. Moreover, Vivaldi was able to compose nonacademic music, particularly meant to be appreciated by the wide public and not only by an intellectual minority. The joyful appearance of his music reveals in this regard a transmissible joy of composing; these are among the causes of the vast popularity of his music. This popularity soon made him famous in other countries such as France which was, at the time, very independent concerning its musical taste.
Vivaldi is considered one of the composers who brought Baroque music (with its typical contrast among heavy sonorities) to evolve into a classical style. Johann Sebastian Bach was deeply influenced by Vivaldi's concertos and arias (recalled in his Johannes Passion, Matthäuspassion, and cantatas). Bach transcribed a number of Vivaldi's concerti for solo keyboard, along with a number for orchestra, including the famous Concerto for Four Violins and Violoncello, Strings and Continuo (RV 580).
Georges Bizet
Georges Bizet (25 October 1838 – 3 June 1875) was a French composer and pianist of the Romantic era. He is best known for the opera Carmen.
Bizet was born at 26 rue de la Tour d'Auvergne in the 9th arrondissement of Paris in 1838. He was registered with the legal name Alexandre César Léopold Bizet, but he was baptised on 16 March 1840 with the first name Georges, and he was always known thereafter as Georges Bizet. His father Adolphe Armand Bizet (1810-86) was an amateur singer and composer, and his mother, Aimée Léopoldine Joséphine née Delsarte (1814-61), was the sister of the famous singing teacher François Delsarte.
He entered the Paris Conservatory of Music on 9 October 1848, a fortnight before his tenth birthday. His teachers there were Pierre Zimmermann (fugue and counterpoint; often assisted by his son-in-law Charles Gounod), Antoine François Marmontel (piano), François Benoist (organ) and, on Zimmermann's death, Fromental Halévy, whose daughter he himself later married. He won first prizes for organ and fugue in 1855 and completed his earliest compositions.
His first symphony, the Symphony in C, was written in November 1855, when he was seventeen, evidently as a student assignment. It was unknown to the world until 1933, when it was discovered in the archives of the Paris Conservatory library. Upon its first performance in 1935, it was immediately hailed as a junior masterwork and a welcome addition to the early Romantic period repertoire. The symphony bears a stylistic resemblance to the first symphony of Gounod, first played earlier in the same year, and which Bizet had arranged for two pianos although present-day listeners may discern a similarity to music of Franz Schubert, whose work was little known in France at the time the symphony was written.
In 1857, a setting of the one-act operetta Le docteur Miracle won him a share in a prize offered by Jacques Offenbach. He also won the music composition scholarship of the Prix de Rome, the conditions of which required him to study in Rome for three years. There, his talent developed as he wrote such works as the opera buffa Don Procopio (1858-59). There he also composed his only major sacred work, Te Deum (1858), which he submitted to the Prix Rodrigues competition, a contest for Prix de Rome winners only. Bizet failed to win the Prix Rodrigues, and the Te Deum score remained unpublished until 1971. He made two attempts to write another symphony in 1859, but destroyed the manuscripts in December of that year. Apart from this period in Rome, Bizet lived in the Paris area all his life.
Shortly after leaving Rome in July 1860, but while still touring in Italy, he had the idea of writing a symphony in which each of the four movements would be a musical evocation of a different Italian city – Rome, Venice, Florence and Naples. On hearing of his mother's serious illness he cut short his Italian travels and returned to Paris in September 1860; she died a year later. The Scherzo of the symphony was completed by November 1861, but it was not until 1866 that the first version of the whole symphony was written. He subjected it to a number of revisions through to 1871, but died before ever producing what he considered the definitive version. For this reason, the work is sometimes described as "unfinished", but this is an inaccurate description as it was fully scored. It was published in 1880 as the Roma Symphony.
Bizet was born at 26 rue de la Tour d'Auvergne in the 9th arrondissement of Paris in 1838. He was registered with the legal name Alexandre César Léopold Bizet, but he was baptised on 16 March 1840 with the first name Georges, and he was always known thereafter as Georges Bizet. His father Adolphe Armand Bizet (1810-86) was an amateur singer and composer, and his mother, Aimée Léopoldine Joséphine née Delsarte (1814-61), was the sister of the famous singing teacher François Delsarte.
He entered the Paris Conservatory of Music on 9 October 1848, a fortnight before his tenth birthday. His teachers there were Pierre Zimmermann (fugue and counterpoint; often assisted by his son-in-law Charles Gounod), Antoine François Marmontel (piano), François Benoist (organ) and, on Zimmermann's death, Fromental Halévy, whose daughter he himself later married. He won first prizes for organ and fugue in 1855 and completed his earliest compositions.
His first symphony, the Symphony in C, was written in November 1855, when he was seventeen, evidently as a student assignment. It was unknown to the world until 1933, when it was discovered in the archives of the Paris Conservatory library. Upon its first performance in 1935, it was immediately hailed as a junior masterwork and a welcome addition to the early Romantic period repertoire. The symphony bears a stylistic resemblance to the first symphony of Gounod, first played earlier in the same year, and which Bizet had arranged for two pianos although present-day listeners may discern a similarity to music of Franz Schubert, whose work was little known in France at the time the symphony was written.
In 1857, a setting of the one-act operetta Le docteur Miracle won him a share in a prize offered by Jacques Offenbach. He also won the music composition scholarship of the Prix de Rome, the conditions of which required him to study in Rome for three years. There, his talent developed as he wrote such works as the opera buffa Don Procopio (1858-59). There he also composed his only major sacred work, Te Deum (1858), which he submitted to the Prix Rodrigues competition, a contest for Prix de Rome winners only. Bizet failed to win the Prix Rodrigues, and the Te Deum score remained unpublished until 1971. He made two attempts to write another symphony in 1859, but destroyed the manuscripts in December of that year. Apart from this period in Rome, Bizet lived in the Paris area all his life.
Shortly after leaving Rome in July 1860, but while still touring in Italy, he had the idea of writing a symphony in which each of the four movements would be a musical evocation of a different Italian city – Rome, Venice, Florence and Naples. On hearing of his mother's serious illness he cut short his Italian travels and returned to Paris in September 1860; she died a year later. The Scherzo of the symphony was completed by November 1861, but it was not until 1866 that the first version of the whole symphony was written. He subjected it to a number of revisions through to 1871, but died before ever producing what he considered the definitive version. For this reason, the work is sometimes described as "unfinished", but this is an inaccurate description as it was fully scored. It was published in 1880 as the Roma Symphony.
Albinoni
Tomaso Giovanni Albinoni (8 June 1671, Venice, Republic of Venice – 17 January 1751, Venice, Republic of Venice) was a Venetian Baroque composer. While famous in his day as an opera composer, he is mainly remembered today for his instrumental music, some of which is regularly recorded.