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"The only thing constant is change, we keep going through it not only in Las Vegas but in every part of our business and culture" Steve Lawrence - Steve & Eydie
Peter Warlock
hilip Arnold Heseltine (30 October 1894 – 17 December 1930), known by the pseudonym Peter Warlock, was a British composer and music critic. The Warlock name, which reflects Heseltine's interest in occult practices, was used for all his published musical works. He is best known as a composer of songs and other vocal music; he also achieved notoriety in his lifetime through his unconventional and often scandalous lifestyle.
Carlos Gardel
Carlos Gardel (11 December 1890 – 24 June 1935) was a singer, songwriter and actor, and is perhaps the most prominent figure in the history of tango. The unerring musicality of Gardel's baritone voice and the dramatic phrasing of his lyrics made miniature masterpieces of his hundreds of three-minute tango recordings. Together with lyricist and long-time collaborator Alfredo Le Pera, Gardel wrote several classic tangos, most notably "Mi Buenos Aires querido", "Por una cabeza" and "El día que me quieras".
Gardel died in an airplane crash at the height of his career, becoming an archetypal tragic hero mourned throughout Latin America. For many, Gardel embodies the soul of the tango style. He is commonly referred to as "Carlitos", "El Zorzal" (The Song Thrush), "The King of Tango", "El Mago" (The Magician) and "El Mudo" (The Mute).
Gardel died in an airplane crash at the height of his career, becoming an archetypal tragic hero mourned throughout Latin America. For many, Gardel embodies the soul of the tango style. He is commonly referred to as "Carlitos", "El Zorzal" (The Song Thrush), "The King of Tango", "El Mago" (The Magician) and "El Mudo" (The Mute).
Edvard Grieg
Edvard Hagerup Grieg (15 June 1843 – 4 September 1907) was a Norwegian composer and pianist who composed in the Romantic period. He is best known for his Piano Concerto in A minor, for his incidental music to Henrik Ibsen's play Peer Gynt (which includes Morning Mood and In the Hall of the Mountain King), and for his collection of piano miniatures Lyric Pieces. "Edvard" is sometimes mispelt as "Edward".
Grieg is renowned as a nationalist composer, drawing inspiration from Norwegian folk music. Early works include a symphony (which he later suppressed) and a piano sonata. He also wrote three sonatas for violin and piano and a cello sonata. His many short pieces for piano — often based on Norwegian folk tunes and dances — led some to call him the "Chopin of the North".
Concerto in A minor: 1. Allegro molto moderato
Performed by the University of Washington Symphony, conducted by Peter Erős (Neal O'Doan, piano)
Concerto in A minor: 1. Allegro molto moderato
Performed by the Skidmore College Orchestra (courtesy of Musopen)
Concerto in A minor: 2. Adagio
Performed by the University of Washington Symphony, conducted by Peter Erős (Neal O'Doan, piano)
Concerto in A minor: 2. Adagio
Performed by the Skidmore College Orchestra (courtesy of Musopen)
Concerto in A minor: 3. Allegro moderato molto e marcato
Performed by the University of Washington Symphony, conducted by Peter Erős (Neal O'Doan, piano)
Concerto in A minor: 3. Allegro moderato molto e marcato
Performed by the Skidmore College Orchestra (courtesy of Musopen)
Notturno, Op. 54, No. 4
Performed live by Mark Gasser
Problems listening to these files? See media help.
The Piano Concerto is his most popular work. Its champions have included the pianist and composer Percy Grainger, a personal friend of Grieg who played the concerto frequently during his long career. An arrangement of part of the work made an iconic television comedy appearance in the 1971 Morecambe and Wise Show, conducted by André Previn.
Some of the Lyric Pieces (for piano) are also well-known, as is the incidental music to Henrik Ibsen's play Peer Gynt, a play that Grieg found to be an arduous work to score properly. In a 1874 letter to his friend Frants Beyer, Grieg expressed his unhappiness with what is now considered one of his most popular compositions from Peer Gynt, In the Hall of the Mountain King: "I have also written something for the scene in the hall of the mountain King - something that I literally can't bear listening to because it absolutely reeks of cow-pies, exaggerated Norwegian nationalism, and trollish self-satisfaction! But I have a hunch that the irony will be discernible."
Grieg is renowned as a nationalist composer, drawing inspiration from Norwegian folk music. Early works include a symphony (which he later suppressed) and a piano sonata. He also wrote three sonatas for violin and piano and a cello sonata. His many short pieces for piano — often based on Norwegian folk tunes and dances — led some to call him the "Chopin of the North".
Concerto in A minor: 1. Allegro molto moderato
Performed by the University of Washington Symphony, conducted by Peter Erős (Neal O'Doan, piano)
Concerto in A minor: 1. Allegro molto moderato
Performed by the Skidmore College Orchestra (courtesy of Musopen)
Concerto in A minor: 2. Adagio
Performed by the University of Washington Symphony, conducted by Peter Erős (Neal O'Doan, piano)
Concerto in A minor: 2. Adagio
Performed by the Skidmore College Orchestra (courtesy of Musopen)
Concerto in A minor: 3. Allegro moderato molto e marcato
Performed by the University of Washington Symphony, conducted by Peter Erős (Neal O'Doan, piano)
Concerto in A minor: 3. Allegro moderato molto e marcato
Performed by the Skidmore College Orchestra (courtesy of Musopen)
Notturno, Op. 54, No. 4
Performed live by Mark Gasser
Problems listening to these files? See media help.
The Piano Concerto is his most popular work. Its champions have included the pianist and composer Percy Grainger, a personal friend of Grieg who played the concerto frequently during his long career. An arrangement of part of the work made an iconic television comedy appearance in the 1971 Morecambe and Wise Show, conducted by André Previn.
Some of the Lyric Pieces (for piano) are also well-known, as is the incidental music to Henrik Ibsen's play Peer Gynt, a play that Grieg found to be an arduous work to score properly. In a 1874 letter to his friend Frants Beyer, Grieg expressed his unhappiness with what is now considered one of his most popular compositions from Peer Gynt, In the Hall of the Mountain King: "I have also written something for the scene in the hall of the mountain King - something that I literally can't bear listening to because it absolutely reeks of cow-pies, exaggerated Norwegian nationalism, and trollish self-satisfaction! But I have a hunch that the irony will be discernible."
Tchaikovsky
Pyotr Il'yich Tchaikovsky (May 7 1840 â November 6 1893) was a Russian composer of the Romantic era. While not part of the nationalistic music group known as "The Five", Tchaikovsky wrote music which, in the opinion of Harold Schonberg, was distinctly Russian: plangent, introspective, with modally-inflected melody and harmony.
Aesthetically, Tchaikovsky remained open to all aspects of Saint Petersburg musical life. He was impressed by Serov and Balakirev as well as the classical values upheld by the conservatory. Both the progressive and conservative camps in Russian music at the time attempted to win him over. Tchaikovsky charted his compositional course between these two factions, retaining his individuality as a composer as well as his Russian identity. In this he was influenced by the ideals of his teacher Nikolai Rubinstein and Nikolai's brother Anton.
Tchaikovsky's musical cosmopolitanism led him to be favored by many Russian music-lovers over the "Russian" harmonies and styles of Mussorgsky, Borodin and Rimsky-Korsakov.
Nonetheless he frequently adapted Russian traditional melodies and dance forms in his music, which enhanced his success in his home country. The success in St. Petersburg at the premiere of his Third Orchestral Suite may have been due in large part to his concluding the work with a polonaise. He also used a polonaise for the final movement of his Third Symphony.
Aesthetically, Tchaikovsky remained open to all aspects of Saint Petersburg musical life. He was impressed by Serov and Balakirev as well as the classical values upheld by the conservatory. Both the progressive and conservative camps in Russian music at the time attempted to win him over. Tchaikovsky charted his compositional course between these two factions, retaining his individuality as a composer as well as his Russian identity. In this he was influenced by the ideals of his teacher Nikolai Rubinstein and Nikolai's brother Anton.
Tchaikovsky's musical cosmopolitanism led him to be favored by many Russian music-lovers over the "Russian" harmonies and styles of Mussorgsky, Borodin and Rimsky-Korsakov.
Nonetheless he frequently adapted Russian traditional melodies and dance forms in his music, which enhanced his success in his home country. The success in St. Petersburg at the premiere of his Third Orchestral Suite may have been due in large part to his concluding the work with a polonaise. He also used a polonaise for the final movement of his Third Symphony.
The Corrs
The Corrs are a Celtic folk rock group from Dundalk, County Louth, Ireland. The group consists of the Corr siblings: Andrea (vocals, tin whistle); Sharon (violin, vocals); Caroline (drums, percussion, bodhrán, vocals); and Jim (guitar, keyboards, vocals).
The Corrs came to international prominence with their performance at the 1996 Summer Olympics in Atlanta, Georgia. Since then, they have released five studio albums and numerous singles, which have reached platinum in many countries. Talk on Corners, their most successful album to date, reached multi-platinum status in Australia and the UK.
The Corrs have been actively involved in philanthropic activities. They have performed in numerous charity concerts such as the Prince's Trust in 2004 and Live 8 alongside Bono in 2005. The same year, they were awarded honorary MBEs for their contributions to music and charity. The Corrs are on hiatus because Sharon, Jim, and Caroline are raising families, while Andrea is pursuing a solo career.
The Corrs came to international prominence with their performance at the 1996 Summer Olympics in Atlanta, Georgia. Since then, they have released five studio albums and numerous singles, which have reached platinum in many countries. Talk on Corners, their most successful album to date, reached multi-platinum status in Australia and the UK.
The Corrs have been actively involved in philanthropic activities. They have performed in numerous charity concerts such as the Prince's Trust in 2004 and Live 8 alongside Bono in 2005. The same year, they were awarded honorary MBEs for their contributions to music and charity. The Corrs are on hiatus because Sharon, Jim, and Caroline are raising families, while Andrea is pursuing a solo career.
Borodin
Alexander Porfiryevich Borodin (12 November 1833 – 27 February 1887) was a Russian Romantic composer and chemist of Georgian–Russian parentage. He was a member of the group of composers called The Five (or "The Mighty Handful"), who were dedicated to producing a specifically Russian kind of art music. He is best known for his symphonies, his two string quartets, and his opera Prince Igor. Music from Prince Igor and his string quartets was later adapted for the musical Kismet.
Benedetto Marcello
Benedetto Giacomo Marcello (Italian: ; 31 July or 1 August 1686 – 24 July 1739) was an Italian composer, writer, advocate, magistrate, and teacher in Venice, Benedetto Marcello was a member of a noble family and in his compositions he is frequently referred to anonymously as Patrizio Veneto (A Noble of Venice). Although he was a music student of Antonio Lotti and Francesco Gasparini, his father wanted Benedetto to devote himself to law. Benedetto managed to combine a life in law and public service with one in music.
Jeno Hubay
Jenő Hubay, Jenő Hubay von Szalatna, Hungarian: szalatnai Hubay Jenő (Hungarian pronunciation: ; 15 September 1858 – 12 March 1937), also known by his German name Eugen Huber (pronounced ), was a Hungarian violinist, composer and music teacher.
Mozart
Wolfgang Amadeus Mozart, full name Johann Chrysostom Wolfgang Amadeus Mozart (27 January 1756 â 5 December 1791) was a prolific and influential composer of the Classical era. His over 600 compositions include works widely acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music. Mozart is among the most enduringly popular of classical composers, and many of his works are part of the standard concert repertoire.
Mozart's music, like Haydn's, stands as an archetypal example of the Classical style. His works spanned the period during which that style transformed from one exemplified by the style galant to one that began to incorporate some of the contrapuntal complexities of the late Baroque, complexities against which the galant style had been a reaction. Mozart's own stylistic development closely paralleled the development of the classical style as a whole. In addition, he was a versatile composer and wrote in almost every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. While none of these genres were new, the piano concerto was almost single-handedly developed and popularized by Mozart. He also wrote a great deal of religious music, including masses; and he composed many dances, divertimenti, serenades, and other forms of light entertainment.
The central traits of the classical style can be identified in Mozart's music. Clarity, balance, and transparency are hallmarks of his work.
Mozart's music, like Haydn's, stands as an archetypal example of the Classical style. His works spanned the period during which that style transformed from one exemplified by the style galant to one that began to incorporate some of the contrapuntal complexities of the late Baroque, complexities against which the galant style had been a reaction. Mozart's own stylistic development closely paralleled the development of the classical style as a whole. In addition, he was a versatile composer and wrote in almost every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. While none of these genres were new, the piano concerto was almost single-handedly developed and popularized by Mozart. He also wrote a great deal of religious music, including masses; and he composed many dances, divertimenti, serenades, and other forms of light entertainment.
The central traits of the classical style can be identified in Mozart's music. Clarity, balance, and transparency are hallmarks of his work.
Sailor Moon
Sailor Moon is the title of a Japanese media franchise created by Naoko Takeuchi. It is generally credited with popularizing the concept of a sentai (team) of magical girls, as well as the general re-emergence of the magical girl genre itself.
The story of the various metaseries revolves around the reincarnated defenders of a kingdom that once spanned the solar system, and the evil forces that they battle. The major characters—called Sailor Senshi (literally "Sailor Soldiers"; frequently called "Sailor Scouts" in the North American version)—are teenage girls who can transform into heroines named for the moon and planets (Sailor Moon, Sailor Mercury, Sailor Mars, etc). The use of "Sailor" comes from a style of girls' school uniform popular in Japan, the sērā fuku (sailor outfit), after which the Senshi's uniforms are modeled. The elements of fantasy in the series are heavily symbolic and often based on mythology.
Music for the Sailor Moon metaseries was written and composed by numerous people, including frequent lyrical contributions by creator Naoko Takeuchi. All of the background musical scores, including the spinoffs, games, and movies, were composed and arranged by Takanori Arisawa, who earned the "Golden Disk Grand Prize" from Columbia Records for his work on the first series soundtrack in 1993. In 1998, 2000, and 2001 he won the JASRAC International Award for most international royalties, owing largely to the popularity of Sailor Moon music in other nations.
The story of the various metaseries revolves around the reincarnated defenders of a kingdom that once spanned the solar system, and the evil forces that they battle. The major characters—called Sailor Senshi (literally "Sailor Soldiers"; frequently called "Sailor Scouts" in the North American version)—are teenage girls who can transform into heroines named for the moon and planets (Sailor Moon, Sailor Mercury, Sailor Mars, etc). The use of "Sailor" comes from a style of girls' school uniform popular in Japan, the sērā fuku (sailor outfit), after which the Senshi's uniforms are modeled. The elements of fantasy in the series are heavily symbolic and often based on mythology.
Music for the Sailor Moon metaseries was written and composed by numerous people, including frequent lyrical contributions by creator Naoko Takeuchi. All of the background musical scores, including the spinoffs, games, and movies, were composed and arranged by Takanori Arisawa, who earned the "Golden Disk Grand Prize" from Columbia Records for his work on the first series soundtrack in 1993. In 1998, 2000, and 2001 he won the JASRAC International Award for most international royalties, owing largely to the popularity of Sailor Moon music in other nations.
Clara Schumann
Clara Josephine Schumann (; née Wieck; 13 September 1819 – 20 May 1896) was a German pianist, composer and piano teacher. Regarded as one of the most distinguished pianists of the Romantic era, she exerted her influence over a 61-year concert career, changing the format and repertoire of the piano recital from displays of virtuosity to programs of serious works. She also composed solo piano pieces, a piano concerto (her Op. 7), chamber music, choral pieces, and songs.
Zoltan Paulinyi
Zoltán Paulínyi Körmendy (Pittsfield, MA, 1977) conhecido pelo nome artístico de Zoltan Paulini, é um violinista, violista (barroco e moderno) e compositor americano-brasileiro. É profissionalmente ativo desde 1995, e utiliza principalmente instrumentos fabricados e restaurados pelo luthier Carlos Martins del Picchia.
Hans Zimmer
Hans Florian Zimmer (born September 12, 1957) is a German film score composer and music producer. He has composed music for over 100 films, including Hollywood blockbusters such as the Pirates of the Caribbean series, Gladiator, The Lion King, The Da Vinci Code and The Dark Knight.
Zimmer spent the early part of his career in the United Kingdom before moving to the United States. He is the head of the film music division at DreamWorks studios, and works with other composers through the company which he founded, Remote Control Productions. His work is notable for integrating electronic music sounds with traditional orchestral arrangements.
Zimmer spent the early part of his career in the United Kingdom before moving to the United States. He is the head of the film music division at DreamWorks studios, and works with other composers through the company which he founded, Remote Control Productions. His work is notable for integrating electronic music sounds with traditional orchestral arrangements.
Astor Piazzola
Astor Pantaleón Piazzolla (Spanish pronunciation: , Italian pronunciation: ; March 11, 1921 – July 4, 1992) was an Argentine tango composer, bandoneon player, and arranger. His oeuvre revolutionized the traditional tango into a new style termed nuevo tango, incorporating elements from jazz and classical music. A virtuoso bandoneonist, he regularly performed his own compositions with a variety of ensembles.
In 1992, American music critic Stephen Holden described Piazzolla as "the world's foremost composer of tango music"
In 1992, American music critic Stephen Holden described Piazzolla as "the world's foremost composer of tango music"
Handel
George Frideric Handel (Friday, 23 February 1685 - Saturday, 14 April 1759) was a German-born Baroque composer who is famous for his operas, oratorios and concerti grossi. Born as Georg Friedrich Handel in Halle, he spent most of his adult life in England, becoming a subject of the British crown on 22 January 1727. His most famous works are Messiah, an oratorio set to texts from the King James Bible; Water Music; and Music for the Royal Fireworks. Strongly influenced by the techniques of the great composers of the Italian Baroque and the English composer Henry Purcell, his music was known to many significant composers who came after him, including Haydn, Mozart, and Beethoven.
Handel's compositions include 42 operas; 29 oratorios; more than 120 cantatas, trios and duets; numerous arias; chamber music; a large number of ecumenical pieces; odes and serenatas; and sixteen organ concerti. His most famous work, the Messiah oratorio with its "Hallelujah" chorus, is among the most popular works in choral music and has become a centerpiece of the Christmas season. Also popular are the Opus 3 and 6 Concerti Grossi, as well as "The Cuckoo and the Nightingale", in which birds are heard calling during passages played in different keys representing the vocal ranges of two birds. Also notable are his sixteen keyboard suites, especially The Harmonious Blacksmith.
Handel introduced various previously uncommon musical instruments in his works: the viola d'amore and violetta marina (Orlando), the lute (Ode for St. Cecilia's Day), three trombones (Saul), clarinets or small high cornets (Tamerlano), theorbo, French horn (Water Music), lyrichord, double bassoon, viola da gamba, bell chimes, positive organ, and harp (Giulio Cesare, Alexander's Feast).
Handel's compositions include 42 operas; 29 oratorios; more than 120 cantatas, trios and duets; numerous arias; chamber music; a large number of ecumenical pieces; odes and serenatas; and sixteen organ concerti. His most famous work, the Messiah oratorio with its "Hallelujah" chorus, is among the most popular works in choral music and has become a centerpiece of the Christmas season. Also popular are the Opus 3 and 6 Concerti Grossi, as well as "The Cuckoo and the Nightingale", in which birds are heard calling during passages played in different keys representing the vocal ranges of two birds. Also notable are his sixteen keyboard suites, especially The Harmonious Blacksmith.
Handel introduced various previously uncommon musical instruments in his works: the viola d'amore and violetta marina (Orlando), the lute (Ode for St. Cecilia's Day), three trombones (Saul), clarinets or small high cornets (Tamerlano), theorbo, French horn (Water Music), lyrichord, double bassoon, viola da gamba, bell chimes, positive organ, and harp (Giulio Cesare, Alexander's Feast).
Alban Berg
Alban Maria Johanne Berg (February 9, 1885 – December 24, 1935) was an Austrian composer. He was a member of the Second Viennese School with Arnold Schoenberg and Anton Webern, and produced compositions that combined Mahlerian Romanticism with a personal adaptation of Schoenberg's twelve-tone technique.
Stephen Sondheim
Stephen Joshua Sondheim (born March 22, 1930) is an American composer and lyricist for stage and film. He is the winner of an Academy Award, multiple Tony Awards (nine, more than any other composer) including the Special Tony Award for Lifetime Achievement in the Theatre (received 2008), multiple Grammy Awards, and a Pulitzer Prize. He has been described as "the greatest and perhaps best-known artist in the American musical theatre." His most famous scores include (as composer/lyricist) A Funny Thing Happened on the Way to the Forum, Company, Follies, A Little Night Music, Sweeney Todd, Sunday in the Park with George, Into the Woods, and Assassins, as well as the lyrics for West Side Story and Gypsy. He was president of the Dramatists Guild from 1973 to 1981.
Cecile Chaminade
Cécile Louise Stéphanie Chaminade (August 8, 1857 – April 13, 1944) was a French composer and pianist.
Born in Paris, she studied at first with her mother, then with Félix Le Couppey, Augustin Savard, Martin Pierre Marsick and Benjamin Godard, but not officially, since her father disapproved of her musical education.
Her first experiments in composition took place in very early days, and in her eighth year she played some of her sacred music to Georges Bizet, who was much impressed with her talents. She gave her first concert when she was eighteen, and from that time on her work as a composer gained steadily in favor. She wrote mostly character pieces for piano, and salon songs, almost all of which were published.
She toured France several times in those earlier days, and in 1892 made her début in England, where her work was extremely popular.
Chaminade married a music publisher from Marseilles, Louis-Mathieu Carbonel, in 1901, and on account of his advanced age the marriage was rumored to be one of convenience. He died in 1907, and Chaminade did not remarry.
In 1908 she visited the United States, and was accorded a very hearty welcome from her innumerable admirers there. Her compositions were tremendous favorites with the American public, and such pieces as the Scarf dance or the Ballet No. 1 were to be found in the music libraries of many lovers of piano music of the time. She composed a Konzertstück for piano and orchestra, the ballet music to Callirhoé and other orchestral works. Her songs, such as The Silver Ring and Ritournelle, were also great favorites. Ambroise Thomas, the celebrated French composer and writer, once said of Chaminade: "This is not a woman who composes, but a composer who is a woman." In 1913, she was awarded the Légion d'Honneur, a first for a female composer. In London, 1903, she made gramophone recordings of six of her compositions for the Gramophone and Typewriter Company; these are among the most sought-after piano recordings by collectors. Before and after World War I, Chaminade recorded many piano rolls, but as she grew older, she composed less and less, dying in Monte Carlo on April 13, 1944.
Born in Paris, she studied at first with her mother, then with Félix Le Couppey, Augustin Savard, Martin Pierre Marsick and Benjamin Godard, but not officially, since her father disapproved of her musical education.
Her first experiments in composition took place in very early days, and in her eighth year she played some of her sacred music to Georges Bizet, who was much impressed with her talents. She gave her first concert when she was eighteen, and from that time on her work as a composer gained steadily in favor. She wrote mostly character pieces for piano, and salon songs, almost all of which were published.
She toured France several times in those earlier days, and in 1892 made her début in England, where her work was extremely popular.
Chaminade married a music publisher from Marseilles, Louis-Mathieu Carbonel, in 1901, and on account of his advanced age the marriage was rumored to be one of convenience. He died in 1907, and Chaminade did not remarry.
In 1908 she visited the United States, and was accorded a very hearty welcome from her innumerable admirers there. Her compositions were tremendous favorites with the American public, and such pieces as the Scarf dance or the Ballet No. 1 were to be found in the music libraries of many lovers of piano music of the time. She composed a Konzertstück for piano and orchestra, the ballet music to Callirhoé and other orchestral works. Her songs, such as The Silver Ring and Ritournelle, were also great favorites. Ambroise Thomas, the celebrated French composer and writer, once said of Chaminade: "This is not a woman who composes, but a composer who is a woman." In 1913, she was awarded the Légion d'Honneur, a first for a female composer. In London, 1903, she made gramophone recordings of six of her compositions for the Gramophone and Typewriter Company; these are among the most sought-after piano recordings by collectors. Before and after World War I, Chaminade recorded many piano rolls, but as she grew older, she composed less and less, dying in Monte Carlo on April 13, 1944.
Andrew Lloyd Webber
Andrew Lloyd Webber, Baron Lloyd-Webber (born 22 March 1948) is an English composer of musical theatre, the elder son of organist William Lloyd Webber and brother of the cellist Julian Lloyd Webber. Lloyd Webber started composing at the age of six, and published his first piece at the age of nine.
Lloyd Webber has achieved great popular success, with several musicals that have run for more than a decade both in the West End and on Broadway. He has composed 13 musicals, a song cycle, a set of variations, two film scores, and a Latin Requiem Mass. He has also gained a number of honours, including a knighthood in 1992, followed by a peerage from the British Government for services to Music, seven Tony Awards (and 40 nominations), three Grammy Awards (with an additional 60 nominations), an Academy Award (two other nominations), seven Olivier Awards (with 100 nominations), a Golden Globe, and the Kennedy Center Honors in 2006. Several of his songs, notably "The Music of the Night" from The Phantom of the Opera, "I Don't Know How to Love Him" from Jesus Christ Superstar, "Don't Cry for Me, Argentina" from Evita, "Any Dream Will Do" from Joseph and the Amazing Technicolor Dreamcoat and "Memory" from Cats have been widely recorded and were hits outside of their parent musicals. His company, the Really Useful Group, is one of the largest theatre operators in London.
Producers in several parts of the UK have staged productions, including national tours, of Lloyd Webber's musicals under licence from the Really Useful Group. According to britishhitsongwriters.com, he is the one hundredth most successful songwriter in U.K. singles chart history, based on weeks that his compositions have spent on the chart.
Lloyd Webber has achieved great popular success, with several musicals that have run for more than a decade both in the West End and on Broadway. He has composed 13 musicals, a song cycle, a set of variations, two film scores, and a Latin Requiem Mass. He has also gained a number of honours, including a knighthood in 1992, followed by a peerage from the British Government for services to Music, seven Tony Awards (and 40 nominations), three Grammy Awards (with an additional 60 nominations), an Academy Award (two other nominations), seven Olivier Awards (with 100 nominations), a Golden Globe, and the Kennedy Center Honors in 2006. Several of his songs, notably "The Music of the Night" from The Phantom of the Opera, "I Don't Know How to Love Him" from Jesus Christ Superstar, "Don't Cry for Me, Argentina" from Evita, "Any Dream Will Do" from Joseph and the Amazing Technicolor Dreamcoat and "Memory" from Cats have been widely recorded and were hits outside of their parent musicals. His company, the Really Useful Group, is one of the largest theatre operators in London.
Producers in several parts of the UK have staged productions, including national tours, of Lloyd Webber's musicals under licence from the Really Useful Group. According to britishhitsongwriters.com, he is the one hundredth most successful songwriter in U.K. singles chart history, based on weeks that his compositions have spent on the chart.
Rimsky-Korsakov
Nikolai Andreyevich Rimsky-Korsakov (Russian: Никола́й Андре́евич Ри́мский-Ко́рсаков, Nikolaj Andreevič Rimskij-Korsakov, Russian pronunciation: ) (18 March 1844, – 21 June 1908) was a Russian composer, and a member of the group of composers known as The Five. He was a master of orchestration. His best-known orchestral compositions—Capriccio Espagnol, the Russian Easter Festival Overture, and the symphonic suite Scheherazade—are considered staples of the classical music repertoire, along with suites and excerpts from some of his 15 operas. Scheherazade is an example of his frequent use of fairy tale and folk subjects.
Rimsky-Korsakov believed, as did fellow composer Mily Balakirev and critic Vladimir Stasov, in developing a nationalistic style of classical music. This style employed Russian folk song and lore along with exotic harmonic, melodic and rhythmic elements in a practice known as musical orientalism, and eschewed traditional Western compositional methods. However, Rimsky-Korsakov appreciated Western musical techniques after he became a professor of musical composition, harmony and orchestration at the Saint Petersburg Conservatory in 1871. He undertook a rigorous three-year program of self-education and became a master of Western methods, incorporating them alongside the influences of Mikhail Glinka and fellow members of The Five. His techniques of composition and orchestration were further enriched by his exposure to the works of Richard Wagner.
Rimsky-Korsakov believed, as did fellow composer Mily Balakirev and critic Vladimir Stasov, in developing a nationalistic style of classical music. This style employed Russian folk song and lore along with exotic harmonic, melodic and rhythmic elements in a practice known as musical orientalism, and eschewed traditional Western compositional methods. However, Rimsky-Korsakov appreciated Western musical techniques after he became a professor of musical composition, harmony and orchestration at the Saint Petersburg Conservatory in 1871. He undertook a rigorous three-year program of self-education and became a master of Western methods, incorporating them alongside the influences of Mikhail Glinka and fellow members of The Five. His techniques of composition and orchestration were further enriched by his exposure to the works of Richard Wagner.
Johann Pachelbel
Johann Pachelbel (pronounced /ˈpækəlbɛl/, /ˈpɑːkəlbɛl/, or /ˈpɑːkəbɛl/; baptized September 1, 1653 – buried March 9, 1706) was a German Baroque composer, organist and teacher, who brought the south German organ tradition to its peak. He composed a large body of sacred and secular music, and his contributions to the development of the chorale prelude and fugue have earned him a place among the most important composers of the middle Baroque era.
Pachelbel's work enjoyed enormous popularity during his lifetime; he had many pupils and his music became a model for the composers of south and central Germany. Today, Pachelbel is best known for the Canon in D, the only canon he wrote - although a true canon at the unison in three parts, it is often regarded more as a passacaglia, and it is in this mode that it has been arranged and transcribed for many different media. In addition to the canon, his most well-known works include the Chaconne in F minor, the Toccata in E minor for organ, and the Hexachordum Apollinis, a set of keyboard variations.
Pachelbel's music was influenced by southern German composers, such as Johann Jakob Froberger and Johann Kaspar Kerll, Italians such as Girolamo Frescobaldi and Alessandro Poglietti, French composers, and the composers of the Nuremberg tradition. Pachelbel preferred a lucid, uncomplicated contrapuntal style that emphasized melodic and harmonic clarity. His music is less virtuosic and less adventurous harmonically than that of Dieterich Buxtehude, although, like Buxtehude, Pachelbel experimented with different ensembles and instrumental combinations in his chamber music and, most importantly, his vocal music, much of which features exceptionally rich instrumentation. Pachelbel explored many variation forms and associated techniques, which manifest themselves in various diverse pieces, from sacred concertos to harpsichord suites.
Pachelbel's work enjoyed enormous popularity during his lifetime; he had many pupils and his music became a model for the composers of south and central Germany. Today, Pachelbel is best known for the Canon in D, the only canon he wrote - although a true canon at the unison in three parts, it is often regarded more as a passacaglia, and it is in this mode that it has been arranged and transcribed for many different media. In addition to the canon, his most well-known works include the Chaconne in F minor, the Toccata in E minor for organ, and the Hexachordum Apollinis, a set of keyboard variations.
Pachelbel's music was influenced by southern German composers, such as Johann Jakob Froberger and Johann Kaspar Kerll, Italians such as Girolamo Frescobaldi and Alessandro Poglietti, French composers, and the composers of the Nuremberg tradition. Pachelbel preferred a lucid, uncomplicated contrapuntal style that emphasized melodic and harmonic clarity. His music is less virtuosic and less adventurous harmonically than that of Dieterich Buxtehude, although, like Buxtehude, Pachelbel experimented with different ensembles and instrumental combinations in his chamber music and, most importantly, his vocal music, much of which features exceptionally rich instrumentation. Pachelbel explored many variation forms and associated techniques, which manifest themselves in various diverse pieces, from sacred concertos to harpsichord suites.
Mariachi Vargas
Mariachi Vargas De Tecalitlán is a Mexican folk ensemble of mariachi music created in 1897 by Gaspar Vargas. From 1950 it has been under the artistic guidance of Rubén Fuentes. The group's musical direction had been the responsibility of Don Jose "Pepe" Martínez from 1975 to around 2013-14. Now the ensemble is under the direction of Carlos Martínez (ex-director of Mariachi Nuevo Tecalitlan).
Ralph Vaughan Williams
Ralph Vaughan Williams is a British musician and composer. He composed symphonies, chamber music, choral music and film music. Date of birth: October 12, 1872, Down Ampney, United Kingdom Date and place of death: August 26, 1958, Hanover Terrace Occupation: Composer, Critic
Arcangelo Corelli
Arcangelo Corelli (17 February 1653 – 8 January 1713) was an Italian violinist and composer of Baroque music.
Corelli was born at Fusignano, in the current-day province of Ravenna, although at the time it was in the province of Ferrara. Little is known about his early life. His master on the violin was Giovanni Battista Bassani. Matteo Simonelli, the well-known singer of the pope’s chapel, taught him composition.
He gained his first major success in Paris at the age of nineteen, and to this he owed his European reputation. From Paris, Corelli went to Germany. In 1681 he was in the service of the electoral prince of Bavaria; between 1680 and 1685 he spent a considerable time in the house of his friend and fellow violinist-composer Cristiano Farinelli (believed to be the uncle of the celebrated castrato Farinelli).
In 1685 Corelli was in Rome, where he led the festival performances of music for Queen Christina of Sweden, and he was also a favorite of Cardinal Pietro Ottoboni, grandnephew of another Cardinal Pietro Ottoboni, who in 1689 became Pope Alexander VIII. From 1689 to 1690 he was in Modena; the Duke of Modena was generous to him. In 1708 he returned to Rome, living in the palace of Cardinal Ottoboni. His visit to Naples, at the invitation of the king, took place in the same year.
The style of execution introduced by Corelli and preserved by his pupils, such as Francesco Geminiani, Pietro Locatelli, and many others, was of vital importance for the development of violin playing. It has been said that the paths of all of the famous violinist-composers of 18th-century Italy led to Arcangelo Corelli who was their "iconic point of reference." (Toussaint Loviko, in the program notes to Italian Violin Concertos, Veritas, 2003)
Corelli was born at Fusignano, in the current-day province of Ravenna, although at the time it was in the province of Ferrara. Little is known about his early life. His master on the violin was Giovanni Battista Bassani. Matteo Simonelli, the well-known singer of the pope’s chapel, taught him composition.
He gained his first major success in Paris at the age of nineteen, and to this he owed his European reputation. From Paris, Corelli went to Germany. In 1681 he was in the service of the electoral prince of Bavaria; between 1680 and 1685 he spent a considerable time in the house of his friend and fellow violinist-composer Cristiano Farinelli (believed to be the uncle of the celebrated castrato Farinelli).
In 1685 Corelli was in Rome, where he led the festival performances of music for Queen Christina of Sweden, and he was also a favorite of Cardinal Pietro Ottoboni, grandnephew of another Cardinal Pietro Ottoboni, who in 1689 became Pope Alexander VIII. From 1689 to 1690 he was in Modena; the Duke of Modena was generous to him. In 1708 he returned to Rome, living in the palace of Cardinal Ottoboni. His visit to Naples, at the invitation of the king, took place in the same year.
The style of execution introduced by Corelli and preserved by his pupils, such as Francesco Geminiani, Pietro Locatelli, and many others, was of vital importance for the development of violin playing. It has been said that the paths of all of the famous violinist-composers of 18th-century Italy led to Arcangelo Corelli who was their "iconic point of reference." (Toussaint Loviko, in the program notes to Italian Violin Concertos, Veritas, 2003)
Bach
Johann Sebastian Bach (31 March 1685 – 28 July 1750) was a German composer and organist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity. Although he introduced no new forms, he enriched the prevailing German style with a robust contrapuntal technique, an unrivalled control of harmonic and motivic organisation in composition for diverse musical forces, and the adaptation of rhythms and textures from abroad, particularly Italy and France.
Revered for their intellectual depth and technical and artistic beauty, Bach's works include the Brandenburg concertos; the Goldberg Variations; the English Suites, French Suites, Partitas, and Well-Tempered Clavier; the Mass in B Minor; the St. Matthew Passion; the St. John Passion; The Musical Offering; The Art of Fugue; the Sonatas and Partitas for violin solo; the Cello Suites; more than 200 surviving cantatas; and a similar number of organ works, including the celebrated Toccata and Fugue in D Minor.
While Bach's fame as an organist was great during his lifetime, he was not particularly well-known as a composer. His adherence to Baroque forms and contrapuntal style was considered "old-fashioned" by his contemporaries, especially late in his career when the musical fashion tended towards Rococo and later Classical styles. A revival of interest and performances of his music began early in the 19th century, and he is now widely considered to be one of the greatest composers in the Western tradition.
Revered for their intellectual depth and technical and artistic beauty, Bach's works include the Brandenburg concertos; the Goldberg Variations; the English Suites, French Suites, Partitas, and Well-Tempered Clavier; the Mass in B Minor; the St. Matthew Passion; the St. John Passion; The Musical Offering; The Art of Fugue; the Sonatas and Partitas for violin solo; the Cello Suites; more than 200 surviving cantatas; and a similar number of organ works, including the celebrated Toccata and Fugue in D Minor.
While Bach's fame as an organist was great during his lifetime, he was not particularly well-known as a composer. His adherence to Baroque forms and contrapuntal style was considered "old-fashioned" by his contemporaries, especially late in his career when the musical fashion tended towards Rococo and later Classical styles. A revival of interest and performances of his music began early in the 19th century, and he is now widely considered to be one of the greatest composers in the Western tradition.
Rachmaninoff
Sergei Vasilievich Rachmaninoff (1 April 1873 - 28 March 1943) was a Russian composer, pianist, and conductor. He was one of the finest pianists of his day and, as a composer, the last great representative of Russian late Romanticism in classical music. Early influences of Tchaikovsky, Rimsky-Korsakov and other Russian composers gave way to a thoroughly personal idiom which included a pronounced lyricism, expressive breadth, structural ingenuity and a tonal palette of rich, distinctive orchestral colors.
Understandably, the piano figures prominently in Rachmaninoff's compositional output, either as a solo instrument or as part of an ensemble. He made it a point, however, to use his own skills as a performer to explore fully the expressive possibilities of the instrument. Even in his earliest works, he revealed a sure grasp of idiomatic piano writing and a striking gift for melody. In some of his early orchestral pieces he showed the first signs of a talent for tone painting, which he would perfect in The Isle of the Dead, and he began to show a similar penchant for vocal writing in two early sets of songs, Opp. 4 and 8. Rachmaninoff's masterpiece, however, is his choral symphony The Bells, in which all of his talents are fused and unified.
Rachmaninoff sometimes felt threatened by the success of modernists such as Scriabin and Prokofiev and wondered whether to cease composing even before he left Russia. His musical philosophy was rooted in the Russian spiritual tradition, where the role of the artist was to create beauty and to speak the truth from the depths of his heart. In his last major interview, in 1941, he admitted his music, like Russian music, was a product of his temperament. He said, on another occasion, "The new kind of music seems to create not from the heart but from the head. Its composers think rather than feel. They have not the capacity to make their works exalt—they meditate, protest, analyze, reason, calculate and brood, but they do not exalt."
Understandably, the piano figures prominently in Rachmaninoff's compositional output, either as a solo instrument or as part of an ensemble. He made it a point, however, to use his own skills as a performer to explore fully the expressive possibilities of the instrument. Even in his earliest works, he revealed a sure grasp of idiomatic piano writing and a striking gift for melody. In some of his early orchestral pieces he showed the first signs of a talent for tone painting, which he would perfect in The Isle of the Dead, and he began to show a similar penchant for vocal writing in two early sets of songs, Opp. 4 and 8. Rachmaninoff's masterpiece, however, is his choral symphony The Bells, in which all of his talents are fused and unified.
Rachmaninoff sometimes felt threatened by the success of modernists such as Scriabin and Prokofiev and wondered whether to cease composing even before he left Russia. His musical philosophy was rooted in the Russian spiritual tradition, where the role of the artist was to create beauty and to speak the truth from the depths of his heart. In his last major interview, in 1941, he admitted his music, like Russian music, was a product of his temperament. He said, on another occasion, "The new kind of music seems to create not from the heart but from the head. Its composers think rather than feel. They have not the capacity to make their works exalt—they meditate, protest, analyze, reason, calculate and brood, but they do not exalt."
César Franck
César-Auguste-Jean-Guillaume-Hubert Franck was a composer, pianist, organist, and music teacher who worked in Paris during his adult life. He was born at Liège, in what is now Belgium. He gave his first concerts there in 1834 and studied privately in Paris from 1835, where his teachers included Anton Reicha.
Marcel Dupré
French organist, composer, and pedagogue.Marcel Dupré, foremost French organ virtuoso of his time, famed for his ability to improvise and influential as a teacher. Dupré gave his first organ recital at age .
Robert Douglas Kerr
Robert Douglas Kerr is an accomplished player of the Scottish Harp or Clarsach. He is also the leader of the Sounds Braw Ceilidh Band.Based in Edinburgh, Robert has been a professional musician since October, 1989.Robert's services are in great demand for wedding ceremonies and receptions, christenings, 18th and 21st birthday parties, silver weddings and indeed any anniversary or celebration.
Eugene Ysaye
Eugène Ysaÿe (French: ; 16 July 1858 – 12 May 1931) was a Belgian violinist, composer and conductor. He was regarded as "The King of the Violin", or, as Nathan Milstein put it, the "tsar".
Fariborz Lachini
He started his career in Iran writing music for children, creating "Avaz Faslha va Rangha" at the age of 18 which caught the attention of royal family of the time. The title of national Iranian TV's children programming for more than two decades, was one of his earlier works. Before Iran's Islamic Revolution, he also created music for some of Iran's pop icons.
After the Islamic Revolution he moved to Europe to study Musicology in the Universite de Paris – Sorbonne. It was then that his music became influenced by the European styles. He returned home and created one of the best loved contemporary solo piano albums of all in Iran with a unique style, a combination of Persian and European Romantic styles called "Paeez Talaee", also known as Golden Autumn, which has been the number-one seller for years in Iran and has attracted fans from all around the world
After the Islamic Revolution he moved to Europe to study Musicology in the Universite de Paris – Sorbonne. It was then that his music became influenced by the European styles. He returned home and created one of the best loved contemporary solo piano albums of all in Iran with a unique style, a combination of Persian and European Romantic styles called "Paeez Talaee", also known as Golden Autumn, which has been the number-one seller for years in Iran and has attracted fans from all around the world
Haydn
Franz Joseph Haydn (March 31, 1732 – May 31, 1809) was one of the most prominent composers of the classical period, and is called by some the "Father of the Symphony" and "Father of the String Quartet".
A life-long resident of Austria, Haydn spent most of his career as a court musician for the wealthy Hungarian Esterházy family on their remote estate. Isolated from other composers and trends in music until the later part of his long life, he was, as he put it, "forced to become original".
Although Haydn is still often called "Franz Joseph Haydn", the composer did not use the name "Franz" during his lifetime and this misnomer is avoided by modern scholars and historians. Joseph Haydn was the brother of Michael Haydn, himself a highly regarded composer, and Johann Evangelist Haydn, a tenor.
A central characteristic of Haydn's music is the development of larger structures out of very short, simple musical motifs, often derived from standard accompanying figures. The music is often quite formally concentrated, and the important musical events of a movement can unfold rather quickly.
Haydn's work was central to the development of what came to be called sonata form. His practice, however, differed in some ways from that of Mozart and Beethoven, his younger contemporaries who likewise excelled in this form of composition. Haydn was particularly fond of the so-called "monothematic exposition", in which the music that establishes the dominant key is similar or identical to the opening theme. Haydn also differs from Mozart and Beethoven in his recapitulation sections, where he often rearranges the order of themes compared to the exposition and uses extensive thematic development.
Perhaps more than any other composer's, Haydn's music is known for its humour. The most famous example is the sudden loud chord in the slow movement of his "Surprise" symphony; Haydn's many other musical jokes include numerous false endings (e.g., in the quartets Op. 33 No. 2 and Op. 50 No. 3), and the remarkable rhythmic illusion placed in the trio section of the third movement of Op. 50 No. 1.
A life-long resident of Austria, Haydn spent most of his career as a court musician for the wealthy Hungarian Esterházy family on their remote estate. Isolated from other composers and trends in music until the later part of his long life, he was, as he put it, "forced to become original".
Although Haydn is still often called "Franz Joseph Haydn", the composer did not use the name "Franz" during his lifetime and this misnomer is avoided by modern scholars and historians. Joseph Haydn was the brother of Michael Haydn, himself a highly regarded composer, and Johann Evangelist Haydn, a tenor.
A central characteristic of Haydn's music is the development of larger structures out of very short, simple musical motifs, often derived from standard accompanying figures. The music is often quite formally concentrated, and the important musical events of a movement can unfold rather quickly.
Haydn's work was central to the development of what came to be called sonata form. His practice, however, differed in some ways from that of Mozart and Beethoven, his younger contemporaries who likewise excelled in this form of composition. Haydn was particularly fond of the so-called "monothematic exposition", in which the music that establishes the dominant key is similar or identical to the opening theme. Haydn also differs from Mozart and Beethoven in his recapitulation sections, where he often rearranges the order of themes compared to the exposition and uses extensive thematic development.
Perhaps more than any other composer's, Haydn's music is known for its humour. The most famous example is the sudden loud chord in the slow movement of his "Surprise" symphony; Haydn's many other musical jokes include numerous false endings (e.g., in the quartets Op. 33 No. 2 and Op. 50 No. 3), and the remarkable rhythmic illusion placed in the trio section of the third movement of Op. 50 No. 1.
Henryk Wieniawski
Henryk Wieniawski (10 July 1835 – 31 March 1880) was a Polish violinist and composer. He was considered a violinist of genius and wrote some of the most important works in the violin repertoire, including two extremely difficult violin concertos, the second of which (in D minor, 1862) is more often performed than the first (in F♯ minor, 1853). His "L'Ecole Moderne, 10 Etudes-Caprices" is a very well known and required work for aspiring violinists. His Scherzo-Tarantelle, Op. 16 and Légende, Op. 17 are also frequently performed works. He also wrote two popular mazurkas for solo violin and piano accompaniment (the second one, Obertas, in G Major), using techniques such as left-hand pizzicato, harmonics, large leaps, and many double stops. Wieniawski has been given a number of posthumous honors. His portrait appeared on a postage stamp of Poland in 1952 and again in 1957. A 100 Złoty coin was issued in 1979 bearing his image.
What is sometimes called the "Russian bow grip" ought to be called the "Wieniawski bow grip": Wieniawski taught his students his own kind of very stiff bowing that allowed him to play a "devil's staccato" with ease. This "devil's staccato" was easily used to discipline students.
What is sometimes called the "Russian bow grip" ought to be called the "Wieniawski bow grip": Wieniawski taught his students his own kind of very stiff bowing that allowed him to play a "devil's staccato" with ease. This "devil's staccato" was easily used to discipline students.
Scott Joplin
Scott Joplin (between June 1867 and January 1868 – April 1, 1917) was an American musician and composer of ragtime music. He remains the best-known ragtime figure and is regarded as one of the three most important composers of classic ragtime, along with James Scott and Joseph Lamb, and also a precursor to Stride Piano. Decades after his death, his music enjoyed a considerable surge of popularity and critical respect in the 1970s, especially for his most famous composition, "The Entertainer."
Even at the time of publication, Joplin's publisher John Stark was claiming that the rags had obtained classical status, and "lifted ragtime from its low estate and lined it up with Beethoven and Bach".
Even at the time of publication, Joplin's publisher John Stark was claiming that the rags had obtained classical status, and "lifted ragtime from its low estate and lined it up with Beethoven and Bach".
W.A. Mozart
Wolfgang Amadeus Mozart (German: , full baptismal name Johannes Chrysostomus Wolfgangus Theophilus Mozart (27 January 1756 – 5 December 1791), was a prolific and influential composer of the Classical era. He composed over 600 works, many acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music. He is among the most enduringly popular of classical composers.
Mozart showed prodigious ability from his earliest childhood in Salzburg. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty; at 17 he was engaged as a court musician in Salzburg, but grew restless and traveled in search of a better position, always composing abundantly. While visiting Vienna in 1781, he was dismissed from his Salzburg position. He chose to stay in the capital, where he achieved fame but little financial security. During his final years in Vienna, he composed many of his best-known symphonies, concertos, and operas, and the Requiem. The circumstances of his early death have been much mythologized. He was survived by his wife Constanze and two sons.
Mozart learned voraciously from others, and developed a brilliance and maturity of style that encompassed the light and graceful along with the dark and passionate—the whole informed by a vision of humanity "redeemed through art, forgiven, and reconciled with nature and the absolute." His influence on subsequent Western art music is profound. Beethoven wrote his own early compositions in the shadow of Mozart, of whom Joseph Haydn wrote that "posterity will not see such a talent again in 100 years."
Mozart showed prodigious ability from his earliest childhood in Salzburg. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty; at 17 he was engaged as a court musician in Salzburg, but grew restless and traveled in search of a better position, always composing abundantly. While visiting Vienna in 1781, he was dismissed from his Salzburg position. He chose to stay in the capital, where he achieved fame but little financial security. During his final years in Vienna, he composed many of his best-known symphonies, concertos, and operas, and the Requiem. The circumstances of his early death have been much mythologized. He was survived by his wife Constanze and two sons.
Mozart learned voraciously from others, and developed a brilliance and maturity of style that encompassed the light and graceful along with the dark and passionate—the whole informed by a vision of humanity "redeemed through art, forgiven, and reconciled with nature and the absolute." His influence on subsequent Western art music is profound. Beethoven wrote his own early compositions in the shadow of Mozart, of whom Joseph Haydn wrote that "posterity will not see such a talent again in 100 years."
Heinrich Ignaz Franz Biber
Heinrich Ignaz Franz Biber (12 August 1644 (baptised) – 3 May 1704) was a Bohemian-Austrian composer and violinist. Born in the small Bohemian town of Wartenberg (now Stráž pod Ralskem), Biber worked in Graz and Kremsier (now Kroměříž) before he illegally left his Kremsier employer, Prince-Bishop Carl Liechtenstein-Kastelkorn, and settled in Salzburg. He remained there for the rest of his life, publishing much of his music but apparently seldom, if ever, giving concert tours.
Stephen Foster
Stephen Collins Foster (July 4, 1826 – January 13, 1864), known as the "father of American music," was the pre-eminent songwriter in the United States of the 19th century. His songs, such as "Oh! Susanna", "Camptown Races", "Old Folks at Home" ("Swanee River"), "Hard Times Come Again No More", "My Old Kentucky Home", "Old Black Joe", and "Beautiful Dreamer", remain popular over 150 years after their composition.
Stephen Foster was inducted into the Songwriters Hall of Fame in 1970.
"My Old Kentucky Home" is the official state song of Kentucky, adopted by the General Assembly on March 19, 1928. "Old Folks at Home" is the official state song of Florida, designated in 1935.
The melody of Foster's "Old Dog Tray" is incorporated into Puccini's opera La Fanciulla del West (as the aria Che faranno).
Eighteen of Foster's compositions were recorded and released on the Beautiful Dreamer: The Songs of Stephen Foster collection. Among the artists that are featured on the album are John Prine, Alison Krauss, Yo Yo Ma, Roger McGuinn, Mavis Staples and Suzy Bogguss. The album won the Grammy for Best Traditional Folk Album in 2005.
Douglas Jimerson, a tenor from Baltimore who has released CD's of music from the Civil War era, released Stephen Foster's America in 1998.
American singer-songwriter Chris Stuart penned and recorded "Dear Friends and Gentle Hearts," a mournful song about Foster's sad fate.
American classical composer Charles Ives freely quoted a wide variety of Foster's songs in many of his own works.
A Squirrel Nut Zippers song titled "The Ghost of Stephen Foster" features references to his most famous works, including "Camptown Races".
Stephen Foster was inducted into the Songwriters Hall of Fame in 1970.
"My Old Kentucky Home" is the official state song of Kentucky, adopted by the General Assembly on March 19, 1928. "Old Folks at Home" is the official state song of Florida, designated in 1935.
The melody of Foster's "Old Dog Tray" is incorporated into Puccini's opera La Fanciulla del West (as the aria Che faranno).
Eighteen of Foster's compositions were recorded and released on the Beautiful Dreamer: The Songs of Stephen Foster collection. Among the artists that are featured on the album are John Prine, Alison Krauss, Yo Yo Ma, Roger McGuinn, Mavis Staples and Suzy Bogguss. The album won the Grammy for Best Traditional Folk Album in 2005.
Douglas Jimerson, a tenor from Baltimore who has released CD's of music from the Civil War era, released Stephen Foster's America in 1998.
American singer-songwriter Chris Stuart penned and recorded "Dear Friends and Gentle Hearts," a mournful song about Foster's sad fate.
American classical composer Charles Ives freely quoted a wide variety of Foster's songs in many of his own works.
A Squirrel Nut Zippers song titled "The Ghost of Stephen Foster" features references to his most famous works, including "Camptown Races".
Bela Bartok
Béla Viktor János Bartók (pronounced /ˈbɑrtɒk/ (Wells 1990), Hungarian pronunciation: ) (March 25, 1881 – September 26, 1945) was a Hungarian composer and pianist. He is considered to be one of the greatest composers of the 20th century and is regarded, along with Liszt, as his country's greatest composer (Gillies 2001). Through his collection and analytical study of folk music, he was one of the founders of ethnomusicology.
Jean Sibelius
Jean Sibelius ( pronunciation (help·info)) (8 December 1865 – 20 September 1957) was a Finnish composer of the later Romantic period whose music played an important role in the formation of the Finnish national identity. His mastery of the orchestra has been described as "prodigious."
The core of Sibelius's oeuvre is his set of seven symphonies. Like Beethoven, Sibelius used each successive work to further develop his own personal compositional style. His works continue to be performed frequently in the concert hall and are often recorded.
In addition to the symphonies, Sibelius's best-known compositions include Finlandia, the Karelia Suite, Valse triste, the Violin Concerto in D minor and The Swan of Tuonela (one of the four movements of the Lemminkäinen Suite). Other works include pieces inspired by the Finnish national epic, the Kalevala; over 100 songs for voice and piano; incidental music for 13 plays; the opera Jungfrun i tornet (The Maiden in the Tower); chamber music; piano music; Masonic ritual music; and 21 separate publications of choral music.
The core of Sibelius's oeuvre is his set of seven symphonies. Like Beethoven, Sibelius used each successive work to further develop his own personal compositional style. His works continue to be performed frequently in the concert hall and are often recorded.
In addition to the symphonies, Sibelius's best-known compositions include Finlandia, the Karelia Suite, Valse triste, the Violin Concerto in D minor and The Swan of Tuonela (one of the four movements of the Lemminkäinen Suite). Other works include pieces inspired by the Finnish national epic, the Kalevala; over 100 songs for voice and piano; incidental music for 13 plays; the opera Jungfrun i tornet (The Maiden in the Tower); chamber music; piano music; Masonic ritual music; and 21 separate publications of choral music.
Luigi Boccherini
Ridolfo Luigi Boccherini (/ˌbɒkəˈriːni/, also US: /ˌboʊk-/, Italian: (About this soundlisten); 19 February 1743 – 28 May 1805) was an Italian, later Spanish, composer and cellist of the Classical era whose music retained a courtly and galante style even while he matured somewhat apart from the major European musical centers. He is best known for a minuet from his String Quintet in E, Op. 11, No. 5 (G 275), and the Cello Concerto in B flat major (G 482). The latter work was long known in the heavily altered version by German cellist and prolific arranger Friedrich Grützmacher, but has recently been restored to its original version.
Gabriel Faure
Gabriel Urbain Fauré (12 May 1845 – 4 November 1924) was a French composer, organist, pianist, and teacher. He was the foremost French composer of his generation, and his musical style influenced many 20th century composers. His harmonic and melodic language affected how harmony was later taught.
Yuki Kajiura
Yuki Kajiura (梶浦 由記 Kajiura Yuki?, born August 6, 1965 in Tokyo, Japan) is a Japanese composer and music producer. She has provided the music for several popular anime series, such as the final Kimagure Orange Road movie, Noir, .hack//Sign, Aquarian Age, Madlax, My-HiME, My-Otome, .hack//Roots, Pandora Hearts, Puella Magi Madoka Magica, Sword Art Online, Tsubasa Chronicle and the Kara no Kyoukai movies (amongst others). She also assisted Toshihiko Sahashi with Mobile Suit Gundam SEED and Mobile Suit Gundam SEED Destiny. Kajiura has also composed for video games, including the cutscene music for Xenosaga II and the entire Xenosaga III game soundtrack.
Charles Ives
Charles Edward Ives (/aɪvz/; October 20, 1874 – May 19, 1954) was an American modernist composer, one of the first American composers of international renown. His music was largely ignored during his early life, and many of his works went unperformed for many years. Later in life, the quality of his music was publicly recognized, and he came to be regarded as an "American original". He was also among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones.
Zac Brown Band
Zac Brown Band is an American country/rock band based in Atlanta, Georgia. The lineup consists of Zac Brown (lead vocals, guitar), Jimmy De Martini (fiddle, vocals), John Driskell Hopkins (bass guitar, guitar, baritone guitar, banjo, ukulele, upright bass, vocals), Coy Bowles (guitar, keyboards), Chris Fryar (drums), Clay Cook (guitar, keyboards, mandolin, steel guitar, vocals), Matt Mangano (bass guitar), and Daniel de los Reyes (percussion).
Alison Krauss
Alison Krauss (born July 23, 1971 in Decatur, Illinois) is an American bluegrass-country singer and fiddler. She entered the music industry at an early age, winning local contests by the age of ten and recording for the first time at fourteen. She signed with Rounder Records in 1985 and released her first solo album in 1987. She was invited to join the band with which she still performs, Alison Krauss + Union Station (AKUS), and later released her first album with them as a group in 1989.
She has released eleven albums, appeared on numerous soundtracks, and helped renew interest in bluegrass music in the United States. Her soundtrack performances have led to further popularity, including the Grammy-winning O Brother, Where Art Thou? soundtrack, an album also credited with raising American interest in bluegrass, and the Cold Mountain soundtrack, which led to her performance at the 2004 Academy Awards. During her career she has won 26 Grammy Awards, making her the most awarded female artist (and the third most awarded artist overall) in Grammy history.
She has released eleven albums, appeared on numerous soundtracks, and helped renew interest in bluegrass music in the United States. Her soundtrack performances have led to further popularity, including the Grammy-winning O Brother, Where Art Thou? soundtrack, an album also credited with raising American interest in bluegrass, and the Cold Mountain soundtrack, which led to her performance at the 2004 Academy Awards. During her career she has won 26 Grammy Awards, making her the most awarded female artist (and the third most awarded artist overall) in Grammy history.
Vittorio Monti
Vittorio Monti (6 January 1868 – 20 June 1922) was an Italian composer, violinist, and conductor. Monti was born in Naples where he studied violin and composition at the Conservatorio di San Pietro a Majella. Around 1900 he got an assignment as the conductor for the Lamoureux Orchestra in Paris, where he wrote several ballets and operettas, for example Noël de Pierrot.
His only famous work is his Csárdás, written around 1904 and played by almost every gypsy orchestra.
His only famous work is his Csárdás, written around 1904 and played by almost every gypsy orchestra.
Isaac Albeniz
Isaac Albéniz i Pascual (Spanish pronunciation: ) (May 29, 1860 – May 18, 1909) was a Spanish pianist and composer best known for his piano works based on folk music.
Albéniz’ Suite Española Op.47 is comprised mainly of pieces written in 1886, and grouped together in 1887 in honor of the Queen of Spain. Like many of Albéniz' piano pieces, these works are miniature tone pictures of different geographical regions and musical idioms of Spain. The eight original titles are Granada, Cataluna, Sevilla, Cadiz, Asturias, Aragon, Castilla and Cuba but only the first three titles and Cuba appeared in the original collection. The other pieces were published in later collections, often with different titles. The publisher Hofmeister published all eight titles of Suite Espanola in 1911 after Albéniz’ death, appropriating other pieces for the other four titles so those pieces do not always accurately reflect the geographic designation of the titles, most obviously in the case of Asturias (Leyenda) whose Andalusian flamenco rhythms bear little resemblance to the music of the northern province Asturias. The opus number 47 assigned by Hofmeister has no relation to any chronological order in Albéniz’ oeuvre, in which opus numbers were randomly given by publishers or by Albéniz himself, with some pieces appearing in more than one collection.
Albéniz’ Suite Española Op.47 is comprised mainly of pieces written in 1886, and grouped together in 1887 in honor of the Queen of Spain. Like many of Albéniz' piano pieces, these works are miniature tone pictures of different geographical regions and musical idioms of Spain. The eight original titles are Granada, Cataluna, Sevilla, Cadiz, Asturias, Aragon, Castilla and Cuba but only the first three titles and Cuba appeared in the original collection. The other pieces were published in later collections, often with different titles. The publisher Hofmeister published all eight titles of Suite Espanola in 1911 after Albéniz’ death, appropriating other pieces for the other four titles so those pieces do not always accurately reflect the geographic designation of the titles, most obviously in the case of Asturias (Leyenda) whose Andalusian flamenco rhythms bear little resemblance to the music of the northern province Asturias. The opus number 47 assigned by Hofmeister has no relation to any chronological order in Albéniz’ oeuvre, in which opus numbers were randomly given by publishers or by Albéniz himself, with some pieces appearing in more than one collection.
Aqua timez
Aqua timezFutoshi and OKP-Star met on with9.com in 2000 and attempted to start a band together. Unable to agree on the band's future, the two disbanded. In 2003, the current band members gathered and formed Aqua Timez. Their first independent music mini album, Sora Ippai ni Kanaderu Inori, was released in August 2005.[3